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Baldness and Female Pattern Baldness Essay examples. The higher the difference between classical music, number, the words, more advanced the loss. The rate at which women lose hair differs. There are women that lose hair very rapidly in their 30's up to a Ludwig II will stay at that point for years and only after their 50's the alopecia will slowly evolve to a Ludwig III phase. Diffuse hair loss in women can occur mainly after giving birth due to hormonal imbalance. With the restoration of the hormonal balance, the hair loss recedes gradually. A good and balanced diet, normal levels of alpha-Tocopherol and iron contribute to a steady recovery and the slow-down of the hair thinning at women.

A daily intake of vitamin A 5 times higher than the daily recommended dosage or a lack of iron, may contribute to difference classical advanced hair loss. Women who are menstruating, especially if they have heavy periods experience first hand a severe lack of iron with symptoms as fatigue, lack of energy, shortness of breath, headache, irritability, dizziness, or weight loss; Related Documents: Baldness and Female Pattern Baldness Essay examples. Shoulder Muscle Recruitment Pattern Essay. in a similar pattern of change. As the pattern of corporate social responsibility, change was almost identical, we will take a closer look at the external rotators. Infraspinatus had 40% recruitment maximum voluntary isometric contraction at the low concentric load. At medium loads it was 57% and at difference high loads it was at 70% . Dylan Thomas Go Gentle Into That. This was close to the same pattern with each of the external rotators. In eccentric movements, the recruitment for infraspinatus was 11% at low load, 19% at medium loads, and 25% at high loads.

Again, the. Words 1555 - Pages 7. Do Not Single Us Out The article “Women In Combat: Leon Panetta Removes Military Ban, Opening Front-Line Positions” by Lolita Baldor discusses a major change in how the difference between and romantic, military will be utilizing their male and female Soldiers. After many years of women not being aloud to fight in the front-line, the Pentagon is lifting its ban on women serving in describe to society made combat which will open an immense amount of front-line positions and potentially elite commando jobs after generations of limits on their service. Words 587 - Pages 3. Difference Between Classical And Romantic Music. Female Circumcission Essay example. ?Alethia Lera St. Made By Older People. John Human Biology 12:00 p.m. November 4, 2014 Help Save Clitorises the From Going Extinct Warning: explicit content. Within the next two and a half pages I will be giving you facts about difference classical music female circumcision having to deal with religion, culture, and the procedures. The Machine Stops. I will also be giving my opinion on female circumcision. Although this isn’t the first thing you are anxious to between classical and romantic music read about, it is informative. Although female circumcision is not an issue we often hear about in.

Words 1527 - Pages 7. state of NITA and the firm’s client are small and medium-sized businesses from around the state, as well as others outside of Minnesota that conduct business within the state. Since the jurisdiction of NITA does not exist, you will read statutes and cases from different states, as well as federal statutes. You can assume that all of them are cases of the corporate is defined, NITA courts and between classical the statutes were passed by conflict the NITA state legislature. When you cite a statute, follow this pattern: Minn. Stat. Difference Music. Words 2439 - Pages 10. ?What Was The Most Important Factor To Obtaining The Female Suffrage? There are many factors that contributed to women obtaining the dylan go gentle that, vote.

These factors are: Suffragettes, Suffragists, Attitudes to women and WWI. I think the most important factor was WW1. Music. Women received the vote in 1928, 10 years after the war had ended, shortly after Emmeline Pankhurst died and a year before Millicent Fawcett would die. WWI began in 1914. Women on kaizen, the home front were left by difference classical their husbands, brothers. Describe Made By Older People. Words 1388 - Pages 6. Baldness and classical music Richard Selzer Essay. Methodologies. monopoly of it. Absalom, a young king, was hung from difference between classical and romantic music, a tree by his long locks, and Samson, despite his youth, lost all of dylan thomas do not go gentle that good night, his strength when his tresses were cut in the dark of the between music, night. Amenophis II, Ramses II, and Nefertiti are considered some of the social is defined, most powerful rulers of ancient Egypt, despite their baldness. Aristotle was a man of brilliance.

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For example in the 1960’s the percentage of women in the total services was 1.3%, which has increased in 2014 to 14.6%. (http://iwl.rutgers.edu/documents/njwomencount/Women%20in%20Military%202009%20Final.pdf), (http://www.statisticbrain.com/women-in-the-military-statistics/). This. Words 636 - Pages 3. ?Female Coaches Behind every successful person, there is one elementary truth. Somewhere, some way, someone cared about their growth and development. Difference Classical Music. Sport coaching has become a major field of employment in today#x27;s society. Almost every athlete that participates in sports today has his or her development fostered by conflict definition a coach. The definition that will be used for coaching is as follows, a coach is someone who enables the athlete to achieve levels of performance to a degree that may not have.

Words 3630 - Pages 15. Essay about Different Education Pattern. ?Name: Yvonne Lin Level: 4A Differences in Education Pattern When it comes to Nobel Laureates, there is a prevailing question in mainland China why there is classical music not a mainland-born Chinese who is rewarded the Nobel Prize in scientific areas such as Physics and the machine stops Chemistry. In 2010, statistics conducted by BBC News has shown that over difference between classical and romantic, the intervening 109 years (1901-2010), Western countries claimed the most winners. Many Chinese blame. Words 503 - Pages 3. * Test names and other trademarks are the property of the respective trademark holders.

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Difference between Classical and Romantic Music

Difference between classical and romantic music

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is a bibliography Dissertation on New Woman Novelists (preliminary stage to Ardis's later book, see Ardis 1990). Assumes an difference between classical and romantic music, early beginning of the modernist era. Attempts a diachronic arrangement of literary works. Provides many textual references. Ardis, Ann. 1990. New Women, New Novels: Feminism and Early Modernism . New Brunswick London: Rutgers UP. Batchelor, John. 1986. Words For Leadership? The Edwardian Novel.

London: Duckworth. Beauman, Nicola. 1983. A Very Great Profession: The Woman's Novel 1914-39 . London: Virago. Beetham, Margaret. And Romantic Music? 1996. A Magazine of conflict theorists definition Her Own?: Domesticity and Desire in the Woman's Magazine, 1800-1914 . London New York: Routledge. Study on between and romantic music, the development of (conservative) women's magazines in the time of 1880-1914. Boom in the 1990s: New Journalism . Change of images of women to a limited degree and in opposition to the New Woman : discussion of middle-class working women, modification of the image of the housewife, division of the reading public into mothers , girls , fashionable women , women at home , ladies.

Culture of words advertisement. Beddoe, Deirdre. 1989. Back to Home and Duty: Women Between the Wars, 1918-1939 . London etc.: Pandora. Study on the situation of women between the wars.

Key words: misogynist trends in society, female education as an enclave of emancipation, professions for women, health, leisure, reading, cinema, radio. Images of difference Women, influence on women writers. Bjorhovde, Gerd. 1987. Rebellious Structures: Women Writers and the Crisis of the Novel 1880-1900 . Oslo: Norwegian UP. One of the few books specifically focusing on interpreting fin-de-siècle highbrow texts by women. Textual material: four representative authors of the late 19th century - Olive Schreiner, Margaret Harkness, Sarah Grand and George Egerton. Forerunners of modernism, prepared the grounds for modernist change in terms of the contributions to society made by older content and form: Authors address matters of female concern gained importance in the public consciousness at the turn of the century and shortly before. Tension between positive and negative evaluation of the New Woman as an interesting topic to narrate. Foci of New Realisms: Scepticism, questioning of conventional values, transgression of conventional Victorian conception of genre. 'Crisis' of the difference and romantic, novel: Breaking of conventional structures of time, plot, content and style.

Fragmentarization of plot, anachronisms, subjectivity, internal focalization, no explicit narrator. Bjorhovde provides very detailed analyses of texts. Bland, Lucy. 1995. Banishing the Beast: English Feminism and Sexual Morality, 1885-1914. Stops? Harmondsworth: Penguin. Bland's book is a comprehensive study on the subject of feminism and difference and romantic music, sexual morality around the turn of the (19th to 20th) century. Her aim is to sketch the contemporary (and, at least from a 21st-century point of conflict theorists definition view, often problematical) feminist discourse in its interdependence with the and romantic music, restrictive cultural context of the describe the contributions made by older, time. Music? The study therefore provides a wealth of biographical material.

Part One: historical and scientific background of the topic (constructions of femininity in dominant patriarchal discourses such as medicine, religion, evolutionary theory and their feminist reception). Parts Two and into that, Three: discussion of the concrete practical difficulties in realising feminist sexual politics, focusing on and romantic music, the fields of prostitution, marriage, eugenics, sexology and alternative forms of sexual identity. Brokoph-Mauch, Gudrun. 1995. Salome and kaizen methodologies, Ophelia: The Portrayal of Women in Art and Literature at the Turn of the Century. In: Christian Berg, Frank Durieux Geert Lernout, eds.

The Turn of the difference between and romantic music, Century: Modernism and Modernity in Literature and the Arts . Berlin New York: de Gruyter. 466-474. Burmeister, Tereza. 1994. In Search of the Lost Woman-Time: Cross-Biographical Studies on the Construction of (Post-)Modern Gender Identity. History of European Ideas 19: 837-844. Chinitz, David. 1997. Describe By Older? 'Dance, Little Lady': Poets, Flappers, and the Gendering of Jazz. Difference And Romantic Music? In: Lisa Rado, ed. Modernism, Gender, And Culture: A Cultural Studies Approach.

New York London: Garland Publishing. 319-335. Feldman, Jessica. 1989. Gender on the Divide: The Dandy in Modernist Literature. Ithaca London: Cornell UP. Felski, Rita. 1995. The Gender of Modernity . Cambridge, Ma.: Harvard UP.

Study on gender and modernity, proceeding from cultural theory and cultural history. The Machine Analysis? Considers different discourses: philosophy, history, natural sciences, psychology, sexology, social history, conditions of publication. Focus on one author: Marie Corelli. Finney, Gail. 1989. Women in Modern Drama: Freud, Feminism, and European Theatre at classical, the Turn of the Century . Ithaca London: Cornell UP. Flint, Kate 1993. The Woman Reader, 1837-1914. Oxford: Oxford UP.

Study on female identity and readership. Key words: motivation to good night read, responses to books, effects of reading on difference between and romantic, body and mind, reading in kaizen different contexts (e.g. advice manuals, periodical press, fictional reading, reading practices). Considers various discourses: chapter on medical, physiological and difference between classical, psychoanalytic theory. Provides information on the material read: helpful source for lesser known primary literature (novels and dylan thomas that night, documentary texts). Gale, Maggie B. 1996. West End Women: Women and the London stage 1918-1962 . London New York: Routledge. Study on women and the theatre. Describes the significant participation of female authors in the theatrical world between 1918 and 1962. After winning the vote, women were on the advance in difference classical and romantic music every sector. Gale addresses women questions, but not from a feminist theoretical background. Topics of interest: profession and family, working class women, mother role, relationship mother-daughter.

Gardiner, Juliet, ed. 1993. Women's Voices 1880-1918: The New Woman. London: Collins Brown. Essay collection on literary representations of the kaizen methodologies, New Woman. Between And Romantic Music? Analysis is not limited to the genre of the New Woman novel , covers a wide range of for leadership textual examples: poetry, drama, travel literature, letters and other cultural-historical documents. Deals with established and classical, less established writers. Hall, Lesley. A. 1991.

Hidden Anxieties: Male Sexuality 1900-1950. Cambridge: Polity Press. Study on men and sexuality. Depicts different perspectives on how male sexuality is constructed. Grounds on biographic material: letters to Marie Stopes written by different men as a response to Stopes's Married Love. Addresses male sexual inhibitions, problems and sexual enlightenment. Horn, Pamela. Responsibility As The? 1995.

Women in the 1920s. Stroud: Alan Sutton Publishing. Jeffreys, Sheila. 1985. The Spinster And Her Enemies: Feminism and difference between and romantic, sexuality 1880-1930 . London etc.: Pandora. Study on the image of the stops analysis, spinster. Pays critical attention to the so-called sexual liberation in modernism from a gender-oriented perspective.

Main point: sexual liberation applied for men, could be counter-productive for women - negative effects on and romantic, women: enormous pressure to do sexually well, blurred boundaries between sexual liberation (for men) and sexual obligation (for women). Describe By Older? Ergo: diverse feminist reactions to sexual liberation: Purity Movement: postulated the spiritual nature of love, chastity as liberty (images of women: spinster , frigid women , lesbian ), Free Love: Sexuality increases in value, this became especially true for extra-marital love. Yet the problem of sexual obligation remained. Difference Classical And Romantic Music? Revolt against stops male harassment: prostitution, child abuse. Joannou, Maroula. 1994. 'Nothing Is Impractible for a Single, Middle-Aged Woman with an Income of her Own': The Spinster in Women's Fiction of the 1920s. In: Sybil Oldfield, ed. This Working-Day World: Women's Lives and Culture(s) in Britain 1914-1945 . Music? London: Taylor Francis. 175-191. Paper on the 1920s image of the spinster in English culture and literature (May Sinclair, Katherine Mansfield, Ivy Compton-Burnett, Sylvia Townsend Warner, F.M. Mayor).

Discusses fears of society's feminisations through the demographic 'redundancy' of thomas do not go gentle good night women and contrasts these with the actual economic and familial situation of the majority of difference classical and romantic English spinsters. Joannou, Maroula. 1995. 'Ladies, Please Don't Smash These Windows': Women's Writing, Feminist Consciousness and Social Change 1918-38 . Oxford Providence: Berg. Study on women writers between 1918 and 1938. Covers a wide spectrum of female authors, some established and some less established. Less established writers: Vera Brittain, Leonora Eyles, Radclyffe Hall, Sylvia Townsend Warner, E.H. Young. Established writers: Virginia Woolf, Dorothy Richardson, Elizabeth Bowen, Rosamond Lehmann, Rebecca West. Further textual material considered: Anti-fascist writings.

Study contains a detailed chapter on the image of the conflict theorists definition, spinster and gives relevant textual examples. Kent, Susan. 1987. Sex and Suffrage in Britain, 1860-1914. Princeton, NJ: Princeton UP. Study on the role of difference classical and romantic music sexuality in social responsibility is defined first wave feminism and its ideological context. Foci: stereotypes of femininity (overview). Women's vote as a symbol of sexual liberation.

Further foci: sex war, prostitution, marriage, medicine, legislation. Laity, Cassandra. 1996. H.D. and the Victorian Fin de Siècle : Gender, Modernism, Decadence . Cambridge: Cambridge UP. Ledger, Sally.

1997. The New Woman: Fiction and feminism at the fin de siècle. Manchester New York: Manchester UP. Study on the New Woman: supplementary to Ardis (1990). Complex and contradictory definition of New Woman: New Woman as a textual phenomenon in magazines and novels, as a trigger of difference between classical and romantic controversial public debate. Detailed contextualization: women's liberation movement in its relation to socialism, imperialism and the debate over sexuality ( purity movement vs. decadence), theories on lesbian love, New Woman as a phenomenon of the city. Dylan Thomas Do Not Go Gentle Into That Good? Classification of the New Woman novel in literary-historical terms: shows a multitude of literary forms, only partially to be classified as modernist. Melman, Billie. 1988.

Women and the Popular Imagination in the Twenties: Flappers and Nymphs . London: Macmillan. Study on images of difference between and romantic music women in the 1920s. Images dominating the public consciousness: flapper and the machine analysis, surplus woman. Analysis of a very broad spectrum of popular literature (broad in terms of reception rather than sales figures). Key words: best-seller, serial fiction, book business and magazines. Milgram Knapp, Shoshana. Classical And Romantic? 1996. Revolutionary Androgynity in the Fiction of 'Victoria Cross'. In: Kaplan, Carola M. Anne B. Simpson, eds. Seeing Double: Revisioning Edwardian and Modernist Literature . New York: St. Martin's Press.

3-19. Miller, Jane Eldridge. 1994. Rebel Women: Feminism, Modernism and the Edwardian Novel . London: Virago. Study on the feminist movement in the context of the modernist era.

Revision of the for leadership, literary canon: Provides a discussion of difference and romantic women's novels between 1900 and 1914, a period often neglected in literary criticism. Describes the transitional period of literary modernism: Thematic innovations and formal modification of traditional narration. Attempts of independent female development and criticism of women's role in society replace the traditional courtship plot. Critical reflection of marriage. Discussion of conflict (new) images of women. Genre: predominantly suffragette novels. Considers the socio-cultural context of the literary texts. Ouditt, Sharon.

1994. Between Classical And Romantic? Fighting Forces, Writing Women: Identity and kaizen, Ideology in difference classical music the First World War . Methodologies? London New York: Routledge. Study on women and between classical and romantic music, World War I. Starts out dylan thomas do not into that good night focusing on a description of women at work (medical duty, agricultural work, work in munitions factories). Continues to approach the topic by between classical looking at different texts: magazines, autobiographies and novels (partly popular literature). Literature (fictional and non-fictional) is granted a major role in this context. Areas of discussion: images of women: stereotypical Red Cross Nurse (active role of hero, yet female) - the ordinary housewife at the home front as angel in the house in war literature. Critical reflection on the war and women's roles in postwar fiction. Image of the mother as a preserver of life. Feminist pacifism.

The shock experience of war and the temporary allocation of roles as a danger to identity. Discussion of the influence of World War I on society and literature as part of modernism. Pumphrey, Martin. Words For Leadership? 1987. Difference Between Classical Music? The Flapper, the Housewife and the Making of Modernity. Cultural Studies 1.2: 179-194. Pykett, Lyn. Words For Leadership? 1992. Between Classical? The Improper Feminine. The Woman's Sensation Novel and the New Woman Writing. Corporate Is Defined? London: New York: Routledge.

Study on femininity and women's writing. Classical And Romantic Music? Genre: Sensational novel and New Woman novel between 1860 and 1900. Points to their subversive and the machine analysis, emancipatory aspects. Canon-revisionary impact: Pykett stresses the importance of the sensational novel and the New Woman novel for literary history. Forerunners of modernist authors such as Woolf and difference between music, Richardson. Considers formal aspects of subversion: Sensational novel depicts female stereotypes, yet subverts them by introducing female protagonists deviating from traditional gender norms. New Woman novel subverts on the level of dylan do not good narration and plot: non-realistic, impressionist, episodic. Pykett's study is a source for less established primary literature. Pykett, Lyn.

1995. Engendering Fictions: The English Novel in the Early Twentieth Century . London etc.: Edward Arnold. Study proceeds from literary history focusing on novels. Introduces established modernist writers on the basis of the gender crisis at the time (relatively selective). Between Classical And Romantic Music? Deals with New Woman writing, psychological theories, Dora Marsden's The (New) Freewoman / The Egoist and the phenomenon of degeneration as a result of mass society.

Defines literary modernism quite restrictively: modernism as a programme of literary aesthetics, experimentation and formation of words for leadership a canon, period beginning in 1890. Provides critical discussion of arguments against a feminist revision of the modernist canon. Showalter, Elaine. And Romantic? 1990. Sexual Anarchy: Gender and kaizen, Culture at the Fin de Siècle. London: Bloomsbury. Study on gender concepts at the fin de siècle . Breaking of traditional roles. Key words: theories on sexuality, naming of homosexuality, multiple personalities (Jekyll/Hyde), reflection on physicality in terms of dissecting bodies (Jack the Ripper), venereal diseases, aestheticization of sexuality, concepts of decadence, images of women (New Woman, surplus woman).

Simpson, Anne B. 1996. Architects of the Erotic: H.G. Wells's 'New Women'. In: Kaplan, Carola M. Anne B. Simpson, eds. Seeing Double: Revisioning Edwardian and Modernist Literature . New York: St. Martin's Press. 39-55. Stern, Katherine. 1987. Between Music? The War of the Sexes in words for leadership British Fantasy of the Suffragette Era.

Critical Matrix 3.1: 78-109. Study dealing with differences of male and female utopian fiction. Genre: drama and novel. Focus is on women's concerns: 'female' defence and 'male' rejection. White, Cynthia L. 1970. Women's Magazines 1693-1968 . London: Michael Joseph. A seminal account of the development of women's magazines. One of White's foci is the literature published in these magazines.

Pages 77-117 are of particular interest. Chinitz, David. 1997. Dance, Little Lady': Poets, Flappers, and the Gendering of Jazz. In: Lisa Rado, ed. Modernism, Gender, And Culture: A Cultural Studies Approach. New York London: Garland Publishing. 319-335. Gitter, Elizabeth G. 1984. The Power of Women's Hair in the Victorian Imagination. PMLA 99: 936-954.

Analyses the significance of women's hair as fetish and instrument for hypnosis in the poetic and visual imagination of the Victorians. Kaplan, Joel H. Sheila Stowell. 1994. Theatre and Fashion: Oscar Wilde to the Suffragettes . Cambridge: Cambridge UP. Study on the interrelationship of theatre and fashion: reciprocal influence.

Function of difference between and romantic showing fashionable women's clothes on stage: attracting and stimulating for audience (except in performances of Ibsen or Shaw). Semantic function of dress: social status of a character and is defined as the, its alteration in the course of the difference between classical music, play ( Pygmalion ; from flower girl to lady). Symbolization of stereotypes of femininity: Woman as sex object, New Woman and Suffragette emphasize masculine markers (e.g. boots, umbrella) and reject female markers (e.g. skirts, sashes, puffed sleeves) - this is the machine analysis true for difference between classical the stage as well as social reality. Marvin, Carolyn. 1988. When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century . Words? New York, Oxford: Oxford University Press.

Cultural studies approach. Analyses technological innovations (the 'new media') of the late 19th century and their medial and communicative impact in Anglo-American culture. Ch. 3: Focuses on the gender-specific functionalization of the body for promoting new electronic technologies. Müller-Tamm, Pia Katharina Sykora, eds. Difference And Romantic Music? 1999. Puppen.

Körper. Social Is Defined As The? Automaten: Phantasmen der Moderne. Kunstsammlung NRW, Düsseldorf: Oktagon. Collection of essays discussing modernist representations of the between and romantic music, puppet, the body and the automaton. Theorists? The book includes a picture catalogue with short explanatory texts. The ten essays go beyond the discourse of fine arts: they show different perspectives on the subject reflecting both the boundary position of the artificial human being between art and cultural history and its transformation within contemporary art.

Reynolds, Dee A. Between? 1997. Dancing Free: Women's Movement in Early Modern Dance. In: Rado, Lisa, ed. Modernism, Gender, And Culture: A Cultural Studies Approach . New York London: Garland Publishing. 247-279. Sennett, Richard. 1994. Flesh and Stone: The Body and the City in Western Civilization . New York London: W.W.

Norton. Study on space and bodily experience. Key words: sensory perception, movements, analogies of city and body, allocation of meaning to certain areas (public, private etc.), historical change of cities, interior rooms, increasing dimension of the is defined as the, private in interior rooms. Whiteley, Nigel. 1997.

Whitewash, Ripolin, Shop-Girls, and Matière : Modernist Design and Gender. In: Rado, Lisa, ed. Modernism, Gender, And Culture: A Cultural Studies Approach . New York London: Garland Publishing. 199-228. Bland, Lucy. 1995. Banishing the Beast: English Feminism and Sexual Morality, 1885-1914. Harmondsworth: Penguin. Bland's book is a comprehensive study on the subject of feminism and between classical, sexual morality around the turn of the (19th to 20th) century. Her aim is to sketch the contemporary (and, at least from a 21st-century point of view, often problematical) feminist discourse in its interdependence with the restrictive cultural context of the time. The study therefore provides a wealth of biographical material.

Part One: historical and scientific background of the topic (constructions of femininity in describe to society people dominant patriarchal discourses such as medicine, religion, evolutionary theory and their feminist reception). Parts Two and Three: discussion of the difference and romantic music, concrete practical difficulties in realising feminist sexual politics, focusing on analysis, the fields of prostitution, marriage, eugenics, sexology and alternative forms of sexual identity. Castle, Terry. Between And Romantic Music? 1993. The Apparitional Lesbian: Female Homosexuality and Modern Culture. New York: Columbia UP.

Felski, Rita. 1995. Kaizen? The Gender of Modernity . Cambridge, Ma.: Harvard UP. Study on gender and modernity, proceeding from cultural theory and cultural history. Considers different discourses: philosophy, history, natural sciences, psychology, sexology, social history, conditions of publication.

Focus on one author: Marie Corelli. Gilman, Sander L. Difference And Romantic Music? 1985. Difference and Pathology: Stereotypes of Sexuality, Race and Madness. Ithaca London: Cornell UP. Hall, Lesley. A. Kaizen Methodologies? 1991.

Hidden Anxieties: Male Sexuality 1900-1950. Cambridge: Polity Press. Study on men and sexuality. Depicts different point of views on how male sexuality is constructed. Grounds on biographic material: letters to Marie Stopes written by different men as a response to Stopes's Married Love. Addresses male sexual inhibitions, problems and sexual enlightenment. Jeffreys, Sheila. 1985. Difference Between Classical And Romantic? The Spinster And Her Enemies: Feminism and sexuality 1880-1930 . London etc.: Pandora. Study on the image of the spinster.

Pays critical attention to the so-called sexual liberation in modernism from for leadership, a gender-oriented perspective. Main point: sexual liberation applied for men, could be counter-productive for women - negative effects on women: enormous pressure to do sexually well, blurred boundaries between sexual liberation (for men) and difference between, sexual obligation (for women). Dylan Thomas Go Gentle Night? Ergo: diverse feminist reactions to sexual liberation: Purity Movement: postulated the spiritual nature of love, chastity as liberty (images of women: spinster , frigid women , lesbian ), Free Love: Sexuality increases in value, this became especially true for extra-marital love. Difference? Yet the problem of sexual obligation remained. Revolt against male harassment: prostitution, child abuse. Kent, Susan. 1987. Sex and Suffrage in dylan thomas go gentle into good Britain, 1860-1914. Princeton, NJ: Princeton UP. Study on the role of sexuality in first wave feminism and its ideological context.

Foci: stereotypes of femininity (overview). Women's vote as a symbol of sexual liberation. Further topics: sex war, prostitution, marriage, medicine, legislation. Ledger, Sally. 1997. The New Woman: Fiction and feminism at the fin de siècle. Manchester New York: Manchester UP. (ch. 5 on between music, lesbian identity) Study on the New Woman: supplementary to Ardis (1990). Complex and contradictory definition of New Woman: New Woman as a textual phenomenon in magazines and novels, as a trigger of controversial public debate.

Detailed contextualization: women's liberation movement in its relation to socialism, imperialism and the debate over sexuality ( purity movement vs. decadence), theories on lesbian love, New Woman as a phenomenon of the city. Describe The Contributions To Society People? Classification of the and romantic, New Woman novel in conflict literary-historical terms: shows a multitude of literary forms, only partially to be classified as modernist. Lucas, John. 1997. The Radical Twenties: Aspects of Writing, Politics and Culture. Nottingham: Five Leaves. One field of analysis are theories of sexuality and difference classical and romantic music, their portrayal in 1920s English literature (D.H. Lawrence, Joyce), the legal situation concerning homosexuality, psychology's impact on made by older, sexual 'liberation' and the attitude of the Bloomsbury Group towards sexuality.

Mort, Frank. 1987 [2000]. Between Classical And Romantic Music? Dangerous Sexualities: Medico-moral Politics in England since 1830. London: Routledge. Study on sexuality as represented in theorists a medico-moral discourse. Discourse-theoretical approach. Depicts the interaction between morality and medicine in the field of between classical music sexuality. Key words: Debate on social hygiene: purity vs. decadence. Sexuality in the context of the analysis, city. Moscucci, Ornella. 1990.

The Science of music Woman: Gynaecology and Gender in social responsibility is defined England, 1800-1929. Cambridge: Cambridge UP. Comprehensive study on difference and romantic music, the conception of female sexuality, proceeding from cultural history. Focus: 19th century. Important points: Historicity of gender and gynaecology, dependence on cultural context. Concepts of femininity in medical discourse. Gender difference explained physically and psychologically. Discussion of conflict theorists definition bisexuality and hermaphroditism. Further foci: Darwinism, environmentalism, degeneration, anthropology. Rado, Lisa.

2000. The Modern Androgyne Imagination. Difference Classical? A Failed Sublime. Charlottesville and London: UP of Virginia. Showalter, Elaine. Do Not Into That Night? 1990. Sexual Anarchy: Gender and Culture at between and romantic music, the Fin de Siècle. The Machine Stops Analysis? London: Bloomsbury. Study on gender concepts at the fin de siècle . Breaking of traditional roles. Difference Between Classical And Romantic Music? Key words: theories on sexuality, naming of homosexuality, multiple personalities (Jekyll/Hyde), reflection on words for leadership, physicality in terms of dissecting bodies (Jack the Ripper), venereal diseases, aestheticization of between and romantic sexuality, concepts of describe made by older people decadence, images of women (New Woman, surplus woman). Weeks, Jeffrey.

1985. Sexuality and difference and romantic music, its Discontents: Meanings, Myths Modern Sexualities . London: Routledge Kegan Paul. Study on the development of the scientific discourse on sexuality. References to psychoanalysis, Darwinism and eugenics. A very useful collection of articles from the perspectives of natural science, social science and the humanities which provides an overview on the degeneration debate in the 19th and the early 20th centuries. The institutionalisation of the degeneration debate is reflected in the light of the discourses of medicine, anthropology, and the theatre. Premises: degeneration as a counterpart to the nineteenth-century belief in progress; degeneration and regeneration as two poles of a rhetoric strategy and logical order - fact and fiction at dylan thomas go gentle into that good night, the same time.

Cf. Siegel for classical and romantic specific strategies of representation. Carpenter, Edward. [1889] 1903. Die Civilisation, ihre Ursachen und ihre Heilung , transl. Karl Federn. Leipzig: Hermann Seemann Nachfolger. Words? [engl. Civilization: Its Cause and Cure ] Cultural criticism with a socialist orientation.

Characterised by a harsh criticism of civilisation in which cultural and bio-medical discourses intermingle: contemporary English civilisation as infectious disease either culminating in death following various stages of degeneration or culminating in social stagnation. Between Music? The socialist form of society as utopian potential. Dijkstra, Bram. 1986. Idols of Perversity: Fantasies of Feminine Evil in the Fin de siècle. New York, London: Oxford UP. Study on representations of femininity in the late 19th century, proceeding from art history. References to literature and dylan thomas into that good, other cultural discourses of the time. Of particular interest in this context: motif of the difference classical and romantic music, self-sufficient Narcissa , a degenerate/deviant woman (due to her auto-eroticism) subverting the conventional image of describe the contributions made by older people altruistic femininity. Difference Classical And Romantic Music? Reference to her criminal disposition (Lombroso), Narcissa as a potential danger to male identity in sexological theory (Moll, Feré, Krafft-Ebing).

Doyle, Laura. 1994. Bordering on the Body: The Radical Matrix of Modern Fiction and Culture . New York Oxford: Oxford UP. Fuchs, Stefan F.-J. 1992. Dekadenz: Versuch zur ästhetischen Negativität im industriellen Zeitalter anhand von Texten aus dem französischen und englischen Fin de siècle. Describe The Contributions To Society People? Heidelberg: Winter.

Philosophically oriented dissertation on decadence. Rejects an historical approach to the literary texts of decadence, rather, uses them as a basis for historical and philosophical reflections on pre-modern developments in between the 19th century. Crucial points: the the machine stops, radically negative connotation of the term decadence, as opposed to its appropriation as a means to counter an optimistic bourgeois belief in progress. Greenslade, William. 1994. Degeneration, Culture and the Novel, 1880-1940. Difference Classical Music? Cambridge: Cambridge UP.

Hurley, Kelly. 1996. The Gothic Body: Sexuality, materialism, and degeneration at the fin de siècle. Stops? Cambridge: Cambridge UP. Kline, Salli J. 1992. The Degeneration of Women: Bram Stoker's 'Dracula' as Allegorical Criticism of the 'Fin de Siècle' . Rheinbach-Merzbach: CMZ-Verlag. Study of Bram Stoker's Dracula analysing the novel in relation to Nordau's cultural criticism and Lombroso's theory on atavism, degeneration, innate criminal disposition and 'moral insanity'. Main thesis: Stoker's novel shows a constant blotting out of the sensus literalis by a sensus allegoricus with the latter serving as an instrument of an ultra-conservative (also in terms of gender), reactionary polemic against ongoing changes of consciousness and social changes of the period. Link-Heer, Ursula.

1986. 'Le mal a marché trop vite.' Fortschritts- und Dekadenzbewußtsein im Spiegel des Nervositäts-Syndroms. In: Wolfgang Drost, ed. Fortschrittsglaube und Dekadenzbewußtsein im Europa des 19. Jahrhunderts: Literatur - Kunst - Kulturgeschichte . Heidelberg: Winter. 45-67. Valuable historical overview on the cultural significance and medical diagnosis and difference between classical and romantic music, treatment of nervous illnesses in the 19th century. Main theses: a) these kinds of diseases have always been read as cultural pathologies, i.e. as symptoms of cultural crisis; b) there has been no clear-cut temporal succession of conflict notions of progress and of decadence but both have always been closely interwoven. Classical And Romantic? The study places degeneracy (nervous exhaustion) in the cultural context of the time, as one of the illnesses of the peripheral nervous system. Investigates modern nervousness as a syndrome and manner of theorists definition self-description of an industrial culture striving after expansion and progress. Difference Between Classical Music? Considers psychiatric writings of the 19th century (Erb, Morel, Beard). Mehnert, Henning.

1986. Zur Bedeutung der Begriffe 'symbolisme', 'décadentisme' und 'dégénerescence' im 19. Jahrhundert. In: Wolfgang Drost, ed. Fortschrittsglaube und Dekadenzbewußtsein im Europa des 19. Jahrhunderts: Literatur - Kunst - Kulturgeschichte . Heidelberg: Winter. 75-84.

Study traces concepts of decadence back to Montaigne and Rousseau and analyses the later tendency to individualise and psychologize these notions (starting with Morel). Theorists? Focus on Morel's prototypical study: the medico-psychiatric component of degeneration, which is also analysed in Magnan, Lombroso, Gobineau, Nordau and, as a literary premise, in Baudelaire and Huysmans. Nordau, Max. 1993. Degeneration . Lincoln, New York: University of Nebraska Press. [Original: Entartung , 2 vols. Berlin: Carl Duncker, 1892/93]. Study in two volumes by difference between music Max Nordau, a doctor and stops, cultural theorist, first published in German, from classical and romantic music, 1895 onward also available in an English translation. A scandalous success at the time, one of the the machine analysis, best known works in the debate on degeneration. It is a poignant, and at times openly polemic attack against certain tendencies in between the arts: Decadence, aestheticism, symbolism (among others) are classified as degenerate (in a physiological and mental sense). Nordau's argumentation is based on his medical knowledge and on stops analysis, the criminological theories of Lombroso. Criticism of civilisation is expressed in the form of apocalyptic scenarios ('the dusk of nations') and, for the first time, presented as a concern of doctors and, especially, psychiatrists.

Phenomena of degeneracy (intellectual, moral or physical) become the object of psycho-pathology. For Nordau, mysticism and egomania count as typical symptoms of the degenerate artist, for which he offers methods of diagnosis and difference between classical music, even suggestions for therapy. Nordau's study is an attack in scientific disguise against intellectuals and is directed against personalities like Wagner, Nietzsche, Ibsen, Swinburne, Huysmans or Wilde. Pick, Daniel. 1989. Faces of Degeneration: A European Disorder, c. 1848-c.

1918 . Cambridge: Cambridge UP. A sociological study, well-documented and thoroughly researched. Kaizen? Provides important information on the concept of degeneration in the late 19th and early 20th centuries. Pick predominantly analyses scientific and difference and romantic, pseudo-scientific documents of the time, but also considers literary examples. Study covers texts from all over Europe but lacks any explicit reflection on the interrelation between degeneration and gender. Pykett, Lyn. 1995.

Engendering Fictions: The English Novel in the Twentieth Century . For Leadership? London, etc.: Edward Arnold. Feminist study on the interdependence between constructions of femininity and degeneration: The New Woman as cause and symptom of cultural degeneration and as 'cure for social evils'; like the homosexual, the New Woman is an example of the classical, transgression of gender boundaries (illustrated also in exterior appearance: body and style); effects: pathological allocations of sexual excess, degeneration, denial of femininity. Urban mass culture and society as a product of feminisation. Feminism as a symptom of good night degeneration. Emerging concepts of regeneration within the feminist debate. Rose, Jonathan.

1986. The Edwardian Temperament 1895-1919. Athens/Ohio, London: Ohio UP. Study on the change of values in the Edwardian period, proceeding from cultural and literary history (however, literary texts are generally only discussed on a surface level, and the category of gender is difference between and romantic reflected in go gentle night a rather uncritical manner, if at all). Aspects of difference between music interest: religious (and moral) crisis, the words, secularisation of spirituality and the emergence of surrogate religions, the 'quest for otherness', the idealisation of interpersonal relations and in particular homoeroticism, the cult of difference classical and romantic music vitality as a reaction to late Victorian decadence, the motif of the illegitimate child and the unmarried mother, the efficiency movement and eugenics, the Edwardian culture of leisure and fun. Schulte, Christoph.

1997. Psychopathologie des Fin de siècle : Max Nordau: Der Kulturkritiker, Arzt und Zionist. Frankfurt/M.: Fischer. Revised postdoctoral thesis based on the unpublished works of Nordau (mainly letters, researched for the first time). Kaizen Methodologies? A comprehensive study, structured biographically. Between Music? Theoretical approach: rejects deconstruction, favours Foucauldian discourse analysis. Methodologies? Content: Analysis of the interconnected strands within intellectual history 1870 to 1920. Shows the lasting effects of scientific positivism on social theories, psychology and medicine as well as the classical and romantic, transfer of psycho-pathological findings into the field of civilisation and art criticism through terms like decadence and degeneration.

Shaw, George Bernard. 1932 [1908]. The Sanity of Art: An Exposure of the Current Nonsense about dylan into that, Artists Being Degenerate. In: Major Critical Essays . London: Constable. 281-332.

Polemic response to Nordau's Degeneration from the perspective of the artist. Shaw refutes Nordau's arguments by showing up their inherent paradoxical and unscientific nature and thus attacks Nordau at his weakest point, i.e. Difference Music? his attempt to legitimise his theories with the help of medical science. Siegel, Sandra. 1985. Literature and conflict definition, Degeneration: The Representation of 'Decadence'.

In: Edward J. Chamberlain Sander L., Gilman, eds. Degeneration: The Dark Side of Progress. New York: Columbia UP. Classical? 199-219. Trotter, David. 1993. The English Novel in History . London, New York: Routledge. (ch.7) Short outline of the history of kaizen methodologies degeneration theory focusing on between classical and romantic, the origins of degeneration in the natural sciences and words, medicine, its Darwinist basis, the classification of difference and romantic degenerative symptoms, the emergence of a discourse of degeneration in the cultural and literary theory of the late 19th century.

Important points in corporate responsibility as the the literary context of difference and romantic degeneration: popularity of a 'plot of theorists decline, of physical and moral exhaustion' in naturalistic fiction (also in so-called slum fiction). Degeneration as a topic in the new woman novel and likewise in popular fiction. Bland, Lucy. 1995. Banishing the Beast. English Feminism Sexual Morality. 1885-1914. Between Music? London et. Conflict Definition? al: Penguin Books. Bland's book is a comprehensive study on the subject of difference and romantic music feminism and conflict definition, sexual morality around the turn of the difference and romantic music, (19th to 20th) century. Her aim is to sketch the contemporary (and, at least from a 21st-century point of view, often problematical) feminist discourse in its interdependence with the restrictive cultural context of the time.

The study therefore provides a wealth of biographical material. Part One: historical and scientific background of the topic (constructions of thomas do not go gentle into that good femininity in dominant patriarchal discourses such as medicine, religion, evolutionary theory and their feminist reception). Difference Between Music? Parts Two and conflict theorists definition, Three: discussion of the music, concrete practical difficulties in realising feminist sexual politics, focusing on the fields of prostitution, marriage, eugenics, sexology and alternative forms of sexual identity. DiQuinzio, Patrice Iris Marion Young, eds. 1997.

Feminist Ethics and the contributions made, Social Policy . Bloomington, Indianapolis: Indiana UP. A slightly heterogeneous collection of essays focusing on examples of practised (feminist) morality. Requires knowledge of the theoretical discussion. Provides articles on the following topics: politics, medicine, health system, military, immigrants, AIDS, pornography and abortion. Main focus: the situation in between and romantic the United States. Dreitzel, H.P. Describe The Contributions To Society Made By Older People? 1972. Die gesellschaftlichen Leiden und das Leiden an der Gesellschaft: Vorstudien zu einer Pathologie des Rollenverhaltens. Stuttgart: Ferdinand Enke.

A study on difference between and romantic music, subjectively perceived marginality and its psycho-pathological and socio-pathological causes from the perspective of words for leadership social psychology. Suggested approach: role theory. Difference Classical And Romantic? Of particular interest: Dreitzel's notion of 'Anomie' (= total lack or confusion of norms), which he derives from the history of sociology and supplements with his own concepts of interaction and role identity. Gilligan, Carol. 1982. In a Different Voice: Psychological Theory and Women's Development . Cambridge, Mass. London: Harvard UP. Probably the most influential feminist study on dylan thomas do not go gentle into that good, the topic of morality. Takes Lawrence Kohlberg's model of moral development as a starting point.

Exposes Kohlberg's argumentation as male-centred. Modifies his theory with the help of object relations theory to between music account for gender differences. Gilligan's work is based on empirical studies. Her main thesis: due to disposition and experiences of socialisation, men/boys tend to an ethic of justice whereas girls/women typically internalise an ethic of care . Gilman, Sander L. 1985. Describe To Society Made? Difference and Pathology: Stereotypes of Sexuality, Race and Madness. Ithaca London: Cornell UP. Hall, Lesley. A. 1991. Hidden Anxieties: Male Sexuality 1900-1950. Cambridge: Polity Press. Study on difference, men and sexuality.

Depicts different point of methodologies views on how male sexuality is classical music constructed. Grounds on biographic material: letters to Marie Stopes written by different men as a response to Stopes's Married Love. Addresses male sexual inhibitions, problems and sexual enlightenment. Harrison, Beverley Wildung. 1985. Making the Connections: Essays in Feminist Social Ethics, ed. Corporate? Carol S. Robb. And Romantic Music? Boston: Beacon Press. A collection of essays (written between 1972 and 1985) on the feminist discourse of ethics and Christianity.

Approach: theologically oriented social history. For Leadership? Harrison's ethics is characterised as feminist socialist Christian in Robb's preface. Difference Between And Romantic Music? Harrison sets a universalist Christian ethics against the ideas of Carol Gilligan. Advocates an equality feminism pleading for 'objectivity' of the feminist perspective. Hekman, Susan J. 1995. Moral Voices, Moral Selves: Carol Gilligan and Feminist Moral Theory . Cambridge, Oxford: Polity Press. In-depth discussion of the work of Carol Gilligan offering various readings of her work. The study also provides a critical analysis of the meaning of morality in corporate a poststructuralist context (Foucault, Lyotard et al.). Documents a significant conceptual shift in the morality debate, which has lost theoretical impact through the influence of other academic disciplines.

Hekman favours a gender-oriented reconceptualization of moral theory that would take its pluralistic approach from discourse analysis. Jakobsen, Janet R. 1998. Working Alliances and classical and romantic, the Politics of kaizen Difference: Diversity and difference and romantic music, Feminist Ethics . Bloomington, Indianapolis: Indiana UP. Study on feminist practices of describe alliance politics . Rejects notions of classical and romantic female unity as an axiomatic base. Discards the methodologies, feminist difference hypothesis.

Argument proceeds from postmodern theoretical debates: ethics as a field of complex negotiations; agency as a basis for difference and romantic music alliance politics. Jeffreys, Sheila. 1985. The Spinster And Her Enemies: Feminism and Sexuality 1880-1930 . London etc.: Pandora. A very useful study which questions critically the general presumption of sexual liberation in the modernist period, a development which continues to be regarded as one of the most characteristic and influential within the modernist context. Jeffreys shows that the conflict, emergence of sexology by no means meant that women experienced sexual liberation.

Quite the between classical music, opposite, according to dylan thomas do not go gentle that Jeffreys, it helped to force women into male-dominated heterosexual patterns. Mort, Frank. 1987 [2000]. Dangerous Sexualities: Medico-moral Politics in England since 1830. London: Routledge. Study on sexuality as represented in a medico-moral discourse. Discourse-theoretical approach. Depicts the interaction between morality and medicine in the field of sexuality. Key words: Debate on social hygiene: purity vs. decadence.

Sexuality in the context of the classical and romantic, city. Moscucci, Ornella. 1990. Thomas Do Not Into That Night? The Science of Woman: Gynaecology and Gender in England, 1800-1929. Cambridge: Cambridge UP. Comprehensive study on the conception of female sexuality, proceeding from and romantic music, cultural history. Focus: ed. century. Stops Analysis? Important points: Historicity of gender and gynaecology, dependence on cultural context. Concepts of music femininity in medical discourse.

Gender difference explained physically and psychologically. Discussion of bisexuality and words for leadership, hermaphroditism. Further foci: Darwinism, environmentalism, degeneration, anthropology. Nunner-Winkler, Gertrud, ed. 1995. Weibliche Moral: Die Kontroverse um eine geschlechtsspezifische Ethik . Music? München: dtv. Essay collection which discusses critically and systematically Carol Gilligan's notion of a gender-specific morality (female ethics of the machine stops care vs. male ethics of justice ). Covers work by Butler, Gilligan, Harding, Habermas. Some of the articles were previously published. Singer, Mona.

1996. Weibliches Subjekt und Gastfreundschaft: Ende und Anfang einer Moral. Difference Between And Romantic? In: Ruthard Stäblein, ed. Moral: Erkundungen über einen strapazierten Begriff. Responsibility As The? Frankfurt/M.: Fischer. 118-139. Stäblein, Ruthard, ed. 1996. Moral: Erkundungen über einen strapazierten Begriff. Frankfurt/M.: Fischer. Relatively heterogeneous collection of essays, partly in form of interviews.

Includes articles by Baudrillard and Blanchot. Difference Between And Romantic Music? Points of interest: morality's myths of origin, gender difference and morality (Nitzschke, Singer), Foucault's notion of morality. Weeks, Jeffrey. Methodologies? 1985. Sexuality and its Discontents: Meanings, Myths Modern Sexualities . London: Routledge Kegan Paul.

Study on the development of the scientific discourse on sexuality. References to psychoanalysis, Darwinism and eugenics. Bland, Lucy. Difference Between And Romantic Music? 1995. Banishing the Beast: English Feminism and Sexual Morality, 1885-1914. Social Responsibility Is Defined As The? Harmondsworth: Penguin. Bland's book is a comprehensive study on the subject of feminism and sexual morality around the turn of the (19th to 20th) century. Her aim is to sketch the contemporary (and, at least from a 21st-century point of view, often problematical) feminist discourse in its interdependence with the restrictive cultural context of the time. The study therefore provides a wealth of classical biographical material. Part One: historical and scientific background of the topic (constructions of femininity in dominant patriarchal discourses such as medicine, religion, evolutionary theory and methodologies, their feminist reception).

Parts Two and Three: discussion of the difference classical music, concrete practical difficulties in realising feminist sexual politics, focusing on the fields of conflict theorists prostitution, marriage, eugenics, sexology and alternative forms of difference between classical and romantic music sexual identity. Byles, Joan Montgomery. 1985. The Machine Stops? Women's Experience of World War I: Suffragists, Pacifists and Poets. Women's Studies International Forum 8.5: 473-487. Article on the suffrage movement in the context of World War I. Key words: division - militarist suffragettes vs. pacifist suffragettes. Example: conflict between Emmeline and Sylvia Pankhurst. Textual material: war poetry by women.

Dyhouse, Carol. And Romantic Music? 1989. Kaizen Methodologies? Feminism and the Family in England 1880-1939 . London: Blackwell. Study on family and between and romantic music, marriage from a woman-centred perspective. Textual material: basically (auto)biography, but also some novels. Felski, Rita. 1995. The Gender of Modernity . Is Defined? Cambridge, Ma.: Harvard UP. Study on gender and modernity, proceeding from cultural theory and cultural history..

Considers different discourses: philosophy, history, natural sciences, psychology, sexology, social history, conditions of publication. Focus on one author: Marie Corelli. Garner, Les. Difference And Romantic Music? 1984. Stepping Stones to Women's Liberty: Feminist Ideas in the Women's Suffrage Movement 1900-1918. Rutherford, NJ: Fairleigh Dickinson UP.

Kent, Susan. 1987. Sex and Suffrage in Britain, 1860-1914. Princeton, NJ: Princeton UP. Study on the role of sexuality in responsibility first wave feminism and its ideological context. Foci: stereotypes of femininity (overview). Classical Music? Women's vote as a symbol of sexual liberation.

Further topics: sex war, prostitution, marriage, medicine, legislation. Lyon, Janet. 1992. Militant Discourse, Strange Bedfellows: Suffragettes and Vorticists before the War. differences: A Journal of Feminist Cultural Studies 4.2: 100-133. Article on the suffrage movement and developments in art before World War I. Discusses analogies and interactions between militant suffragettes and radical artists of the avant-garde (e.g. vorticists, futurists). Key words: militancy, iconoclasms, feminist delimitation and self-marginalisation, polarizing tendencies and linguistic unambiguity in feminist pamphlets and manifestos. Lyon, Janet. 1994/95. Women Demonstrating Modernism. Conflict Definition? Discourse 17.2: 6-25. Stowell, Sheila.

1992. A stage of their own: Feminist playwrights of the suffrage era . Ann Arbor: University of Michigan Press. Stowell, Sheila. 1996. Suffrage critics and between music, political action: a feminist agenda.

In: Michael R. Booth Joel H. Kaplan, eds. The Edwardian Theatre: Essays on performance and the contributions by older, the stage . Cambridge: Cambridge UP. 166-184. Bjorhovde, Gerd. 1987. Rebellious Structures: Women Writers and the Crisis of the Novel 1880-1900 . Oslo: Norwegian UP. One of the few books specifically focusing on interpreting texts of high literary One of the few books specifically focusing on interpreting fin-de-siècle highbrow texts by women. Textual material: four representative authors of the late 19th century - Olive Schreiner, Margaret Harkness, Sarah Grand and George Egerton. Forerunners of modernism, prepared the grounds for modernist change in terms of content and form: Authors address matters of female concern that emerged in the public consciousness at difference classical and romantic, the turn of the century and shortly before. Tension between positive and negative evaluation of the New Woman as an interesting topic to analysis narrate.

Foci of and romantic New Realisms: Scepticism, questioning of conventional values, transgression of conventional Victorian conception of genre. Describe The Contributions To Society By Older? 'Crisis' of the novel: Breaking of conventional structures of time, plot, content and style. Fragmentarization of plot, anachronisms, subjectivity, internal focalization, no explicit narrator. Bjorhovde provides very detailed analyses of texts. Burke, Carolyn. 1984. Getting spliced: Modernism and difference between, Sexual Difference.

American Quarterly 39.1: 98-121. Burmeister, Tereza. 1994. In Search of the Lost Woman-Time: Cross-Biographical Studies on the Construction of (Post-)Modern Gender Identity. History of European Ideas 19: 837-844. DeKoven, Marianne. The Machine Stops? 1991. Rich and Strange: Gender, History, Modernism . Princeton, NJ: Princeton UP. Study on Gender, History and Modernism (DeKoven's periodization: 1890-1930). Based on Derrida's concept of music two co-existing paradoxes ( sous-rature ). The Contributions Made People? Main point: male and female authors are afraid of revolutionary literary changes for between and romantic music different reasons: on the male side it is fear of analysis losing one's power position, on the female side it is fear of being punished.

Textual material: analysis of canonized texts. Criticism: DeKoven's study is partially difficult to comprehend. Felski, Rita. 1995. The Gender of Modernity . Cambridge, Ma.: Harvard UP.

Study on gender and difference between and romantic music, modernity, proceeding from cultural theory and cultural history. Considers different discourses: philosophy, history, natural sciences, psychology, sexology, social history, conditions of publication. Focus on one author: Marie Corelli. Friedman, Ellen G. Miriam Fuchs, eds. 1989.

Breaking the Sequence: Women's Experimental Fiction . Princeton, N.J.: Princeton UP. Gale, Maggie B. Stops? 1996. West End Women: Women and the London stage 1918-1962 . London New York: Routledge. Study on women and the theatre. Describes the significant participation of female authors in the theatrical world between 1918 and 1962. After winning the vote, women were on the advance in every sector. Gale addresses women questions, but not from a feminist theoretical background. Topics of between classical and romantic music interest: profession and family, working class women, mother role, relationship mother-daughter. Gardiner, Juliet, ed. 1993. Women's Voices 1880-1918: The New Woman.

London: Collins Brown. Essay collection on literary representations of the New Woman. Analysis is for leadership not limited to the genre of the between classical and romantic, New Woman novel , covers a wide range of textual examples: poetry, drama, travel literature, letters and other cultural-historical documents. Deals with established and less established writers. Gardner, Viv Susan Rutherford, eds. 1992. Describe The Contributions To Society People? The New Woman And Her Sisters: Feminism And Theatre 1850-1914 . Hemel Hempstead: Harvester Wheatsheaf. Gilbert, Sandra M. Susan Gubar, eds.

1986. The Female Imagination and the Modernist Aesthetic . New York etc.: Gordon Breach. Gilbert, Sandra M. Susan Gubar. 1988. Classical And Romantic? No Man's Land: The Place of the Woman Writer in the Twentieth Century. Vol. I: The War of the Words . New Haven: Yale UP.

Gilbert, Sandra M. Susan Gubar. 1988. No Man's Land: The Place of the Woman Writer in the Twentieth Century. Vol. II: Sexchanges . New Haven: Yale UP. Gilbert, Sandra M. Susan Gubar. 1988. No Man's Land: The Place of the Woman Writer in the Twentieth Century. Vol. III: Letters from the Front . New Haven: Yale UP. Griffin, Gabriele, Ed.

1994. Difference in View: Women and Modernism . London: Taylor and methodologies, Francis. Ingram, Angela Daphne Patai, eds. 1993. Rediscovering Forgotten Radicals: British Women Writers, 1889-1939 . Difference Between Classical And Romantic Music? Chapel Hill London: The University of North Carolina Press.

Essay collection on radical feminist socialist women writers between 1889 and 1939. Corporate? Textual material: novels in general (special focus on difference and romantic, popular literature by forgotten female authors), a multitude of biographical information, New Woman novel , Romance, Utopian fiction. Distinction between middle-class and working-class authors and readers. To Society Made By Older People? Topics of social criticism: birth control, marriage, alcoholism, venereal disease. Formal aspects: Modification of plot with feminist impact.

Joannou, Maroula. 1995. 'Ladies, Please Don't Smash These Windows': Women's Writing, Feminist Consciousness and Social Change 1918-38 . Oxford Providence: Berg. Study on women writers between 1918 and 1938. Covers a wide spectrum of female authors, some established and some less established. Difference Between Classical And Romantic? Less established writers: Vera Brittain, Leonora Eyles, Radclyffe Hall, Sylvia Townsend Warner, E.H. Young. Established writers: Virginia Woolf, Dorothy Richardson, Elizabeth Bowen, Rosamond Lehmann, Rebecca West. Further textual material considered: Anti-fascist writings.

Study contains a detailed chapter on the image of the spinster and gives relevant textual examples. Light, Alison. 1991. Forever England: Femininity, literature and conservatism between the wars . London New York: Routledge. Laity, Cassandra. 1996.

H.D. and the Victorian Fin de Siècle : Gender, Modernism, Decadence . Cambridge: Cambridge UP. Liska, Vivian. 1995. From Topos to Trope: Feminist Revision of Modernism. In: Christian Berg, Frank Durieux Geert Lernout, eds.

The Turn of the methodologies, Century: Modernism and Modernity in Literature and difference between classical and romantic music, the Arts . Berlin New York: de Gruyter. 66-76. Miller, Jane Eldridge. 1994. Rebel Women: Feminism, Modernism and the Edwardian Novel . London: Virago. Study on the feminist movement in the context of the modernist era.

Revision of the literary canon: Provides a discussion of women's novels between 1900 and 1914, a period often neglected in literary criticism. The Machine Analysis? Describes the classical music, transitional period of literary modernism: Thematic innovations and formal modification of traditional narration. Attempts of independent female development and criticism of women's role in the machine analysis society replace the traditional courtship plot. Critical reflection of marriage. Discussion of (new) images of women. Difference And Romantic Music? Genre: predominantly suffragette novels. Considers the socio-cultural context of the kaizen, literary texts. Montefiore, Janet. 1996.

Men and Women Writers of the 1930s: The dangerous flood of history . London New York: Routledge. Useful study on difference between classical music, lesser known authors and texts. Textual material: works by left-wing women writers, antifascist texts, novels, autobiography and poetry. Pykett, Lyn. 1992. The Improper Feminine. The Woman's Sensation Novel and the New Woman Writing.

London: New York: Routledge. Study on corporate is defined as the, femininity and women's writing. Difference Between Classical? Genre: Sensational novel and New Woman novel between 1860 and 1900. Points to their subversive and emancipatory aspects. Canon-revisionary impact: Pykett stresses the importance of the sensational novel and the New Woman novel for literary history. Forerunners of modernist authors such as Woolf and Richardson. Considers formal aspects of subversion: Sensational novel depicts female stereotypes, yet subverts them by introducing female protagonists deviating from traditional gender norms. New Woman novel subverts on the level of narration and plot: non-realistic, impressionist, episodic. Pykett's study is a source for less established primary literature. Pykett, Lyn.

1995. Engendering Fictions: The English Novel in the Early Twentieth Century . London etc.: Edward Arnold. Study proceeds from literary history focusing on kaizen methodologies, novels. Between Classical And Romantic Music? Introduces established modernist writers on the basis of the gender crisis at stops analysis, the time (relatively selective). Deals with New Woman writing, psychological theories, Dora Marsden's The (New) Freewoman / The Egoist and the phenomenon of degeneration as a result of mass society. Defines literary modernism quite restrictively: modernism as a programme of literary aesthetics, experimentation and formation of a canon, period beginning in 1890. Between And Romantic? Provides critical discussion of arguments against a feminist revision of the modernist canon. Quinn, Patrick J., ed. 1996.

Recharting the Thirties . Selinsgrove: Susquehanna UP. Essay collection on the effects of World War I on society and particularly on literature. Considers neglected authors: Irene Rathbone, R.H. Mottram, but also Rosamond Lehmann and Elizabeth Bowen. Rado, Lisa, ed. 1994.

Rereading Modernism: New Directions in conflict definition Feminist Criticism . Difference Classical And Romantic? New York London: Garland. Feminist collection of essays on analysis, modernism. Between Classical And Romantic? Essays address the following topics: Dorothy Richardson as a modernist, Rebecca West as a critic, Left Bank Women and lesbian life, the work of kaizen Sylvia Townsend-Warner, women's magazines, Wyndham Lewis's Tarr (as a misogynous text). Of particular importance is Felski's article on the term 'modernism' (see above Felski 1994). Schabert, Ina. And Romantic Music? 1997.

Englische Literaturgeschichte: Eine Darstellung aus der Sicht der Geschlechterforschung . Stuttgart: Kröner. Srebrnik, Patricia. 1994. The re-subjection of 'Lucas Malet': Charles Kingsley's daughter and the response to muscular Christianity. In: Donald E. Hall, ed.

Muscular Christianity: Embodying the Victorian Age . Cambridge: Cambridge UP. 194-214. Canon-revisionary article on Lucas Malet (pseudonym of Charles Kingsley's daughter). Kaizen? Questions traditional concepts of masculinity in difference and romantic music Malet's Novels. Stowell, Sheila. 1992.

A stage of their own: Feminist playwrights of the suffrage era . Ann Arbor: University of responsibility Michigan Press. Stowell, Sheila. 1996. Suffrage critics and political action: a feminist agenda. In: Michael R. Booth Joel H. Difference Classical Music? Kaplan, eds. The Edwardian Theatre: Essays on words, performance and the stage . Cambridge: Cambridge UP. 166-184. Waters, Chris. 1993. Difference Between And Romantic? New Women and kaizen methodologies, Socialist-Feminist Fiction: The Novels of Isabella Ford and and romantic, Katherine Bruce Glasier.

In: Angela Ingram Daphne Patai, eds. Rediscovering Forgotten Radicals: British Women Writers, 1889-1939 . Chapel Hill London: The University of dylan thomas do not go gentle that night North Carolina Press. 25-42. Altick's seminal account of the development of the reading culture in England from the 15th to the early 20th century. Especially his chapter on Periodicals and Newspapers 1851-1900 (chapter 15) is important for and romantic an understanding of the background of publication practices in the modernist period. Benstock, Shari. 1986. Women of the Left Bank: Paris, 1900-1940 . London: Virago. An important study on women writers of the Left Bank in general. Of special interest is chapter 10: At the Sign of the Printing Press: The Role of Small Presses and Little Magazines.

Unfortunately Benstock remains on corporate, a biographical and anecdotal level, introducing editors, publishers and contributors. She says very little about the classical, actual contributions. Beetham, Margaret. 1996. A Magazine of Her Own?: Domesticity and Desire in the Woman's Magazine, 1800-1914 . The Contributions To Society? London New York: Routledge. It is Parts III and IV (New Woman, New Journalism, the 1880s and 1890s, The reinvention of the domestic English woman: into the twentieth century) that are of difference classical music particular interest. Beetham concentrates on magazines that offer alternative and reactionary discourses on women to the innovative trends of the time. Theorists? She also comments on the literature that appeared in these magazines and its function. She thus offers an important view of this area of public culture that many of the modernist women reacted against. Dennison, Sally.

1984. [Alternative] Literary Publishing: Five Modern Histories . Iowa City: University of difference between classical Iowa Press. Dennison demonstrates how all sorts of non-commercial publishing - from self-publishing to small presses, university press publishing, little magazine publishing, publishing through a bookstore, and publishing through patrons - helped to further modernist literature and to make it accessible to conflict definition a wider audience. In most cases such alternative publishing was the only means for young authors to get their works published at between classical and romantic music, all. Dennison uses Eliot, Joyce, Woolf, Nin, and Nabokov as examples. What she fails to notice is that alternative publishing can have commerical interests, too (see Rainey 1989, 1997, 1998). Dettmar, Kevin J.H.

Stephen Watt, eds. 1996. Marketing Modernism: Self-Promotion, Canonization, Rereading . Ann Arbor: University of Michingan Press. An important essay collection by methodologies young American scholars presenting a new perspective on and evaluation of modernist literature. They distance themselves from the traditional view of modernism as an awe-inspiring solitary fortress against a growing mass culture by showing that it was clearly rooted within commodity culture, too. Today it is difficult to imagine that some senior scholars refused to contribute to difference classical and romantic this collection because they considered it inappropriate to discuss financial interests and commodity culture in connection with modernist literature.

Of particular interest are the introduction and the essays by Diepeveen, Materer, and Murphy (see the responsibility, respective entries). Eliot, Simon. 1994. Some Patterns and Trends in British Publishing, 1800-1919 . Music? London: The Bibliographical Society. A statistical survey of thomas do not night book and magazine publications in the period of 1800-1919. The data is covered in six sections: Section A The Annual Pattern of difference between music Publication; Section B The Monthly Pattern of Publication 1800-1919; Section C Subject Publishing; Section D Price Structure; Section E Periodical Publication; Section F The Background. Unfortunately Eliot focuses mainly on dylan thomas that good, the 19th century.

He has nothing to say on the magazine and newspaper market in the 20th century, for example, so that his survey is only of difference between and romantic very limited value for the modernist period. Feather, John. 1988. For Leadership? A History of British Publishing . Difference Between Classical And Romantic Music? London: Croom Helm. Feather offers important background information about the development of the publishing trade in is defined Britain. Although he only difference between focuses on commercial publishing the study offers some useful background information about the methodologies, book market in general. Of particular interest is Part IV: The Trade in the Twentieth Century in which Feather uses Stanley Unwin, Victor Gollancz and Allen Lane as examplary publishers. Garrity, Jane.

1999. 'Selling Culture to the Civilized': Bloomsbury, British Vogue , and the Marketing of National Identity. Modernism/modernity 6.2: 29-58. Garrity shows that the difference between and romantic, connection between commodity culture and 'high culture' was much closer than has been previously thought by demonstrating how readily the various members of the Bloomsbury group published in Vogue . Hanscombe, Gillian and Virginia L. Smyers. The Contributions By Older People? 1987. Between Classical And Romantic? Writing for their Lives: The Modernist Women 1910-1940 . London: The Women's Press. Hanscombe and Smyers's seminal study on modernist women writers, editors and publishers. Kaizen Methodologies? Of special interest for modernist publication practices in general are Chapter 12 'The public is a stupid beast. ' Book publishing I and Chapter 13 'There is a climax in difference between and romantic sensibility' Book publishing II in which they particularly stress the close connection between little magazines and the book market. Words? They argue that in most cases of experimental writing only publication in little magazines made a later book publication possible.

Jensen, Robert. 1994. Marketing Modernism in Fin-de-Siècle Century Europe . Princeton: Princeton UP. Jensen does not deal with modernist literature but with art. It is nevertheless an interesting study to compare developments in the art world (especially the marketing of difference avant-garde artists) and the book market. Kaufmann, Michael. 1998. A Modernism of One's Own: Virginia Woolf's TLS Reviews and Eliotic Modernism.

In: Beth Carol Rosenberg Jeanne Dubino, eds. Virginia Woolf and the machine stops analysis, the Essay . New York: St Martin's Press. 137-155. Kaufmann shows how the place of publication can be indicative of an author's conception of literature and her or his readership by comparing Virginia Woolf's and T.S. Eliot's essays. He argues that Woolf's reviews in the TLS address a much more 'common reader' than Eliot's essays in ephemeral and elitist little magazines such as The Egoist and The Little Review . Keating, Peter. 1989. Difference Between And Romantic? The Haunted Study: A Social History of the English Novel 1875-1914 . London: Secker Warburg. A seminal social historical account of the development of the contemporary bookmarket.

Keating shows what influence the conditions and changes in the bookmarket had on writers. Leavis, Q.D. 1932. Fiction and the Reading Public . London: Chatto Windus. Leavis's still interesting study of British reading habits in the 1920s. Dylan Thomas Into Good Night? It is not only an important document because of the empirical data she offers but also as a New Critical position taking within the intellectual and literary field of the between, early 1930s. Lee, Hermione. 1998. Methodologies? 'Crimes of Criticism': Virginia Woolf and Literary Journalism. In: Jeremy Treglown Bridget Bennett, eds.

Grub Street and the Ivory Tower: Literary Journalism and Literary Scholarship from Fielding to the Internet . Between Music? Oxford: Clarendon Press. 112-134. Lee not only gives an overview of Virginia Woolf's journalistic work but also shows how she used journals and literary and little magazines in dylan go gentle that night order to advertise her own and between classical and romantic, her friends' work as well as the Hogarth Press. McDonald, Peter D. 1997. British Literary Culture and Publishing Practice 1880-1914 . Cambridge: Cambridge UP. Unfortunately a misleading title. McDonald does not analyse the publication system in the age of to society by older transition but rather in late Victorianism. He hardly pays any attention to the authors of the 1890s. His case studies focus rather on and romantic, Joseph Conrad, Arnold Bennett, and Arthur Conan Doyle without making clear why he chose these authors. Ohmann, Richard. 1996.

Selling Culture: Magazines, Markets, and Class at dylan thomas do not go gentle into that good night, the Turn of the Century . New York: Verso. Rainey, Lawrence. 1998. Institutions of Modernism: Literary Editors and Public Culture . New Haven: Yale UP. A seminal contribution to the argument that the alleged gap between modernism and public (or even mass) culture was not as great as the modernists claimed themselves. As example cases Rainey uses the publication history of Pound, H.D., Joyce's Ulysses and Eliot's The Waste Land. One rather irritating 'flaw' of this otherwise important study is Rainey's discussion of difference between music H.D.

Here he leaves his seemingly disinterested position and tries to show that H.D.'s recanonisation by feminist critics was a mistake since H.D.'s work does not deserve it at all (a judgement of the is defined as the, value of an author he does not give with respect to any of the male authors!). Wexler, Joyce Piell. 1997. Who Paid for Modernism? Art, Money, and the Fiction of between and romantic music Conrad, Joyce, And Lawrence . Fayetteville: The University of Arkansas Press. Using the careers of Conrad, Joyce and Lawrence as examples Wexler demonstrates that the modernist artists' image as oppositions to financially oriented bourgeois artists is a myth and that authors made use of dylan thomas do not into this myth to difference classical music further their success. She also shows that in modernism the writer's position became particularly complicated because s/he was wedged between the Romantic ideal of the genius who shows no interest in his or her market value and an interest in acknowledgement (because no recognition at is defined as the, all is still regarded as a sign of failure) and being able to live on one's writing. White, Cynthia L. 1970.

Women's Magazines 1693-1968 . London: Michael Joseph. A seminal account of the development of women's magazines. One of White's foci is the literature published in difference music these magazines. Pages 77-117 are of particular interest. Willison, Ian, Warwick Gould and Warren Chernaik, eds.

1996. Modernist Writers and the Marketplace . Basingstoke London: Macmillan. An essay collection that deals with the definition, conditions of publication for classical music modernist writers, focusing on the publication histories of individual (canonised) authors (James, Yeats, Conrad, Lawrence, Woolf, Eliot, Pound, Lewis). Only Edward Bishops essay on the contributions made people, little magazines (see above) offers a more general overview on avant-garde publication practices. 291 (1915-1916, American magazine) The (New) Adelphi (1923-1955) Art and Letters (1917-1920) Blue Review (1913)

Broom (1921-1924, American magazine) The Calendar of Modern Letters (1925-1927) The Chapbook (1919-1925) The Criterion (1922-1939) The Dial (1880-1929, American magazine; especially the era of Scofield Thayer's and Marianne Moore's editorship 1920-1929)

The Egoist (1914-1919) The Enemy (1927-1929) (New) English Review (1908-1937) The (New) Freewoman (1911-1914) The Golden Hind (1922-1924) Life and Letters (1923-1924) Life and Letters later Life and Letters Today (1928-1950) The Little Review (1914-1929, American magazine) The London Aphrodite (1928-1929) The London Mercury (1919-1939)

The Masses (1911-1917, American magazine) New Age (1894-1938; especially the between music, years of A.R. Orage's editorship, 1908-1922) The New Coterie (1925-1927) The New Masses (1926-. American magazine)

Others (1915-1919, American Magazine) Open Window (1910-1911) (New) Oxford Outlook (1919-1932) Oxford Broom (1923) The Palatine Review (1916-1917) Poetry (1912-present, American magazine; especially the phase of Harriet Monroe's editorship, 1912-1935) Poetry and Drama (1913-1914) The Poetry Review (1912-present)

The Scottish Chapbook (1922-1923) Secession (1922-1924; exile-American magazine published in various European cities) Time and dylan thomas night, Tide (1920-1979) [in its first phase 1920-1928 it was a little magazine] Transatlantic Review (1924-1925) transition (1927-1938, published in France and Holland) The Tyro (1921-1922)

Wheels: An Anthology of Verse (1916-1921) One of the first overviews of British and American modernist little magazines and one of the bases for Hoffman, Allen and Ulrich's (1946) bibliography. Allen especially stresses the importance of little magazines as almost the only medium of publication for experimental young authors. Anderson, Margaret. [1930] 1971. My Thirty Years' War . Westport: Greenwood Press.

Margaret Anderson's famous autobiography in which she not only describes her unconventional life but also the development of The Little Review under her editorship. Difference Classical And Romantic? This is, of course, a very subjective account, but it nevertheless contains important information for any study on methodologies, little magazines. Anonymous. 1941. Difference Classical And Romantic Music? Little Mags, What Now?. The New Republic 104.13: 424.

A state-of-the-art article on words, little magazines. The author discusses the development of a little-magazine culture in America from the 1920s to the late 1930s and argues for a revival of and romantic little magazines in a 1920s fashion in order offer new authors a forum for publication. Baker, Denys Val, ed. 1943. Little Reviews Anthology . London: Allen Unwin. An anthology of what Baker himself calls the describe the contributions made people, best writing which has appeared in the little reviews and literary magazines of Britain since the outbreak of war (v). His introduction offers some theoretical reflections on little magazines. Between Music? Interesting is his choice of little magazines from which he takes the describe made by older, stories and poems: The Bell , Horizon , Indian Writing , New Writing , Oasis , Opus , Our Time , Now , Poetry (London), Poetry Quarterly , Poetry Review , The Bell , New Vision , Wind and the Rain , Oasis , Opus , Scythe (formerly Townsman ), and Seven . Barash, Carol.

1987. Dora Marsden's Feminism, the Freewoman , and the Gender Politics of Early Modernism. Between Classical? Princeton University Library Chronicle 49.1: 31-56. One of the first essays on the development of The (New) Freewoman / Egoist from a feminist to a literary little magazine. Barash presents this development as the story of Pound's take-over. This assessment has changed, though (see especially Clarke 1996; Ferrall 1992a; Morrisson 1997, 2001; Thacker 1993). Bennett, David. 1989. Periodical Fragments and Organic Culture: Modernism, the Avant-Garde, and the Little Magazine.

Contemporary Literature 30: 480-502. The author sees in little magazines an example for a distinction between avant-garde and modernism as proposed by go gentle into night Peter Bürger (1974). Publications in the ephemeral medium of difference between little magazines are still part of an avant-garde culture, but they become modernist texts by being published in book form. This distinction has been convincingly questioned by Bishop (1996) and Rainey (1998). Benstock, Shari Bernard Benstock. 1991.

The Role of analysis Little Magazines in the Emergence of Modernism. Library Chronicle of the difference, University of conflict theorists definition Texas 20: 68-87. An important overview of the copies of (American) little magazines at the Harry Ransom Humanities Research Center at the University of Texas, Austin. Unfortunately the authors remain on a merely biographical level. Classical Music? The editors of the little magazines and kaizen, their aesthetic ideas are introduced. Benstock and Benstock say very little about the exact content of these magazines.

van den Berg, Hubert Ralf Grüttemeier, eds. 1998. Manifeste: Intentionalität (Avant Garde Critical Studies 11). Amsterdam Atlanta: Rodopi. A rather heterogeneous essay collection on literary manifestos (mainly European modernist ones). Theoretically the authors base their contributions on the intentionality debate (Eco, Searle, Fish, Knapp Michaels, Hirsch). The authors' claim that a manifesto is necessarily intentional and that its authors' intentions can be gauged from it is quite problematic. Of particular interest are the contributions by Wolfgang Asholt (on intentional strategies in futurist, dadaist and surrealist manifestos) and by Martin A. Kayman (on Pound and imagism). Bishop, Edward.

1996. Re:Covering Modernism - Format and Function in the Little Magazines. In: Willison, Gould and Chernaik, eds. 287-319. An important overview of little magazines from the 1890s to the 1920s.

Bishop pays special attention to the connection between visual and typographical design and the literary contents of difference between music these magazines. Stops? He sees the different magazine as a representation of the increasing institutionalisation of modernism (in this he argues against Bennett's (1989) postulation that little magazines represent the avant-garde and difference between and romantic music, not modernism). Bishop covers The Yellow Book , The Savoy , The Dial , The Little Review , Poetry , The Egoist , Blast , and Criterion . Bloomfield, B.C. 1976. An Author Index to Selected British Little Magazines 1930-1939 . As The? London: Manssell. An additional (but by far not as comprehensive) reference to Sader, ed. (1976).

Bradbury, Malcolm. Difference Between Classical Music? 1958. The English Review . London Magazine 5: 46-57. One of the first accounts of The English Review with a special focus on the period of Ford Madox Ford's editorship. Bradbury stresses that this was one of the few Edwardian magazines where new and experimental could publish alongside more traditional ones. Bradbury, Malcolm. 1961. Describe By Older? The Calendar of Modern Letters : A Review in Retrospect.

London Magazine n.s. 1.7: 37-47. Bradbury's attempt to revaluate The Calendar of Modern Letters as an important literary-critical review alongside The Criterion and The Adelphi . He points out that the Calendar served as model for F.R. Difference And Romantic Music? Leavis's Scrutiny (a series of critical articles in the Calendar , called Scrutinies actually gave Leavis's magazine its name). Unfortunately the made by older people, Calendar 's importance is still not recognised today. Bradbury, Malcolm. 1971.

The Social Context of Modern English Literature . Oxford: Blackwell. Bradbury, Malcolm. 1976. London 1890-1920. In: Malcolm Bradbury James McFarlane, eds. Classical And Romantic? Modernism 1890-1930 . Harmondsworth: Penguin. 172-190. This chapter is of interest because Bradbury introduces some of the important contemporary British little magazines such as Rhythm / The Blue Review , The Poetry Review , a Poetry and Drama , The (New) Freewoman / The Egoist , and Blast . Bradbury, Malcolm. To Society Made? 1995. And Romantic Music? The Criterion. A Literary Review in describe the contributions by older people Retrospect.

The London Magazine 5.2: 41-54. Bradbury, Malcolm. 1999. Modernism and the Magazines. In: Heinz Antor and Kevin L. And Romantic? Cope, eds. Transcultural Encounters - Studies in English Literatures . Heidelberg: Winter. 187-313. A survey of little magazines which mainly remains on a positivist level, listing names of magazines, editors, and contributors. Bradbury demonstrates the corporate social as the, interconnection of the development of modernism and music, of little magazine. He manages to describe the contributions to society by older give an idea of the diversity of difference magazines, but because he covers so many he does not have much space for detailed discussions of specific examples.

Bradbury, Malcolm James McFarlane. 1976. Movements, Magazines and Manifestos: The Succession from Naturalism. In: Malcolm Bradbury James McFarlane, eds. Dylan Thomas Go Gentle Night? Modernism 1890-1930 . Classical And Romantic? Harmondsworth: Penguin. 192-205. The authors show how much the various European modernist movements (especially Imagism, Vorticism, Futurism, Surrealism, Expressionism, and Dadaism) depended on little magazines as an outlet.

Casford, E. Leonore. 1929. Do Not Into That Good Night? The Magazines of the between classical, 1890's: A Chapter in the History of English Periodicals; Being a Critical Study of The Albemarle, The Yellow Book, and The Savoy, with a Brief Description of Other Literary Magazines of the thomas go gentle that, 1890's (Language and Literature Series 1). Eugene: University of Oregon Press. An important overview of little magazines of the 1890s which shows how early the concept of little magazines received literary critical attention. Apart from The Albemarle , The Yellow Book and The Savoy Casford also discusses The Anti-Philistine , The Butterfly , The Dome , Hobby Horse , The Pageant and The Quarto . Clarke, Bruce. 1985. Dora Marsden's Egoism and Modernist Letters: West, Weaver, Joyce, Pound, Lawrence, Williams, Eliot. Works and Days 2.2: 27-47. An early version of parts of his seminal study on Dora Marsden (1996).

Clarke, Bruce. 1992. Dora Marsden and Ezra Pound: The New Freewoman and 'The Serious Artist'. Contemporary Literature 33.1: 91-112. An early version of parts of his seminal study on Dora Marsden (1996). Clarke, Bruce. 1996.

Dora Marsden and Early Modernism: Gender, Individualism, Science . Ann Arbor: University of Michigan Press. An important revaluation of Dora Marsden's role in the cultural field at the beginning of the 20th century. Clarke argues that Marsden's intellectual development from between classical music, suffragism to egoism mirrors in a nutshell the direction literature took at the time (a turn from personal politics to an individualistic literary practice, 1). He provides a detailed account of methodologies Marsden's philosophical, political and literary influences. Other than Barash (1987) Clarke sees Marsden's change of between music name of her little magazine from dylan do not good night, The (New) Freewoman to The Egoist as a voluntary one. He thus reduces the influence Pound allegedly had on between classical music, her (see also Barash 1989; Ferrall 1992a; Morrisson 1997, 2001; Thacker 1993).

Clooney, J.P. 1938. Among the Magazines. The Phoenix 1.2: 134-150. A very critical review of a number of literary magazines of the time with quite different literary and political positions ( The Townsman , Purpose , Life and Letters Today , Poetry , The Examiner ). Interesting as a document of how little magazines were received and discussed in the contemporary literary field. Diepeveen, Leonard. 1996. 'I Can Have More Than Enough Power to Satisfy Me': T.S. Eliot's Construction of His Audience. In: Kevin J.H. Dettmar Stephen Watt, eds. Marketing Modernism: Self-Promotion, Canonization, Rereading . Go Gentle Good Night? Ann Arbor: University of Michingan Press.

37-60. An interesting discussion of how Eliot created his own elitist audience through his essays. Diepeveen shows the importance the ephemeral form of publication of little magazines had in this. Between Classical And Romantic? Eliot argued that only in these smaller but literary more 'elitist' media of publication could he find what he termed the qualified reader Eliot explicitly differentiated himself from editors of larger - and thus to his mind more commercial - magazines such as The London Mercury (see also Kaufmann 1998 on the difference between Eliot's and Virginia Woolf's conceptions of their readership). Dupee, F.W. 1938. British Periodicals. Partisan Review 5: 45-48. A very critical review of British little magazines.

Dupee criticises their apolitical stance (which is not surprising considering the political position of the Partisan Review ) and at kaizen methodologies, the same time stresses their ideological heterogeneity. He also finds fault with the - to his mind - poor literary quality. He discusses The Criterion , Scrutiny , Purpose , Arena , Colosseum , Left Review , Life and Letters Today , and and romantic music, New Verse . Eliot, Thomas S. 1926. The Idea of a Literary Review. Corporate Responsibility? The New Criterion 4: 1-6. Eliot's own outline of an ideal little or literary magazine. It not only offers a contemporary perspective on little magazines but also reveals important information about his own conception of literature. Emmart, A.D. 1923.

The Limitations of American Magazines. Modern Quarterly 1.3: 17-26. A very conservative critique of American little magazines and the literature published in them. He particularly finds fault with an alleged lack of moral and difference between, too much experimentation in the field of kaizen methodologies psychological realism. Emmart is especially critical of The Dial and The Little Review . Ferrall, Charles. 1992a.

Suffragists, Egoists, and the Politics of between classical music Early Modernism. English Studies in Canada 18.4: 433-446. Ferrall tries to show that Pound's 'take-over' of the corporate, New Freewoman and the change of name into The Egoist was not just an appropriation of a feminist magazine through 'phallocratic' and misogynist men but that this change reflects Marsden's development, too. He examines her turn from suffragism to difference and romantic a Nietzschean and theorists, Stirnerian egoism and difference classical and romantic music, points out some analogies between her political and describe to society, philosophical writings and that of the imagists, especially Pound (see also Barash 1989; Clarke 1996; Morrisson 1997, 2001; Thacker 1993). Ferrall, Charles. Difference Classical And Romantic Music? 1992b. The New Age and the Emergence of Reactionary Modernism Before the Great War. Modern Fiction Studies 38: 653-667. Ferrall counters the notion that the corporate social, New Age was one of the central magazines in propagating modernism in general. In contrast to Martin (1967) he argues that A.R.

Orage, the editor at the time only supported politically reactionary authors such as Ezra Pound and Wyndham Lewis and thus contributed to the development of a 'reactionary modernism' only. Fletcher, John Gould. 1934. The Little Reviews: Yesterday and To-Day. Space 1.8: 84-86. An contemporary account of American little magazines (1914-1929).

Fletcher observes a tendency towards a proletarisation and classical and romantic music, a decentralization of American literature and dylan thomas do not into good, culture through these new little magazines (85). He does, however, acknowledge that some of the between classical and romantic music, new authors would have had no other possibility of publication. Garner, Les. 1990. A Brave and Beautiful Spirit: Dora Marsden 1882-1960 . Kaizen Methodologies? Aldershot: Avebury. The first book-length biography of Marsden. An attempt at a revaluation of Marsden's role in the suffragette movement and in modernism. At times a little too subjective and anecdotal.

Of special interest are chapters 4 The Freewoman , 1911-1912; 5 The New Freewoman , June-December 1913; 6 The Egoist , January 1914-December 1919. Görtschacher, Wolfgang. 1993. Difference Classical And Romantic? Little Magazine Profiles: The Little Magazines in conflict Great Britain 1939-1993. Salzburg: Salzburg University. Although Görtschacher focuses on little magazines of the second half of the 20th century his comments on the nature of little magazines in general are quite useful. What he offers is a descriptive discussion of various magazines and their editors (sometimes with interviews). It is a little odd, though, that he restricts the term 'little magazine' to classical and romantic music poetry magazines only; his typology of little magazines is thus not very convincing. Graham, Walter. 1930.

English Literary Periodicals . New York: Thomas Nelson. A very early survey of British periodical culture from the stops analysis, 18th century to the 1920s. He only between classical briefly touches on little magazines, though. Of particular interest in this respect are Chapter 9 The Later Reviews and words, the Fortnightly , Chapter 11 The weekly journal of belles-lettres , and Chapter 12 (in which he discusses among other magazines The (New) Adelphi , The Athenaeum , The Criterion , The English Review , Life and Letters The London Mercury , and the TLS ). Grant, Joy. 1967. Harold Monro and the Poetry Bookshop . London: Routledge Kegan Paul. A biography of one of the lesser known editors of little magazines ( The Poetry Review , Poetry and Drama , The Chapbook ) and a discussion of his own poetry. Hamilton, Ian. 1976.

The Little Magazines: A Study of Six Editors . London: Weidenfels and Nicolson. A much quoted study in which Hamilton focuses on an anecdotal and biographical account of classical music The Little Review , Poetry , The Criterion , New Verse , The Partisan Review , and Horizon . Thomas Go Gentle That Good Night? Hamilton's ironical comments on contributions that he regards as inferior can be quite irritating. One severe disadvantage is that he neither gives any bibliographical information about the music, quotations he uses nor offers a bibliography. Hanscombe, Gillian and Virginia L. Smyers. 1987. Writing for their Lives: The Modernist Women 1910-1940 . The Machine Stops? London: The Women's Press. Hanscombe and Smyers's seminal study on modernist women writers, editors and publishers. Of particular interest for little magazines are Chapter 10 'The stand of the individual against immensities. ' - Periodical publishing I and Chapter 11: 'Life for Art's sake. ' - Periodical publishing II in which they discuss the role of women in little-magazine publishing.

Magazines they cover include The (New) Freewoman / The Egoist (here they hold the early feminist opinion that Pound forced Marsden into between classical and romantic music a change of the contributions made by older name and conception of her magazine, cf. Barash), The Little Review , The Dial , Poetry , Contact , The Transatlantic Review , The Quarter , Close-up , and difference between and romantic, transitions . Hayman, Ronald. 1975. Methodologies? The Calendar of Modern Letters. New Review 1: 14-19. Heyl, Lawrence. 1940. Little Magazines. The Princeton University Library Chronicle 2.1: 21-6. An early attempt at a definition and description of (American) little magazines.

Interesting as a historical document. Hoffman, Frederick J. 1943. The Little Magazines: Portrait of an Age. The Saturday Review of Literature 26.52: 3-5. One of the first overviews of British and American modernist little magazines and one of the bases for Hoffman, Allen and Ulrich's (1946) bibliography. Allen especially stresses the importance of little magazines as almost the only medium of publication for experimental young authors. Hoffman, Frederick J., Charles Allen and Carolyn F. Classical? Ulrich.

1946. The Little Magazine: A History and theorists definition, a Bibliography . Princeton: Princeton UP. Still the authoritative annotated bibliography of British and American little magazines. The introductory chapters are also of interest. Hoffman, Allen, and Ulrich even attempt a typology of little magazines, but mostly they remain on a positivist and anecdotal level listing dates of publication, names of difference music editors and contributors, etc. Homberger, Eric. 1976. Chicago and New York: Two Versions of American Modernism. In: Malcolm Bradbury James McFarlane, eds. Modernism 1890-1930 . Words? Harmondsworth: Penguin. 151-161.

Only of marginal interest for little magazines, but at least Homberger mentions the great influence of little magazines on the New York literary scene (e.g. The Liberator , Smart Set , Others , Glebe , Seven Arts , New Republic , The Freeman , Nation , Masses , The Little Review , The Dail ). Howarth, Herbert. T.S. Eliot's Criterion : The Editor and His Contributors.

Comparative Literature 2: 97-110. Johnson, Abby Arthur. 1973/74. The Politics of a Literary Magazine: A Study of The Poetry Review , 1912-1972. Journal of Modern Literature 3: 951-964. Joost, Nicholas.

1967. Years of Transition: The Dial 1912-1920 . Barre, Mass.: Barre Publishers. A detailed study of the development of The Dial from a rather conventional (literary) magazine to a platform for experimental literature under Scofield Thayer and Sibley Watson. Joost, however, argues that the literature that appeared in the Dial has been overestimated and that more radical magazines such as The Little Review did much more to further modernist writings. Joost, Nicholas Alvin Sullivan. 1970. Between And Romantic Music? D.H. Lawrence and 'The Dial'. Carbondale, Ill.: Southern Illinois UP.

A detailed account of Lawrence's involvement with The Dial in the course of his career. A bit too anecdotal at times, but still readable. Kadlec, David. 1993. Social Responsibility Is Defined As The? Pound, Blast , and Syndicalism. English Literary History 60.4: 1015-1031. Kadlec argues that the design of BLAST was informed by the development of syndicalist miner's actions in Wales under Tom Mann before WW I. According to him not only the magazine's name is indebted to the worker's movement but also its visual aggressiveness and difference and romantic music, aesthetic militancy.

He also attributes Pound's radical aesthetics in this period to his interest in syndicalism (introduced to him mainly via A.R. Orage's The New Age ). Kenner, Hugh. 1971. The Pound Era . Made People? Berkeley: University of California Press. Kenner's book is interesting as an account of Pound's involvement with The New Freewoman / The Egoist - especially if you compare it with more recent studies of between classical this little magazine. It is amazing how Kenner manages to leave out Dora Marsden's entirely! Knight, Melinda.

1996. Little Magazines and the Emergence of Modernism in the Fin de Siècle . American Periodicals 6: 29-45. Knight convincingly demonstrates that little-magazine culture in America did not begin in 1912 with the appearance of Poetry , The Poetry Journal , The Smart Set and conflict theorists, The Masses , but much earlier with fin-de-siècle magazines such as The Chap-Book , M'lle New York , The Fly Leaf , The Lark , The Philistine and others. She argues for a revaluation of these magazines' influence in the development of modernism. Lewis, Wyndham. 1927. Editorial notes: Art and 'Radical' Doctrines. The Enemy 2: xxiii-xxviii.

Lewis's own 'position taking' in the literary field. His editorial mainly consists of a biting critique of transitions and Gertrude Stein's - to his mind - negative influence on it. Implicitly, of course, this is indicative of his own conception of literature and difference music, little magazines. Lidderdale, Jane Mary Nicholson. 1970. Dear Miss Weaver: Harriet Shaw Weaver, 1876-1961 . London: Faber Faber. A still seminal biography of Harriet Shaw Weaver with a special focus on her role as Joyce's patron. But Lidderdale and Nicholson also touch upon her role as editor of The Egoist and publisher of The Egoist Press.

Little Magazine. 1997. Britannica CD: Version 97 . Encyclopaedia Britannica, Inc. A valuable first source of information on corporate is defined, little magazines providing a definition, a list of the classical music, most prominent British and American little magazines, and to society made by older people, a classification into different periods. MacKendrick, Louis K. Difference Between And Romantic Music? 1972. New Freewoman : A Short Story of Literary Journalism. English Literature in Transition 15.3: 180-187. MacKendrick, Louis K.. 1975. The Machine? T.S. Eliot and difference classical, the Egoist : The Critical Preparation.

Dalhousie Review 55: 140-154. MacShane, Frank. 1961. The English Review . South Atlantic Quarterly 60: 311-320. Marek, Jayne E. 1995. Women Editing Modernism: Little Magazines and Literary History . Lexington: The UP of Kentucky.

A very important feminist contribution to the history of little magazines. Marek tries to social is defined as the show that in the function of publishers and editors more women were involved in the development of modernism than traditional accounts convey. The question, however, remains why there were not more women contributors (especially in a British context). And Romantic? With the exception of Bryher, Marek focuses on American women editors and publishers (Harriet Monroe, Alice Corbin Henderson, Margaret Anderson, Jane Heap, Bryher, Marianne Moore) and words, has an additional chapter on Ezra Pound's role in little magazine culture. Marek concentrates on the editors' own writings in their magazines and their personal contacts. She says hardly anything about the set-up of particular issues or the norms and values conveyed in other contributions. Marks, Peter. 1997. Illusion and Reality: the Spectre of Socialist Realism in Thirties Literature Williams, Keith Steven Matthews, eds. Rewriting the Thirties: Modernism and After . London New York: Longman. 23-36.

In his essay on British literature of the 1930s Marks also discusses the role of little magazines. Difference Between? He distinguishes between left-wing magazines that explicitly engage in the relationship between literature and politics (such as The Left Review , New Signatures , The Adelphi , and Cambridge Left ) and those magazines that are their unpolitical or conservative ( New Verse , The Criterion , Scrutiny ). Interesting for an analysis of the development of little magazine culture. Martin, Peter A. 1977. The Short Story in methodologies England: 1930s Fiction Magazines. Studies in Short Fiction 14: 233-240.

An account of the role of little magazines ( New Writing , New Stories , Lovat Dickson's Magazine , Penguin Parade ) in the development of prose writing - especially the short story - in the 1930s. Martin, Wallace. 1967. The New Age Under Orage: Chapters in English Cultural History . Manchester: Manchester UP. One of the first studies on difference between and romantic, the role of the New Age in the modernist period. Martin is a little too enthusiastic in portraying The New Age as a platform for analysis innovative and experimental authors alongside BLAST and The Egoist (see for example Ferrall 1992b for a more critical evaluation of the magazine). Masteller, Richard N. 1997. Using Brancusi: Three Writers, Three Magazines, Three Versions of Modernism. American Art 11.1: 47-66.

Materer, Timothy. 1996. Make It Sell! Ezra Pound Advertises Modernism. In: Kevin J.H. Dettmar Stephen Watt, eds. Marketing Modernism: Self-Promotion, Canonization, Rereading . Ann Arbor: University of Michingan Press.

17-36. Materer shows how Pound took over advertising schemes from commodity culture in order to make Imagism and Vorticism popular. He thus discloses the between classical and romantic, allegedly unbridgeable gap between the avant-garde and consumer culture as a mere modernist self-stylisation. He demonstrates how Pound used little magazines such as The Egoist , The Little Review and BLAST for his purpose and how these magazines themselves adopted methods from commodity culture advertising. Morrisson, Mark S. 1996. The Myth of the Whole: Ford's English Review , The Mercure de France and Early British Modernism. ELH 63: 513-533. Morrisson argues that Ford turned to France, i.e. the Mercure de France in his outline of The English Review because he saw no English equivalent that could bridge the gap between 'high' literary standards and describe the contributions by older, a broad audience.

He wanted neither a typical coterie magazine nor one of the typical mass papers such as the Daily Mail . Morrisson, Mark S. Difference Music? 1997. Marketing British Modernism: The Egoist and Counter-Public Spheres. Twentieth Century Literature 43.4: 439-469. An analysis of the development from The Freewoman as a suffragist magazine to The Egoist as a magazine of the literary avant-garde. Morrisson shows that this change not only had an influence on the readership of the magazine but on advertisers as well. He argues that The Egoist folded up because in contrast to The Freewoman it failed to address a homogeneous audience (see also Barash 1989; Clarke 1996; Ferrall 1992a; Morrisson 2001; Thacker 1993). Morrisson, Mark S. 2001. Social Is Defined As The? The Public Faces of difference between classical and romantic music Modernism: Little Magazines, Audiences, and Reception 1905-1920 . Madison: The University of analysis Wisconsin Press. A seminal study of little magazines. Morrisson not only gives the typical account of little magazines' central role in the development of modernism but also analyses their relationship to what he calls the 'public sphere'.

He thereby manages to demonstrate convincingly that the alleged gap between mass culture and the avant-garde is not as great as has been posited. He focuses on four British ( The English Review , Poetry and Drama , The Egoist , Blast ) and two American ( The Little Review , The Masses ) magazines (see also Barash 1989; Clarke 1996; Ferrall 1992a; Morrisson 1997; Thacker 1993). Munson, Gorham. Classical And Romantic? 1937. The Machine Stops Analysis? How to between Run a Little Magazine. Conflict Theorists Definition? The Saturday Review of Literature 15.22: 3-4, 14, 16-17. A contemporary discussion of little magazine culture.

Munson interestingly already claims to between classical and romantic music have noticed a decline of and loss of interest in little magazines as compared with the stops, 1920s. Murphy, Michael. 1996. 'One Hundred Per Cent Bohemia': Pop Decadence and the Aestheticization of Commodity in the Rise of the Slicks. In: Kevin J.H. Dettmar Stephen Watt, eds. Marketing Modernism: Self-Promotion, Canonization, Rereading . Ann Arbor: University of Michingan Press. 61-89. Murphy demonstrates that the difference and romantic music, connection between commodity culture and avant-garde culture was much closer than has been previously thought. He uses Vanity Fair to methodologies show how quickly commodity culture picked up some of the between and romantic music, features of the avant-garde. Not only did modernist authors publish in stops magazines such as Vanity Fair but also the advertisements in these magazines show clear influences of difference classical music modernist art.

Nelson, Cary. 1989. Repression and the machine analysis, Recovery: Modern American Poetry and the Politics of Cultural Memory, 1910-1945 . Madison: University of Wisconsin Press. In his study on American poetry of the first half of the 20th century Nelson also briefly discusses the role little magazines (including left-wing magazines and classical and romantic music, magazines of the Harlem Renaissance) played in the publication and, ultimately, canonization of some of the best known authors. He also provides an impressive variety of illustrations from little magazines. Nelson's canon debate originates in a Marxist rather than a gender-oriented position, but he discusses some lesser-known women authors, too. One great disadvantage is the structure of the words for leadership, book: Nelson deliberately designed it as one long essay without chapter divisions so that the reader is left with the detective work of difference between and romantic deducing from the implicit information given in methodologies the course of the study what organisational principle underlies the study. Pollack, Felix. 1976. Elitism and the Littleness of Little Magazines. Southwestern Review 61: 297-303.

Pound, Ezra. Difference And Romantic Music? 1930. Small Magazines. The English Journal 19.9: 689-704. Pound's own position on the role and functions of little magazines. He discusses almost exclusively the magazines he was involved with (and, of the machine analysis course, he is very critical of those he has left, such as Poetry ). Classical And Romantic? He covers Poetry , The Egoist , The English Review, The Little Review , The Dial , and briefly The Criterion , transatlantic review , and transition . Rainey, Lawrence. The Machine? 1989. The price of between classical music modernism: reconsidering the publication of The Waste Land . Dylan Do Not Into Good Night? Critical Quarterly 31.4: 21-47. Rainey's seminal first contribution to the discussion of modernism's economic interests. He demonstrates that the question of where to publish The Waste Land was guided by financial interests.

Eliot ultimately chose the magazine ( The Dial ) that offered the difference between and romantic music, most and thomas good night, actually made quite a lot of money. The modernists' self-stylization as artists who had no interest in financial success whatsoever thus has to be modified. Rainey, Lawrence. 1997. The real scandal of Ulysses : How literary modernism came to retreat from the public sphere. TLS (January 31): 11-13. Rainey argues that Sylvia Beach's decision to publish Ulysses was not just a selfless act of support for an avant-garde author, but was guided by financial considerations as well. She consciously chose to publish Ulysses as a deluxe and not as a limited edition. The book thus immediately became a collector's item rather than a book for a limited audience. The attention was diverted from the between and romantic, content to the book as object.

Rhondda, Viscountess, Margaret Haig. 1933. This Was My World . London: Macmillan. Lady Rhondda's highly interesting autobiography in which she also briefly mentions the foundation and development of Time and Tide . Rosenberg, Harold. 1938. Literature Without Money. Direction 1.3: 6-10. A contemporary discussion of the stops, role of difference between classical music little magazines in the development of modernism in America. Rosenberg stresses that the little magazines often served as a first step in the publication history of an author and kaizen, that commercial magazines and publishing houses latched on difference between classical music, when they considered her or him financially promising. He notices a difference in reception with regard to the three genres (decidedly less interest in poetry with the commercial publishers).

Sader, Marion, ed. Do Not Go Gentle That Good Night? 1976. Comprehensive Index to English Language Little Magazines 1890-1970 . Millwood, NY: Kraus-Thomson-Organization. A six-volume author index to over one hundred - mainly American and British - little magazines. The entries include information on difference between classical and romantic, works by and about authors who were published in these magazines (interviews, articles, essays, poems, drama, fiction). Schwartz, Delmore. 1939.

The Criterion , 1922-1939. Kenyon Review 1: 437-449. Selver, Paul. 1959. The Contributions Made By Older? Orage and The New Age Circle: Reminiscences and Reflections . London: Allen Unwin.

This is more an autobiography than an account of The New Age and its editor A.R. Orage although he tries to difference between improve Orage's reputation with his book. Selver describes his own (rather marginal) function in the magazine. His comments on some of the avant-garde authors reflects his own conservative literary values. Singer, Herman B. 1940. The Modern Quarterly 1923-1940. Definition? Modern Quarterly 11.7: 13-19. A characterisation of difference between classical Modern Quarterly from a political perspective. Singer focuses on the editor's (V.F.

Calverton) position with respect to marxism and the Soviet Union and its influences on the magazine. He hardly says anything about the literature in thomas go gentle into that good Modern Quarterly . Spender, Dale. Difference Between Classical? 1984. Time and Tide Wait for No Man . London etc.: Pandora Press. One of the few accounts of Time and Tide . Unfortunately Spender concentrates on giving biographical information about the most important (political) contributers (Lady Rhondda, Elizabeth Robins, Rebecca West, Cicely Hamilton, Helena M. Swanwick, Winifred Holtby, Very Brittain, and Crystal Eastman) and on reprinting some of their articles. Apart from naming some of the most prominent authors that appeared in Time and Tide she says very little about the magazine's literary contents. Sullivan, Alvin, ed. 1984. Conflict Definition? British Literary Magazines: The Victorian and Edwardian Age, 1837-1913 . Westport, Conn. London: Greenwood Press.

To date one of the most important reference work on literary and little magazines. The magazines are arranged in alphabetical order. Each magazine is introduced in between classical and romantic music an essay (whose length depends on the assumed importance of the magazines), including bibliographical references, information on publishers, editors, location sources as well as possible indexes and reprint editions, Sullivan, Alvin, ed. For Leadership? 1986. British Literary Magazines: The Modern Age, 1914-1984 . Westport, Conn. London: Greenwood Press. To date one of the most important reference work on literary and classical music, little magazines. The magazines are arranged in alphabetical order. Conflict Theorists Definition? Each magazine is classical music introduced in an essay (whose length depends on the assumed importance of the the machine analysis, magazines), including bibliographical references, information on publishers, editors, location sources as well as possible indexes and reprint editions, Symons, Julian.

1967. The Cri. London Magazine n.s. 7: 19-23. A description of The Criterion . Symons presents the magazine as an odd combination of a conservative and difference between classical and romantic music, overly academic literary criticism and an interest in literary innovation, revealing T.S. Theorists? Eliot's own position.

This also becomes apparent in Eliot's conservative social criticism. Symons notes some of the poetry that was published in The Criterion as remarkable, the prose less so and he complains that some genres such as history and biography were ignored altogether. Tell, Waldo. 1934. Between? Review of Radical Magazines. Partisan Review 1: 60-63. An early account of a new turn to the left in (American) little magazines of the 1930s. Tell introduces Left Front , The Anvil , Dynamo , and Blast (not Wyndham Lewis's London magazine of 1913). Thacker, Andrew. 1993.

Dora Marsden and The Egoist : 'Our War Is With Words'. English Literature in Transition, 1880-1920 36.2: 178-196. Another attempt to analysis revaluate Marsden's position as editor of The (New)Freewoman / The Egoist and her role in the development of literary modernism (see also Barash 1989; Clarke 1996; Ferrall 1992a; Morrisson 1997, 2001) Todd, Ruthven. 1939. The Little Review.

Twentieth Century Verse 15/16: 159-162. An early account of between and romantic The Little Review focusing mainly on for leadership, its early years. Todd criticises Margaret Anderson's indiscriminate choice of literature and stresses that her only real 'find' was Ulysses . He sees the most important improvement of the magazine in between music Pound's employment as foreign editor. Trilling, Lionel. 1951. The Function of the Little Magazine.

The Liberal Imagination Essays on Literature and Society . London: Secker and Warburg. 93-103. Originally published as an individual essay in 1946 in an anthology on and of The Partisan Review this is another quite early literary-critical account of the function of little magazines, especially with respect to the development of modernism. Trilling criticises that the intellectuals of his time have lost interest in kaizen methodologies literature but sees a new hope in politically oriented little magazines such as The Partisan Review . Troy, William. 1930. The Story of the Little Magazines. The Bookman 70: 476-481, 657-563. Vondeling, Johanna E. 2000. The Manifest Professional: Manifestos and Modernist Legitimation.

College Literature 27.2: 127-145. Vondeling's notion of the manifesto is a little too vague, including essays and programmatic poetry, but she offers an interesting analysis of the function of little magazines in an author's self-legitimation. She focuses on Marinetti's Futurist Manifesto, Pound's essays in BLAST , and Loy's Feminist Manifesto and her essay International Psycho-Democracy. Wall, Alan. Between And Romantic Music? 1976. Little Magazines: Notes towards a methodology. In Francis Barker et al., eds. Literature, Society and the Sociology of Literature (Proccedings of the Essex Conference of the Sociology of Literature). Colchester: University of Essex. 105-117.

Wall provides some genereal sociological reflections from a typical 1970s marxist position on the status of little magazines. His main focus is on The Calendar of Modern Letters , though. In spite of for leadership Wall's today rather outmoded political stance he offers a valuable attempt to go beyond a mere positivist listing of names of authors, editors and contributors. Whiteley, Mary N.S. 1932. Shall We Let It Die?

The Saturday Review of Literature 9.2: 19. A letter to the editor that regrets the imminent death of difference and romantic Harriet Monroe's Poetry . In a retrospective account Whitley stresses the magazine's importance in the advancement of to society people modernist - especially imagist - poetry. Young, Alan Michael Schmidt. 1973. A Conversation with Edgell Rickword.

Poetry Nation 1: 73-89. Zabel, Morton Dauwen. 1929. The Way of Periodicals. Poetry 34.6: 330-4. A comment on the death of The Dial and The Little Review , which Zabel with amazing foresight also regards as the between and romantic music, end of a literary-historical era: In going, they open the way to our next literary period, and so leave with us some of the sensations of suspense we experienced when they first flashed upon the view (1929: 334). Study on the situation of women between the wars. Key words: misogynist trends in society, female education as an enclave of describe the contributions made by older emancipation - professions for women, health, leisure, reading, cinema, radio.

Images of Women, influence on difference between and romantic music, women writers. Brantlinger, Patrick. 1996. 'The Bloomsbury Fraction' Versus War and Empire. Conflict? In: Carola M. Kaplan Anne B. Simpson, eds. Seeing Double: Revisioning Edwardian and Modernist Literature . New York: St. Martin's Press. 149-167. Buitenhuis, Peter. Difference Classical? 1987. The Great War of Words: British, American, and Canadian Propaganda and Fiction, 1914-1933 . Vancouver: University of British Columbia Press. Study on war and conflict definition, literature.

Key words: established (male) authors, war euphemisms, war propaganda. Textual material: predominantly pamphlets, but also narrative fiction. Fictional accounts less obvious and stereotypical, more ambivalence (cf. ch. 8). Buitenhuis distinguishes between two phases: 1st phase - patriotic, glorification of war, 2nd phase - less patriotic, critical discussion of war. Byles, Joan Montgomery. Difference Between Music? 1985. Women's Experience of World War I: Suffragists, Pacifists and Poets. Women's Studies International Forum 8.5: 473-487.

Article on the suffrage movement in the context of World War I. Key words: division - militarist suffragettes vs. pacifist suffragettes. Example: conflict between Emmeline and Sylvia Pankhurst. Textual material: war poetry by women. Fussell, Paul. Conflict? 1975. The Great War and Modern Memory . London New York: Oxford. Study on war and modernism.

Details on World War I: major events, the end of the Great War - national ideals vs. reality. Foci: war landscape - depiction of the trenches and actual fighting, enemy territory vs. friendly territory, contrast home front - front, dichotomy of good and evil. Classical? Mythicisation and fictionalization of war: revival of the cultic, the mystical, the sacrificial, the sacramental and the universally significant. Speechlessness in the face of terror and corporate social responsibility is defined as the, its euphemistic verbalisation. The pastoral as a sheltering place of escape. Homoeroticism.

Criticism: study is restricted to male authors and provides questionable value judgements. Gardiner, Juliet, ed. 1993. Women's Voices 1880-1918: The New Woman. London: Collins Brown. Essay collection on literary representations of the New Woman. Analysis is not limited to the genre of the New Woman novel , covers a wide range of textual examples: poetry, drama, travel literature, letters and other cultural-historical documents. Deals with established and less established writers. (ch. 6: Women's War) Goldman, Dorothy, ed. 1993.

Women and World War I: The Written Response . Basingstoke: Macmillan. Essay collection on women writers' reactions to World War I. Introduces female authors (not restricted to British ones). Key words: War from a female perspective, female world of difference experience. Patriotic vs. pacifist attitudes. Textual material: poetry (contrast to male war poets) and novels. Hewitt, Douglas. 1988. English Fiction of the Early Modern Period, 1890-1940 . Longman Literature in English Series. Corporate Social Is Defined? London, New York: Longman. Higonnet, Margaret et al., eds. 1987.

Behind the Lines: Gender and the Two World Wars . New Haven London: Yale UP. Essay collection on gender and war. Postulates a gender-specific experience of the World Wars: confirmation of traditional gender roles, yet some change of gender consciousness in difference between classical and romantic the field of war occupations such as driver, nurse, factory worker new professions (see Higonnet, Gould, Gubar). Questioning of masculinity through depiction of war neurosis and mutilation (see Showalter). Different perspectives and manners of perceiving war: men focus on the dramatic war action, women focus on the long-term effects of the war. (cf. Conflict? Rebecca West's The Return of the difference, Soldier ). Special role of literature: expresses problems more poignant, yet has little effect on political change. Hynes, Samuel.

1990. A War Imagined: The First World War and English Culture. London: Bodley Head. Detailed study on the influence of World War I on literature and art. Introduces war as a driving force for Modernism. Key words: Loss of values.

Decadence. Search for new forms and contents. War and the difficulty of its representation - conventional means do not suffice for adequate representation of words war. Disillusionment (caused by war) leads to experimental tendencies in art and literature. Representation of space is further considered. Captures the difference classical and romantic music, time before and after the war in different phases. Criticism: On the whole very informative, also with regards to primary sources, but: unfortunately no bibliography.

Kern, Stephen. 1983. The Culture of describe made Time and Space, 1880-1918 . Cambridge, Mass.: Harvard UP. (ch. 11: The Cubist War) Longenbach, James. 1989. The Women and Men of 1914. In: Helen M. Cooper, Adrienne Auslander Munich Susan Merill Squier, eds. Arms and the Woman: War, Gender, and Literary Representation . Chapel Hill, London: The University of North Carolina Press. 97-123. Lucas, John.

1997. The Radical Twenties. Aspects of Writing, Politics and between classical and romantic, Culture. Nottingham: Five Leaves. (ch. 4 on Jazz) Cultural-theoretical study on the 1920s as a time of radical change. Points out several aspects of society and discusses them in terms of their radicality: Effects of Wold War One on the public consciousness, socialism, women question, sexual liberation, drugs, music culture (jazz as decadent), dance (dance orgies, modern dance), mass culture (journals). Detailed discussion of novels (also by thomas do not that good female authors). Considers literary representation of space. Mowat, John Loch.

1955. Britain Between the Wars 1918-1940 . Difference Between Classical Music? London: Methuen. Nicholls, Peter. 1995. Modernisms: A Literary Guide . London: Macmillan. Study on the time between the two World Wars: the conflict, 'Roaring Twenties' and the social consciousness in the 1930s (socialism, marxism, Spanish civil war, pacifism). Further key words: Fashion (the androgynous style of the flapper), architecture and mass media. Onions, John. Between And Romantic? 1990. Kaizen Methodologies? English Fiction and Drama of the Great War, 1918-39.

Basingstoke: Macmillan. Study on British war fiction. Similar to Hynes (1990), but not as detailed. Centred on between classical, the figure of the hero and likewise the anti-hero. Considers comparatively few literary works, most of them established texts. Devaluation of minor works.

Ouditt, Sharon. 1994. Fighting Forces, Writing Women: Identity and Ideology in the First World War . London New York: Routledge. Study on conflict theorists, women and classical, World War I. Starts out focusing on a description of women at work (medical duty, agricultural work, work in munitions factories). Continues to approach the topic by looking at different texts: magazines, autobiographies and novels (partly popular literature). Literature (fictional and non-fictional) is granted a major role in responsibility as the this context. Between And Romantic? Areas of discussion: images of women: stereotypical Red Cross Nurse (active role of hero, yet female) - the ordinary housewife at the home front as angel in the house in theorists war literature. Critical reflection on difference between music, the war and women's roles in postwar fiction. Image of the mother as a preserver of life. Methodologies? Feminist pacifism. The shock experience of war and the temporary allocation of roles as a danger to identity.

Discussion of the influence of World War I on society and literature as part of modernism. Quinn, Patrick J., ed. 1996. Recharting the Thirties . Selinsgrove: Susquehanna UP. Essay collection on the effects of World War I on society and particularly on literature. Considers neglected authors: Irene Rathbone, R.H. Mottram, but also Rosamond Lehmann and Elizabeth Bowen. Trout, Steven.

1986. R. Between Classical And Romantic Music? H. Mottram: The Great War and Europa's Beast . Thomas Do Not Good? In: Patrick J. Quinn, ed. Difference Between Music? Recharting the Thirties. Selinsgrove: Susquehanna UP. 51-63. Tylee, Claire M. 1990.

The Great War and Women's Consciousness: Images of analysis Militarism and Womanhood in Women's Writings, 1914-64 . Basingstoke London: Macmillan. de Vries, Jaqueline. 1994. Gendering Patriotism: Emmeline and Christabel Pankhurst and classical music, World War I. In: Sybil Oldfield, ed. This Working-Day World: Women's Lives and Culture(s) in Britain 1914-1945. London: Taylor Francis. 75-88. Wilson, Trevor.

1986. The Myriad Faces of War: Britain and the Great War 1914-1918 . Cambridge: Polity Press. Study on World War I: based upon facts and corporate responsibility is defined, events. Key words: happenings at the front, the home front, working situation, job market and women's participation. Winter, J.M. 1985. The Great War and the British People . Basingstoke London: Macmillan. Demographic study on World War I, proceeding from social history. Key words: war and loss, people's health, standards of living, efforts to increase birthrates, female surplus. Criticism: the study hardly considers women's situations and difference between and romantic, perspectives. Zilboorg, Caroline.

1996. Irene Rathbone: The Great War and Its Aftermath. In: Patrick J. Conflict Definition? Quinn, ed. Recharting the Thirties. Selinsgrove: Susquehanna UP. 64-81. Berg, Christian, Frank Durieux Geert Lernout, eds. 1995. The Turn of the Century: Modernism and between music, Modernity in Literature and the Arts . Berlin New York: de Gruyter. Bloom, Clive, ed. 1993.

Literature and Culture in dylan thomas go gentle that good night Modern Britain. Vol. 1: 1900-1929 . London New York: Longman. Essay collection on the socio-cultural context of modernism. Difference Between Music? Focuses on literature and art in words for leadership their relation to society.

Considers a multitude of aspects: mass culture, literary criticism, poetry, the novel (also: popular fiction), drama, forms of between and romantic publication, radio, cinema, popular music and fine arts. Booth, Michael R. Joel H. Kaplan, eds. Is Defined? 1996. The Edwardian Theatre: Essays on performance and the stage . Cambridge: Cambridge UP. Essay collection on Edwardian theatre. And Romantic Music? Focus on the business aspects of theatre: stage, management, critics, audience.

Popular theatre: musical comedy, Music Hall, Variety, suffrage plays, East End popular theatre. Popularity of stops analysis Cross-dressing: male cross-dressing as misogynist, female as positive (imitating the male accepted norm), general implication: blurring of classical and romantic gender boundaries. Butler, Christopher. 1994. Early Modernism: Literature, Music, and Painting in Europe, 1900-1916 . Oxford: Clarendon Press. Chinitz, David. 1997.

Dance, Little Lady': Poets, Flappers, and describe to society people, the Gendering of Jazz. In: Lisa Rado, ed. Modernism, Gender, And Culture: A Cultural Studies Approach. New York London: Garland Publishing. 319-335. Finney, Gail. 1989. Women in Modern Drama: Freud, Feminism, and European Theatre at the Turn of the Century . Between? Ithaca London: Cornell UP.

Gale, Maggie B. Stops? 1996. West End Women: Women and the London stage 1918-1962 . London New York: Routledge. Study on women and the theatre. Describes the significant participation of difference between music female authors in the theatrical world between 1918 and 1962. After winning the vote, women were on the advance in every sector.

Gale addresses women questions, but not from a feminist theoretical background. Topics of interest: profession and family, working class women, mother role, relationship mother-daughter. Griffin, Gabriele. Stops? 1994. Difference Classical Music? Becomings as Being: Leonora Carrington's Writings and Paintings 1937-40. Words? In: Griffin, Gabriele, ed. Difference in View: Women and Modernism . London: Taylor and Francis. Holledge, Julie.

1981. Innocent Flowers: Women in the Edwardian Theatre . London: Virago. Hynes, Samuel. 1990. A War Imagined: The First World War and and romantic, English Culture. London: Bodley Head. Detailed study on words, the influence of World War I on literature and art. Introduces war as a driving force for modernism.

Key words: Loss of values. Decadence. Search for new forms and contents. War and the difficulty of its representation - conventional means do not suffice for an adequate representation of classical war. Disillusionment (caused by war) leads to experimental tendencies in art and literature. Representation of space is further considered. Stops? Captures the time before and after the war in different phases. Criticism: On the whole very informative, also with regards to primary sources, but: unfortunately no bibliography. Isaak, Jo Anna.

1986. The Ruin of Representation in classical and romantic music Modernist Art and Texts . Ann Arbor, Michigan: UMI Research Press. Kahn, Elizabeth Louise. 1997. Engendering the Scandal: The Cubist House and the Private Spaces of dylan go gentle that good night Modernity. In: Lisa Rado, ed. Modernism, Gender, And Culture: A Cultural Studies Approach . New York London: Garland Publishing. 175-198. Kaplan, Joel H. Sheila Stowell. 1994.

Theatre and Fashion: Oscar Wilde to the Suffragettes . Cambridge: Cambridge UP. Study on the interrelationship of theatre and fashion: reciprocal influence. Function of showing fashionable women's clothes on stage: attracting and stimulating for audience (except in performances of Ibsen or Shaw). Semantic function of dress: social status of a character and its alteration in the course of the play ( Pygmalion ; from flower girl to lady). Symbolization of stereotypes of femininity: Woman as sex object, New Woman and Suffragette emphasize masculine markers (e.g. boots, umbrella) and reject female markers (e.g. skirts, sashes, puffed sleeves) - this is true for the stage as well as social reality. Lucas, John.

1997. The Radical Twenties. Music? Aspects of for leadership Writing, Politics and Culture. Nottingham: Five Leaves. (ch. 4 on difference classical, Jazz) Study on the 1920s as a time of radical change, proceeding from cultural theory. Points out several aspects of society and discusses them in terms of their radicality: Effects of World War I on the public consciousness, socialism, women question, sexual liberation, drugs, music culture (jazz as decadent), dance (dance orgies, modern dance), mass culture (journals). Kaizen? Detailed discussion of novels (also by difference and romantic music female authors). Lyon, Janet. 1992. Militant Discourse, Strange Bedfellows: Suffragettes and Vorticists before the words for leadership, War differences: A Journal of Feminist Cultural Studies 4.2: 100-133.

Article on the suffrage movement and developments in classical music art before World War I. Discusses analogies and kaizen, interactions between militant suffragettes and radical artists of the avant-garde (e.g. vorticists, futurists). Key words: militancy, iconoclasms, feminist delimitation and difference and romantic, self-marginalisation, polarizing tendencies and linguistic unambiguity in feminist pamphlets and manifestos. Plassard, Didier. 1995. Le Théatre de Kandinsky face à l'interpretation. In: Christian Berg, Frank Durieux Geert Lernout, eds. The Turn of the Century: Modernism and Modernity in Literature and the Arts . Berlin New York: de Gruyter. 507-521. Reynolds, Dee A. 1997. Made? Dancing Free: Women's Movement in Early Modern Dance. In: Lisa Rado, ed.

Modernism, Gender, And Culture: A Cultural Studies Approach . New York London: Garland Publishing. 247-279. Stevenson, Randall. 1992. Between Music? Modernist Fiction: An Introduction . Hemel Hempstead: Harvester Wheatsheaf. (ch. 4 on art) Weisstein, Ulrich. 1995. How Useful is the Term 'Modernism' for the Interdisciplinary Study of Twentieth-Century Art?.

In: Christian Berg, Frank Durieux Geert Lernout, eds. The Turn of the Century: Modernism and stops analysis, Modernity in Literature and the Arts . Difference Between Classical And Romantic? Berlin New York: de Gruyter. Yaari, Monique. 1995. Ironies of by older Modern/Postmodern Art: Duchamp, Margritte, Adami. In: Christian Berg, Frank Durieux Geert Lernout, eds. The Turn of the classical music, Century: Modernism and Modernity in Literature and the Arts . Berlin New York: de Gruyter. Kaizen? 537-552. Zabel, Barbara. 1997. Difference Between Classical Music? Gendered Still Life: Painting of Still Life in the Machine Age.

In: Lisa Rado, ed. Modernism, Gender, And Culture: A Cultural Studies Approach . New York London: Garland Publishing. Corporate Is Defined As The? 229-246. Beddoe, Deirdre. Difference Between Classical? 1989. Back to conflict Home and Duty: Women Between the Wars, 1918-1939 . London etc.: Pandora. Study on the situation of women between the difference music, wars.

Key words: misogynist trends in kaizen methodologies society, female education as an enclave of emancipation - professions for women, health, leisure, reading, cinema, radio. Images of Women, influence on women writers. Bloom, Clive, ed. 1993. Literature and Culture in Modern Britain. Vol. 1: 1900-1929 . London New York: Longman. Essay collection on the socio-cultural context of modernism. Focuses on literature and art in their relation to society. Considers a multitude of aspects: mass culture, literary criticism, poetry, the novel (also: popular fiction), drama, forms of publication, radio, cinema, popular music and fine arts. Carey, John.

1992. The Intellectuals and the Masses: Pride and Prejudice among the Literary Intelligentsia 1880-1939. London: Faber Faber. Study on the phenomenon of the masses from the perspective of intellectuals. Key words: polarization - mass culture vs. literary elite. Revolt of the difference between classical and romantic, masses. Rewriting the masses: question of value judgements, increase in value. Cultivation of conflict theorists definition high intellectual standards as a means of excluding the difference classical and romantic music, masses from a reading public. Space: suburbia - housing development, suburbia as a place of the masses. Travel: flight from civilisation of established authors like Robert Byron, Graham Green, Evelyn Waugh.

DiBattista, Maria Lucy McDiarmid, eds. 1996. High and Low Moderns: Literature and Culture 1889-1939 . Oxford: Oxford UP. Hewett, Angela. 1994. The Great Company of Real Women': Modernist Women Writers and Mass Commercial Culture. In: Lisa Rado, ed. Rereading Modernism: New Directions in kaizen methodologies Feminist Criticism . Difference Between? New York London: Garland.

351-372. Huyssen, Andreas. 1986. After the Great Divide: Modernism, Mass Culture, Postmodernism . London: Macmillan. LeMahieu, D. L. 1988. A Culture for Democracy: Mass Communication and the Cultivated Mind in Britain between the words for leadership, Wars. Oxford: Clarendon Press. Lucas, John. 1997. The Radical Twenties. Aspects of Writing, Politics and Culture.

Nottingham: Five Leaves. Study on the 1920s as a time of difference between and romantic music radical change, proceeding from cultural theory. Dylan Thomas Into That Good Night? Points out several aspects of society and discusses them in terms of their radicality: Effects of World War I on the public consciousness, socialism, women question, sexual liberation, drugs, music culture (jazz as decadent), dance (dance orgies, modern dance), mass culture (journals). Detailed discussion of novels (also by female authors). Melman, Billie.

1988. Women and the Popular Imagination in the Twenties: Flappers and Nymphs . London: Macmillan. Study on images of women in the 1920s. Images dominating the public consciousness: flapper and surplus woman. Analysis of classical a very broad spectrum of popular literature (broad in terms of reception rather than sales figures). The Contributions By Older? Key words: best-seller, serial fiction, book business and magazines.

Rado, Lisa, ed. 1997. Modernism, Gender, And Culture: A Cultural Studies Approach . New York London: Garland Publishing. Heterogenous essay collection. Key words: Flaneuse, Striptease, spirituality (moments of being), advertising in popular magazines, Modernist Design, Modern Dance, primitivist and matriarchal tendencies ( Herland ), Flappers and Jazz. Trodd, Anthea 1998. Women Writing in English: Britain 1900 1945. London: Longman. Wicke, Jennifer. 1988.

Advertising Fictions: Literature, Advertisement, Social Reading . New York, Columbia UP. Ankum, Katharina von, ed. 1997. Women in the Metropolis: Gender and Modernity in Weimar Culture . Berkeley: University of California Press. Barta, Peter I. 1990. The Treatment of the Fourth Dimension in the Modernist City Novel. In: Roger Bauer et al., eds.

Space and Boundaries/Espace et Frontières: Proceedings of the XIIth Congress of the International Comparative Literature Association/Actes du XIIe Congrès de l'Association Internationale de Littérature Comparée , Vol. 3. München: iudicum. 310-315. Study on the modernist city novel . Key words: the fourth dimension, i.e. the representation of space as a major constituent of the between and romantic music, integrative text structure. Space and identity. Becker, Claudia. 1990. Zur Interiorisierung der Raumsymbolik in der Literatur der Moderne. In: Roger Bauer et al., eds.

Space and Boundaries/Espace et Frontières: Proceedings of the XIIth Congress of the International Comparative Literature Association/Actes du XIIe Congrès de l'Association Internationale de Littérature Comparée , Vol. 3. München: iudicum. 281-287. The article deals with modernist tendencies of internalization: depiction of different rooms of the interior (factual and psychological ones). Becker, Sabina. 1993. Urbanität und Moderne: Studien zur Großstadtwahrnehmung in der deutschen Literatur 1900-1930.

St. The Machine? Ingbert: Röhrig. Berghahn, Daniela. 1988. Raumdarstellung im englischen Roman der Moderne . Frankfurt/M.: Peter Lang.

Authoritative text on literary representations of space in the avant-gardist modernist novel. Difference Classical? Key words: Subjectivity, integration of space in stream of words for leadership consciousness; selectivity of perception and representation, processes of fragmentarization, montage as technique to depict space; associative spaces; spatial symbolism; interdisciplinary analogies (literature and art: impressionism, cubism); provides an analysis of Henry James The Ambassadors , Joseph Conrad Nostromo , Ford Madox Ford The Good Soldier , D.H. Lawrence Women in difference between Love , James Joyce Ulysses , E.M. Forster A Passage To India , and Virginia Woolf To the Lighthouse . Boynton, Percy Holmes. 1913. London in English Literature. Chicago, Ill.: University of dylan do not Chicago Press. (Ch. 10 Contemporary London) Bradbury, Malcolm. 1976.

London 1890-1930. In: Malcolm Bradbury James McFarlane, eds. Modernism. 1890-1930. Harmondsworth: Penguin. 172-190. Bronfen, Elisabeth. 1986.

Der literarische Raum: Eine Untersuchung am Beispiel von Dorothy M. Richardsons Romanzyklus Pilgrimage. Tübingen: Niemeyer. Study on literary space in difference classical music the work of Dorothy Richardson. Approach: phenomenological (cf. Ströker and Hoffmann) and structuralist (cf.

Lotman). Key words: subjectivity of spatial perception in kaizen streams of consciousness. Metaphorical space (additional symbolism) vs. space which can be physically entered. Space and identity. Spatial textual structures. Carey, John. 1992. The Intellectuals and the Masses: Pride and Prejudice among the difference between, Literary Intelligentsia 1880-1939.

London: Faber Faber. (Chap. 3 The Suburbs and responsibility, the Clerks) Study on the phenomenon of the masses from the perspective of intellectuals. Difference Between Classical Music? Space: suburbia - housing development, suburbia as a place of the masses. Travel: flight from civilisation of describe the contributions made people established authors like Robert Byron, Graham Green, Evelyn Waugh. Ecker, Gisela. 1995. Allegorical Gardens of Desire in Modernity: A Gendered Perspective.

In: Susan C. Scott, ed. Classical And Romantic Music? The Art of Interpreting . University Park, Pa.: Pennsylvania State University. 260-292. Allocations of meaning to the garden based on depth psychology. Gender-specific dimensions of the garden: a place of solitude and expansion of consciousness for women - a place of maternal security for words for leadership men. Frank, Joseph. 1963.

Spatial Form in Modern Literature. In: The Widening Gyre: Crisis and Mastery in Modern Literature . Music? New Brunswick: Rutgers UP. 3-63. Article on textual space. Textual structures are described with help of spatial metaphors (see also Smitten 1981). Friedman, Susan Stanford. 1996. Spacialization, Narrative Theory, and Virginia Woolf's The Voyage Out . In: Kathy Mezei, ed. Ambiguous Discourse: Feminist Narratology and British Women Writers . Chapel Hill: University of North Carolina Press.

109-136. Article is an example of the notion of the machine analysis text as space. Structure of text and structure of communication: intertextual, historical and psychological (semiotic and symbolic) references. Fryer, Judith. 1984. Women and Space. The Flowering of Desire. In: Prospects: An Annual of American Cultural Studies : 187-230. Article on between and romantic, gendered concepts of space in architecture, housing and narrative fiction from the turn of the corporate as the, century up to the 1930s based on social geography. Contains writings on architecture and feminist reform efforts. Gindin, James.

1992. British Fiction in the 1930s: The Dispiriting Decade . New York: St. Martin's Press. Study introduces only the well-known texts of the 1930s. There are several references to the literary representation of space (ex. Rosamond Lehman, Elizabeth Bowen)

Hertel, Kirsten. 1997. London zwischen Naturalismus und Moderne: Literarische Perspektiven einer Metropole. Heidelberg: Winter. Keating, Peter. 1984. The Metropolis in Literature. In: Anthony Sutcliffe, ed. Metropolis 1890-1940.

London: Mansell. 129-145. Kern, Stephen. 1983. The Culture of Time and Space 1880 1918 . Cambridge, Mass.: Harvard UP. Study on modernist concepts of time and space. Documents historical changes of spatial concepts in modernity. Key words: Subjectivity, categorisation according to different ways of perception (visual, acoustic, tactual etc.) Microscopic space. Art (cubism, impressionism) and sculpture. Film (rapid change of pictures and difference and romantic, scenes).

Heterogeneous space. The Contributions To Society Made People? Plurality of between and romantic stance, multi-perspectivity. Changes of attitude. Space as designable matter (magnetic fields, architecture, artificial lighting). Expansion and reduction of geographical space (expeditions, public and private transport, aviation).

Urban spaces. Psychoanalysis (mental rooms of the interior, stream of consciousness). Klarer, Mario. 1995. Simultaneity and Gender in Modernist Discourses. Corporate Social? In: Near Encounters. Festschrift für Richard Martin . Frankfurt/M.: Peter Lang. Interdisciplinary study on the phenomenon of simultaneity and its implications concerning space and gender.

Simultaneity as spatially represented in the novel as well as in modernist paintings. Androgynity as a form of simultaneity. Müller, Lothar. 1988. Die Großstadt als Ort der Moderne: Über Georg Simmel. In: Klaus R. Scherpe, ed. Difference Between? Die Unwirklichkeit der Städte: Großstadtdarstellung zwischen Moderne und Postmoderne.

Reinbek: Rowohlt. 14-36. Pike, Burton. 1981. The Image of the City in Modern Literature. Princeton, N.J.: Princeton UP. Pratt, Annis. 1972. Women and Nature in Modern Fiction. Comparative Literature 13: 476-490. Article on space and nature in modern fiction.

Key words: epiphanies in natural settings (especially in novels of development), gender-specific differences in the perception of nature. Sizemore-Wick, Christine. 1989. A Female Vision of the City. London in the Novels of Five British Women . Knoxville: University of Tennessee Press. Study on responsibility, the city from a female perspective. City can be entered by women in the 20th century. Provides detailed analysis of novels. Spencer, Sharon.

1971. Space, Time and classical and romantic music, Structure in the Modern Novel . New York: New York UP. Squier, Susan Merill. 1985. Virginia Woolf and London: The Sexual Politics of the City . Chapel Hill: University of North Carolina Press. Stanzel, Franz. 1990. Das Niemandsland in der englischen und deutschen Dichtung. Corporate Responsibility Is Defined As The? In: Roger Bauer et al., eds. Between Music? Space and Boundaries/Espace et Frontières: Proceedings of the XIIth Congress of the corporate responsibility, International Comparative Literature Association/Actes du XIIe Congrès de l'Association Internationale de Littérature Comparée , Vol.

3. München: iudicum. 219-27. Article on the connecting and separating aspects of a boundary. Example: no-man's land between the trenches during the First World War in classical music German and English literature. Voss, Dietmar.

1988. Die Rückkehr der Flanerie: Versuch über ein Schlüsselphänomen der Moderne. Theorists Definition? In: Klaus R. Music? Scherpe, ed. Die Unwirklichkeit der Städte: Großstadtdarstellung zwischen Moderne und Postmoderne. Reinbek: Rowohlt. 37-60. Weightman, Gavin Steve Humphries. 1984. The Making of Modern London, 1815-1914. London: Sidgwick Jackson.

Wolff Janet. 1985. The Invisible Flaneuse. Conflict Definition? Women and the Literature of Modernity. Theory, Culture and Society 2.3: 37-46. Würzbach, Natascha. in print.

Identitätskonstitution durch Raumerleben in der englischen Erzählliteratur des Modernismus. Theory of subjectivity and identity. The significance of between classical music space and social, body for the pre-linguistic formation of identity. Codes of spatial representation. Gender-specific spatial experience and classical music, concepts of subjectivity in some modernist novels. Ackroyd, Peter. [2000] 2001. London. Describe The Contributions Made? The Biography . Difference And Romantic Music? London: Vintage.

Alexander, Sally. 1989. Words? Becoming a Woman in London in the 1920s and 1930s. In: David Feldman Gareth Stedman Jones, eds. Metropolis London: Histories and Representations since 1800. London New York: Routledge. Between Classical Music? 245-271.

Alter, Peter. Conflict? 1993. Im Banne der Metropolen: Berlin und London in den zwanziger Jahren . Göttingen: Vandenhoeck Ruprecht. Alter, Peter. 2000. London in der Neuzeit. In: Andreas Sohn Hermann Weber, eds.

Haupstädte und Global Cities an der Schwelle zum 21. Jahrhundert . Bochum: Winkler. Classical Music? 57-79. Ankum, Katharina von, ed. 1997. Women in dylan thomas that good the Metropolis: Gender and Modernity in Weimar Culture . Berkeley: University of California Press.

Barta, Peter I. 1990. The Treatment of the between classical and romantic, Fourth Dimension in the Modernist City Novel. In: Roger Bauer et al., eds. Is Defined As The? Space and Boundaries/Espace et Frontières: Proceedings of the difference between classical music, XIIth Congress of the International Comparative Literature Association/Actes du XIIe Congrès de l'Association Internationale de Littérature Comparée , Vol. 3. München: iudicum. 310-315. Study on for leadership, the modernist city novel . Key words: the fourth dimension, i.e. the representation of space as a major constituent of the integrative text structure. Space and identity. Becker, Sabina. 1993.

Urbanität und Moderne: Studien zur Großstadtwahrnehmung in der deutschen Literatur 1900-1930. St. Ingbert: Röhrig. Boynton, Percy Holmes. 1913. Between? London in English Literature. Chicago, Ill.: University of Chicago Press. (Ch. 10 Contemporary London)

Bradbury, Malcolm. 1976. London 1890-1930. Methodologies? In: Malcolm Bradbury James McFarlane, eds. Modernism. 1890-1930. Harmondsworth: Penguin. 172-190. Breuner, Michael. 1991. Hunger for Place: Studien zur Raumdarstellung im London-Roman seit 1940 . Frankfurt/M.: Peter Lang.

Study on classical and romantic, the London Novel after 1940. Key words: literary appropriation of the city. Conflict Theorists Definition? Space and subjectivity: subjective perceptions and formations of between and romantic music space (philosophical basis: see Ströker, psychological basis: see Minkowski). Brooks, J.A. Corporate As The? 1982. Ghosts of London: The East End, City, and North. Norwich: Jarrold. Carey, John. 1992.

The Intellectuals and between classical, the Masses: Pride and Prejudice among the Literary Intelligentsia 1880-1939. London: Faber Faber. (Chap. 3 The Suburbs and the Clerks) Study on the phenomenon of the masses from the perspective of intellectuals. Space: suburbia - housing development, suburbia as a place of the masses. Describe The Contributions? Travel: flight from civilisation of established authors like Robert Byron, Graham Green, Evelyn Waugh. Drabble, Margaret. 1979. A Writer's Britain: Landscape in difference and romantic music Literature.

Photographed by Jorge Lewinski. London: Thames Hudson. Epstein-Nor, Deborah. 1991. The Urban Peripatetic: Spectator, Streetwalker, Woman Writer. Describe The Contributions To Society By Older People? Nineteenth Century Literature 46.3: 351 - 375. Frisby, David.

2001. Cityscapes of Modernity: Critical Explorations . Cambridge: Polity Press. Harding, Desmond. 2002. Writing the difference between and romantic, City: Urban Visions And Literary Modernism . Words For Leadership? New York: Routledge. Hertel, Kirsten. 1997. London zwischen Naturalismus und Moderne: Literarische Perspektiven einer Metropole.

Heidelberg: Winter. Keating, Peter. 1984. The Metropolis in Literature. In: Anthony Sutcliffe, ed. Metropolis 1890-1940. London: Mansell. 129-145. Kilian, Eveline. 2002. Exploring London.

Walking the City - (Re)Writing the City. In: Hartmut Berghoff, Barbara Korte Ralf Schneider, eds. The Making of Modern Tourism: The Cultural History of the British Experience, 1600 to 2000 . London: Palgrave. 267-283. Klotz, Volker. Difference Between And Romantic Music? 1969.

Die erzählte Stadt: Ein Sujet als Herausforderung des Romans von Lesage bis Döblin. München: Hanser. Kublitz-Kramer, Maria. 1995. Frauen auf Straßen: Topographien des Begehrens in Erzähltexten von Gegenwartsautorinnen.

München: Fink. Kursbuch Stadt. The Machine Stops Analysis? Stadtleben und Stadtkultur an der Jahrtausendwende. 1999 . Redaktion Stefan Bollmann. Stuttgart: DVA. Lane, Eric. 1988. A Guide to Literary London. Sawtry, Cambridgeshire: Dedalus. Lefèbvre, Henri. 1972.

Die Revolution der Städte. München: List. Lehan, Richard. 1998. The City in difference Literature: An Intellectual and Cultural History . Kaizen Methodologies? Berkeley: University of California Press. Mahler, Andreas, ed. 1999. Stadt-Bilder: Allegorie, Mimesis, Imagination . Heidelberg: Winter. Manley, Lawrence. 1995.

Literature and Culture in Early Modern London . Cambridge: Cambridge UP. Marcus, Steven. 1987. Difference And Romantic Music? Reading the Illegible. Some Modern Representations of Urban Experience. In: William Sharpe Leonard Wallock, eds. Visions of the Modern City: Essays in History, Art, and conflict, Literature. Baltimore London: Johns Hopkins UP. Between Classical And Romantic Music? 232-256.

Milgram, Stanley. 1970. Words For Leadership? Das Erleben der Großstadt: Eine psychologische Analyse. Difference Between Classical And Romantic? Zeitschrift für Sozialpsychologie 1: 142-152. Müller, Lothar. 1988. Die Großstadt als Ort der Moderne: Über Georg Simmel. In: Klaus R. Scherpe, ed. The Machine? Die Unwirklichkeit der Städte: Großstadtdarstellung zwischen Moderne und Postmoderne. Reinbek: Rowohlt.

14-36. Nord, Deborah Epstein. 1991. The Urban Peripatetic: Spectator, Streetwalker, Woman Writer. Between? Nineteenth Century Literature 46.3: 351-375. Nowel, Ingrid. 1998. London: Biographie einer Weltstadt - Architektur und Kunst, Geschichte und Literatur. Köln: Dumont. Parson, Deborah L. 2000.

Streetwalking the Metropolis: Women, the City and Modernity. Oxford: Oxford UP. Pfeil, Elisabeth. 1972. Großstadtforschung: Entwicklung und gegenwärtiger Stand. Words For Leadership? Hannover: Jänecke. Pike, Burton. 1981.

The Image of the City in Modern Literature. Princeton, N.J.: Princeton UP. Punter, David. 1979. Blake's Capital Cities. In: P. Weston, ed. London in Literature. London: Roehampton Institute. 46-72. Scherpe, Klaus R., ed.

1988. Die Unwirklichkeit der Städte: Großstadtdarstellung zwischen Moderne und Postmoderne. Reinbek: Rowohlt. Sennett, Richard, ed. 1978. Classic Essays on the Culture of Cities . New York: Appleton-Century-Crofts. Sennet, Richard. 1995. Flesh and Stone. The Body and the City in Western Civilization . London: Faber Faber. Shaffer, Elinor S., ed.

1996. Spaces: Cities, Gardens and Wilderness . Cambridge: Cambridge UP. Sharpe, William 1986. Difference Classical Music? Feminizing the Urban World. Urban Resources . 3.2: 55-57. Sharpe, William Leonard Wallock. 1987. From 'Great Town' to 'Nonplace Urban Realm': Reading the describe the contributions made by older people, Modern City. Difference Classical Music? In: William Sharpe und Leonard Wallock, Hgg.

Visions of the Modern City. Essays in History, Art, and Literature. Baltimore/London: Johns Hopkins UP. 1-51. Sharpe, William Leonard Wallock. 1987.

From 'Great Town' to 'Nonplace Urban Realm': Reading the Modern City. In: William Sharpe Leonard Wallock, eds. Visions of the Modern City: Essays in History, Art, and Literature. Baltimore London: Johns Hopkins UP. Corporate Responsibility Is Defined As The? 1-51. Sizemore-Wick, Christine. Difference Between And Romantic Music? 1989.

A Female Vision of the the machine, City: London in difference and romantic the Novels of Five British Women . Knoxville: University of Tennessee Press. Study on the city from a female perspective. City can be entered by women in the 20th century. Provides detailed analysis of novels. Smuda, Manfred, ed. 1992. Die Großstadt als Text . München: Wilhelm Fink. Squier, Susan Merrill, ed.

1984. Women Writers and the City: Essays in Feminist Literary Criticism . Knoxville. University of Tennessee Press. Squier, Susan Merill. 1985. Virginia Woolf and London: The Sexual Politics of the dylan go gentle night, City. Chapel Hill London: The University of North Carolina Press. (Ch. 5 The Carnival and Funeral of Mrs Dalloway's London)

Sutcliffe, Anthony, ed. 1984. Metropolis 1890-1940. London: Mansell. Timms, Edward David Kelley, eds. 1985. Unreal City: Urban Experience in Modern European Literature and Art. Manchester: Manchester UP. Twyning, John. 1998.

London Dispossess: Literature and Social Space in the Early Modern City. Basingstoke: Macmillan. Voss, Dietmar. 1988. Die Rückkehr der Flanerie: Versuch über ein Schlüsselphänomen der Moderne. In: Klaus R. Scherpe, ed. Die Unwirklichkeit der Städte: Großstadtdarstellung zwischen Moderne und Postmoderne. Classical Music? Reinbek: Rowohlt. The Machine Analysis? 37-60. Weigel, Sigrid.

1990. 'Die Städte sind weiblich und nur als Sieger hold': Zur Funktion des Weiblichen in Gründungsmythen und Städtedarstellungen. In: Sigrid Weigel, ed. Topographien der Geschlechter. Reinbek bei Hamburg: Rowohlt. 149-189. Weightman, Gavin Steve Humphries. 1984.

The Making of Modern London, 1815-1914. London: Sidgwick Jackson. Weightman, Gavin Steve Humphries. 1984. And Romantic Music? The Making of Modern London, 1914-1939. London: Sidgwick Jackson. Weinreb, Ben Christopher Hibbert. For Leadership? 1983. Difference Between Classical Music? The London Encyclopaedia. London: Macmillan.

Wilson, Elizabeth. 1991. The Sphinx in the City: Urban Life, the Control of dylan do not into that night Disorder, and Women . Between Classical And Romantic Music? London: Virago. Wolff Janet. Kaizen Methodologies? 1985. The Invisible Flaneuse. Women and the Literature of Modernity. Difference Between Classical And Romantic? Theory, Culture and Society 2.3: 37-46. Bausinger, Hermann et al., eds.

1991. Reisekultur: Von der Pilgerfahrt zum modernen Tourismus . München: Beck. Berghoff, Hartmut, Barbara Korte Ralf Schneider, eds. 2002. The Making of Modern Tourism: The Cultural History of the British Experience, 1600 to 2000 . London: Palgrave. Blake, Susan L. 1990.

A Woman's Trek: What Difference Does Gender Make? Women's Studies International Forum 13.4: 347-353. Birkett, Dea. 1989. Spinsters Abroad: Victorian Lady Explorers . Oxford: Blackwell. Black, Jeremy. 1985. The British and the Grand Tour . Words For Leadership? London: Croom Helm. Blunt, Elison Gillian Rose, eds. 1994.

Writing Women and Space: Colonial and Postcolonial Geographies . New York: The Guilford Press. Collection of essays on ethnological and geographical issues. Theoretical background: postcolonial studies, gender studies, discourse theory, and constructivism. Premiss: the white, middle-class subject constructs other cultures from a privileged and relatively uncritical stance. Female living spaces: social mapping paves the way for social and political orientation, territorial dissociation.

Fight against imperialism and between music, gender-specific oppression. Articles on: Mary Kingsley's perspective on landscape, geographical spaces such as Australia, Western Africa, Ireland. Bode, Christoph, ed. 1997. West Meets East: Klassiker der britischen Orient-Reiseliteratur . Heidelberg: Winter. Brendon, Piers. 1991.

Thomas Cook: 150 Years of Popular Tourism . London: Secker Warburg. Brenner, Peter J., ed. 1989. Der Reisebericht: Die Entwicklung einer Gattung in der deutschen Literatur . Frankfurt/M.: Suhrkamp. Articles on do not that night, the history of classical music German travel literature. Introduction considers basic issues: perception of the foreign through patterns of the (kn)own. Perception is influenced by emotions: stimulation, rejection, amazement.

Quality of travel experience ranges from dissociation to identification. Change of the German travel report relative to the changes in responsibility is defined the philosophical conception of the world (homogeneity or heterogeneity of the world). Brenner, Peter J. 1989. Difference Between? Die Erfahrung der Fremde: Zur Entwicklung einer Wahrnehmungsform in der Geschichte des Reiseberichts. In: Peter J. Brenner, ed. Der Reisebericht: Die Entwicklung einer Gattung in der deutschen Literatur . Words For Leadership? Frankfurt/M.: Suhrkamp.

14-49. Burkart, Arthur J. Slavoj Medlik. 1974. Tourism: Past, Present, and Future . London: Heinemann. Buzard, James. 1993. The Beaten Track: European Tourism, Literature, and the Ways to Culture, 1800 - 1918 . Oxford: Clarendon Press.

Seminal study on the definition and history of tourism. Critically assesses the traveller vs. tourist dichotomy . Tourism is approached in a differentiated manner weighing the following aspects: tourism as phenomenon of the masses, processes of stereotyping the foreign, selection and between, assessment of tourist attractions, alleged authenticity, convenience and dylan thomas do not go gentle that, enhancement of infrastructure, the between classical and romantic, hierarchical structure of home culture vs. foreign culture, relaxation and flight from words for leadership, civilisation, democratisation of classical and romantic music travelling, antitourism ( off the beaten track ). Textual sources: travel reports, tourist guides, literary texts, documents on economic aspects of tourism. Chard, Chloe. 1999. Pleasure and Guilt on the Grand Tour: Travel Writing and Imaginative Geography 1600-1890 . Manchester: Manchester UP. Cocker, Mark. 1992. Loneliness and Time: British Travel Writing in the Twentieth Century . London: Secker Warburg. Study exclusively deals with white, middle-class, imperialistic, male authors. To Society Made By Older People? Uncritical stylisation of the male traveller as a hero (alleged male characteristics: self-discipline, survival in the face of danger, suppression of emotions, 'the lone wolf', self-sufficiency).

Claims travel literature to be factual. Difference Between Classical And Romantic? Cocker's arguments are not very well organised, nor up to the current state of research. Nevertheless, a useful source for male travel reports. Culler, Jonathan. 1988. The Semiotics of Tourism. Methodologies? In: Jonathan Culler, ed. Framing the Sign: Criticism and Its Institutions . Oxford: Blackwell. 153-167.

Article describes tourism as a semiotic system of stereotypization. Emphasises the fact that tourist attractions and souvenirs are semiotically communicated, i.e. they are signifiers serving the satisfaction of between certain desires. Discusses this representative function of tourism from a Barthesian perspective, sees the availability of tourism as a commercial product. Thesis: semiotic processes of tourism turn the world into an accumulation of travel destinations. Dodd, Philip. 1982. The Views of Travellers: Travel writing in the 1930s. Prose Studies 5.1 (Special Issue The Art of Travel: Essays on Travel Writing ): 127-138.

Dodd analyses the traveller's/the narrator's attitude towards the travelled places as the most important structural component of the text. In general, the attitudes mirror the culturally given standards; personal interests also come into the play: e.g. nostalgic childhood memories ( home tour ), social interests etc. Dodd discusses texts by describe the contributions to society Greene, Muir, Orwell, Priestley. Foster, Shirley. 1990. Difference Classical And Romantic? Nineteenth Century Women Tavellers and Their Writings . Definition? New York: Harvester Wheatsheaf. The study predominantly deals with female English travellers/travel writers of the 19th century. It is structured according to areas of destination (Italy, North-America, Far East) documenting the between music, travellers' different attitudes towards the respective countries. Introductory chapter is of fundamental relevance for analysis theories and histories of female travelling. The following aspects are given detailed treatment: breaking away from social conventions and confining norms, the double bind of the female traveller and her difficulties as a woman due to male prejudice. Difference Between Classical Music? Female travellers as exceptional women: acquisition of stereotypically male characteristics, emancipated behaviour (positive evaluation, depicted in an almost panegyric manner).

Mixture of male and for leadership, female conventions of writing: topography, economic aspects, male activity vs. female aesthetics of landscape, female living spaces; objectivity, factual information vs. Between And Romantic Music? emotionalised information, expression of subjectivity and methodologies, self-analysis, practising dominance vs. opening up to the foreign culture and showing a readiness to integrate. Foucault, Michel. 1992. Andere Räume. In: Karlheinz Bark et al., eds. Aisthesis: Wahrnehmung heute oder Perspektiven einer anderen Ästhetik . Leipzig: Reclam: 34-46.

Foulke, Robert. 1992. The Guide Book Industry. In: Michael Kowalewski, ed. Temperamental Journeys: Essays on the Modern Literature of Travel . Athens: The University of between Georgia Press. 93-106. Essay on the genre of the travel-guide: the travel-guide as the sole source for mass-tourists, the best-selling subgenre within travel literature. Distinction between predominantly factual-informative and other, more personally oriented, guides.

Criteria for evaluation: travel-guides have to be up to date, affordable, handy, and respectable. Content: sights and practical hints (means of theorists definition transportation, hotels, restaurants, food, clothing). Classical And Romantic? Early travel handbooks in the 19th century are above all educational ( Grand tour ). Three different treatments of Bath demonstrate how travel-guides differ (in terms of selection, representation, or evaluation of the place). Frederick, Bonnie Susan H. McLeod, eds. Words For Leadership? 1993.

Women and the Journey: The Female Travel Experience . Pullman, Washington: Washington State UP. Essay collection on women and classical and romantic, travelling. Introduction discusses fundamental issues: women's motivations for dylan thomas do not into good night travelling (liberation from the confining domestic shelter, transgression of boundaries), special risks for women, self-development, women's difficulties in finding a balance between the classical and romantic music, demands and conventions of home on the one hand and the freedom of travelling on the other hand. The individual contributions deal with examples of women travellers, focusing on their encounters with women of other ethnicities and questions of sex, race and class. The representation of female travelling in literary texts is also considered: the female quest plot seems to allow no happy ending for female characters (either return to restrictive patriarchal structures at home or emigration to a foreign country). Fussell, Paul. 1980. Kaizen Methodologies? Abroad: British Literary Travelling Between the difference between and romantic music, Wars . Oxford: Oxford UP. Early authoritative text on travel literature. Deals exclusively with traditional male travel literature written between the wars (summaries, biographical details). Authors discussed are: Robert Byron, Norman Douglas, Graham Greene, D.H.

Lawrence, Evelyn Waugh. Aspects of analysis: major need to social travel in post-war society, boom of travel literature, introduction of passports, awareness of national borders. Travel vs. tourism, the difference, latter strongly deprecated. Questionable categorisation of travel periods: exploration (Renaissance), travel (age of the bourgeoisie), tourism (proletarian age). Fussell's study is of rather restricted use for information on travel literature. Fussell, Paul. 1992. Travel and the British Literary Imagination of the Twenties and Thirties. In: Michael Kowalewski, ed. Temperamental Journeys: Essays on the Modern Literature of Travel . Athens: The University of Georgia Press.

71-92. Ghose, Indira. 1998. Women Travellers in Colonial India: The Power of the Female Gaze . Oxford: Oxford UP. Postcolonial-deconstructionist and feminist study on India. Ghose's study aims at analysis, uncovering ideologies.

Shows women as doubly colonised. Women's subversive refusal of the colonial discourse, female quest for identity. Questions of ethnic difference and multi-culturalism. Contemplation of the Other serves self-definition (confirmation of the Self through reduction of the Other). The rational subject of European Enlightenment as the standard of evaluation. Textual sources: 19th-century travel literature of British women depicting different images of Indian women. The female perspective of women travellers is difference and romantic influenced by aspects of race, class and gender. They seem to have taken over for leadership male positions of epistemological superiority, of voyeurs or spies. This is also evident in the description of landscape following the aesthetic conventions of the between music, picturesque.

Henderson, Heather. 1992. The Travel Writer and the Text: My Giant Goes with Me Wherever I Go. In: Michael Kowalewski, ed. Temperamental Journeys: Essays on analysis, the Modern Literature of Travel . Athens: The University of Georgia Press. 230-240.

Henderson demonstrates the intertextuality of travel literature on the basis of several examples. Literary and between classical and romantic music, cultural influences determined the corporate social as the, perception and style of travel writers: stereotypes, prejudices, historical and literary knowledge, former travel reports. Impossibility of music a direct access to the reality of the responsibility as the, travelled country. Subjective experiences of the traveller as another element of difference between classical mediating reality. Hindley, Geoffrey. 1983.

Tourists, Travellers, and the machine stops, Pilgrims . London: Hutchinson. Hunter, Jefferson. Difference Classical And Romantic? 1982. Edwardian Fiction . Cambridge, Ma. London: Harvard UP. Study on the Edwardian novel . Discusses predominantly male authors (only Woolf and Vita Sackville West are mentioned). Key words: Formal aspects (continuity and change). Depiction of social problems. Best-sellers (do not account for the particular character of the epoch). Travel literature as a means of escaping into the exotic.

Imperialism. Kaizen Methodologies? Debate on identity. The English country mansion as a topos. Criticism: Tendency towards superficial judgements. Ingemanson, Brigitta Maria. 1993. Under Cover: The Paradox of Victorian Women's Travel Costume. Classical And Romantic Music? In: Bonnie Frederick Susan H. McLeod, eds. Women and the Journey: The Female Travel Experience . Pullman, Washington: Washington State UP.

5-24. The essay shows how women travellers of the Victorian and Edwardian period endeavoured to methodologies dress and act according to conventional norms of femininity. This caused considerable difficulties for women: mountaineering with crinoline and Alpenstock . Difference Between And Romantic Music? Dressing according to male dress codes was perceived as a loss of identity by most women up to the 20th century. Jost, Herbert. 1989. Selbst-Verwirklichung und Seelensuche: Zur Bedeutung des Reiseberichts im Zeitalter des Massentourismus. Words? In: Peter J. Brenner, ed. Der Reisebericht: Die Entwicklung einer Gattung in der deutschen Literatur . Frankfurt/M.: Suhrkamp.

490-507. Kohl, Stephan. 1990. Travel Literature and the Art of Self-Invention. Classical? In: Rüdiger Ahrens, ed. Anglistentag 1989 Würzburg: Proceedings . Tübingen: Niemeyer. Korte, Barbara.

1996. Der englische Reisebericht: Von der Pilgerfahrt bis zur Postmoderne . Darmstadt: WBG. Study on the history of travel literature in England; attempts a systematic description of the genre. Key words: genre hybridity and openness, relation of fact and fiction, narrative components, subject-object relation. Marginally, Korte also considers travel literature by dylan thomas do not go gentle that good night women authors. Distinguishes different motivations for travelling and different forms of travel reports: pilgrimage (spiritual salvation), voyages of discovery (trade routes, map-making, exotic merchandise, conquest), expedition (scientific and nautical discoveries), Grand tour (identity formation, sights, sexual adventures), Home tour (getting to know one's own country, questions of national identity and nationalism), subjectivity, experimental forms of travel literature in the 1930s (personal experience, civilisation critique), development of tourism (relaxation, security, comfort, sights), intertextual play with travel reports in postmodernism.

Kowalewski, Michael, ed. 1992. Temperamental Journeys: Essays on the Modern Literature of difference between Travel . Athens: The University of Georgia Press. The contributions to this essay collection are quite heterogeneous with respect to content and the contributions made people, quality, they are separately listed and difference between classical and romantic, annotated under the names of the respective authors (see Rober Foulke, Heather Henderson, Mary Morris). Conflict Definition? The following aspects are mentioned in the editor's foreword: emphasis of the newly awakened interest in travel literature; hybridity of the genre (mixture of autobiography, journalism, travel guide, confessional literature, and classical music, novel); curiosity and desire for theorists definition independence as travel motivations; subjectivity of difference between music travel impressions. Lawrence, Karen L. 1994. Penelope Voyages: Women and Travel in social responsibility is defined as the the British Literary Tradition . Cornell: Cornell UP.

Semiotic-psychoanalytic approach to interpreting travel literature and novels calling upon mythical constructions. Lawrence asks the between classical, hypothetical question: What happens if Penelope no longer waits for dylan do not good Odysseus but begins to travel herself? Thesis: it is the difference between and romantic, traditional exclusion of corporate social responsibility is defined as the women from classical and romantic music, travelling that brings about the male travel plot. Lawrence argues on the basis of describe to society made psychoanalytic theorems: Freud's association of the uncanny with the difference between classical and romantic music, stranger and the mother suggests the male traveller's ambivalent search for the maternal/original safety. Travelling enabled women to penetrate new spaces, experiencing the tension between the stops analysis, familiar and the strange.

The flexibility of the genre of travel literature opened up opportunities for women, even the classical and romantic, process of writing became a kind of travel adventure, a breaking away from male (literary) conventions. Lawrence illustrates that the signifier 'travel' can denote various signifieds. Postulates differences between male and female conventions of writing and go gentle that good, behaviour, provides evidence from a number of texts (Mary Kingsley and Sarah Lee among others). Lobsien, Eckhard. 1981.

Landschaft in Texten: Zur Geschichte und Phänomenologie der literarischen Beschreibung . Stuttgart: Metzler. Lutwack, Leonard. 1984. The Role of Place in Literature . New York: Syracuse UP. MacCannell, Dean. 1976. [1999] The Tourist: A New Theory of the Leisure Class . New York: Schocken Books. Structuralist-semiotic study on tourism. MacCannell sees the tourist as a prototype of the modern human being (hunger for adventure, need for leisure time, superficiality). Sights are signifiers to which different signifieds can be assigned; they acquire a representative function.

Authenticity of difference sights is corporate social responsibility produced and difference, serially reproduced in the souvenir. The Machine? Process of semantisation: sacrilization, framing and elevation, mechanical reproduction. Wide spectrum of tourist attractions: museums, parks, historical buildings, residential areas (e.g. Beverley Hills), shipyards, slums, garbage dumps (examples of the negative sides of difference between music tourism), ways of analysis transport (tunnels, canals, bridges), business quarters, markets, population groups (e.g. Amish people). Melchett, Sonia 1991. Difference Between Classical Music? Passionate Quests: Five Modern Women Travellers . London. Heinemann. Mersmann, Arndt. 2000. Novel Topographies: A Spatial Reading of Sybil.

In: Joachim Frenk, ed. Spatial Change in English Literature . Trier: Wissenschaftlicher Verlag Trier. Disraeli's novel serves as an describe made by older, example for illustrating the new experiences of space created by the possibility of railroad travelling (the account is based on Schivelbusch 1977, see below). Key words: mobility, speed, transportation of goods, communication, overcoming of distances, changes of difference classical and romantic landscape, gaining knowledge of different social areas. Mills, Sara. 1991. Discourses of Difference: An Analysis of Women's Travel Writing and Colonialism . London: Routledge. One of the first studies focusing on postcolonial issues from a feminist perspective (see also Ghose 1998).

Extensive methodological reflections on the discourse-theoretical approach (Foucault). Mills emphasises that travelling women should - just as men - be viewed in the context of an imperialist ideology, yet they deal with it differently ( double-voiced discourse ). Mills provides a research report on travel literature and remarks on the previous neglect of female travellers. There are three case studies: Mary Kingsley, Alexandra David-Neel, Nina Mazuchelli. Morris, Mary. 1992.

Women and Journeys: Inner and Outer. In: Michael Kowalewski, ed. Temperamental Journeys: Essays on the Modern Literature of Travel . Athens: The University of Georgia Press. 25-32. Morris characterises female travelling and travel writing from her own perspective. Two types of travel plots are possible for women authors: either waiting for the stranger at home or searching for the strange abroad. Is Defined As The? Morris discusses women's inclination to difference classical music enter a dialogic relationship with the foreign country, to words bring in their own perception. Women prefer travelling in company, they are often in need of difference classical male protection. On the thomas do not go gentle, whole the study draws a somewhat simplistic picture of travelling women. Pelz, Annegret.

1993. Reisen durch die eigene Fremde: Reiseliteratur von Frauen als autobiographische Schriften . Köln: Böhlau. Pfister, Manfred. 1993. Intertextuelles Reisen, oder: Der Reisebericht als Intertext.

In: Herbert Foltinek, Wolfgang Riehle Waldemar Zacharasiewicz, eds. Tales and 'their telling difference': Zur Theorie und Geschichte der Narrativik . Festschrift Franz K. Stanzel. Heidelberg: Winter. The article refutes the myth of authenticity and shows the manifold intertextual networks of travel literature. Classical Music? Typology of intertextuality in travel literature. Repressed and negated intertextuality (blurring of intertextual tracks; search for new, non-verbalised spaces), compiled intertextuality (excerpting travel guides and reports), homage paying intertextuality (visiting cult-places and definition, quoting authorities), dialogic function of intertextuality (discussion of former travel traditions).

Pfister, Manfred Indira Ghose. 1996. Still Going Strong: The Loneliness of the difference and romantic music, Long Distance Traveller in Modern Travel Writing. Journal for the Study of British Culture 3.2: 149-163. Pratt, Marie Louise. 1992. Imperial Eyes: Travel Writing and definition, Transculturation . London: Routledge. Postcolonial approach. Deals with travel literature on difference between classical, South America and Africa 1750-1980. Shows different types of relations between two cultures: co-presence ( contact zone ), dominance of the conqueror's perspective ( colonial frontier ), seemingly innocent stance of the conqueror ( anti-conquest ), assimilation of the conquered ( autoethnographic ). The Contributions To Society? An imperialistic attitude of conquest can also be expressed within Europe, e.g. through arrogance towards the difference between classical and romantic, stranger or through mental appropriation. Pratt includes rhetorical devices of imperialistic tendencies in travel literature: epithets and corporate social responsibility is defined as the, similes referring to the traveller's own country, aesthetisation of landscape according to music native categories, elevated position with panoramic view, self-revaluation caused by a joy for discovery, exploiting the knowledge of the native guide.

Quadflieg, Helga. Kaizen? 2000. Kleine Fluchten: Isabella Bird und ihre Reisen nach Amerika. In: Querelles: Jahrbuch für Frauenforschung 2000. (Vol. Difference And Romantic Music? 5: Grenzgängerinnen des moralischen Geschlechts ). Stuttgart: Metzler.

110-123. A case study of some of to society made Isabella Bird's travel writings. Between Classical Music? Illustrates the double bind of the female traveller in the 19th and the machine stops, the beginning of the 20th century: tension between conventionality and freedom, affirmation and subversion of difference classical and romantic existing norms (see also Forster 1990: Frederick, ed. Stops Analysis? 1991). Robinson, Jane. 1990.

Wayward Women: A Guide to Women Travellers . Oxford: Oxford UP. A bibliography of women's travel writing listing approx. 400 authors. Difference Classical? Entries contain brief biographical sketches, key words and synopses. Robinson provides bibliographical access to a comprehensive corpus of texts, and thereby enables further research on female travel literature. Russel, Mary. [1986] 1996. The Blessings of a Good Thick Skirt: Women Travellers and Their World. London: Flamingo. Said, Edward. Conflict? 1983.

Orientalism . New York: Random House. Schabert, Ina. 1997. Reisebücher: Die Frau in der Fremde. In: Ina Schabert. Englische Literaturgeschichte aus der Sicht der Geschlechterforschung . Difference Music? Stuttgart: Kröner. As The? 589-597.

Schäffter, Ortfried, ed. 1991. Difference Between Music? Das Fremde: Erfahrungsmöglichkeiten zwischen Faszination und Bedrohung . Opladen: Westdeutscher Verlag. Schaff, Barbara. 1999. Gendered Cities: Italienische Städte im Blick britischer Reisender. In: Andreas Mahler, ed. Allegorie, Mimesis, Imagination . Heidelberg: Winter. 173-196. Schaff discusses the textuality of cities and their literary representation with respect to the different perspectives of male and female authors/characters. Stops Analysis? Examples: phallic conception of Florence as cultural space of masculinity (Lawrence), Venice as art-trophy (Ruskin) or as embodiment of the archetypal mother (Byron); Rome as unapproachable (for Dorothea in Middlemarch ), or as a symbol of triumphant conquest (Felicia Hemans).

Schivelbusch, Wolfgang. 1977. Geschichte der Eisenbahnreise. Zur Industrialisierung von Raum und Zeit im 19. Jahrhundert. Frankfurt/M: Fischer. Authoritative study on travelling by railroad.

Focuses on: development of railway traffic in music England, on the continent and in North America; the railroad's peculiarities as a means of for leadership public transport and merchandise transportation; the change of the between classical music, experience of space and time; economic, social and cultural aspects; Schivelbusch presents a (somewhat one-sided) critique of civilisation (alienation from nature). Schülting, Sabine. 1997. Wilde Frauen, Femde Welten: Kolonisierungsgeschichten aus Amerika . Reinbek: Rowohlt. Stannard, Martin. 1982. Definition? Debunking the Jungle: The Context of Evelyn Waugh's Travel Books 1930-9. Prose Studies 5.1 (Special Issue The Art of Travel: Essays on and romantic, Travel Writing ): 105-126. Stevenson, Catherine Barnes. 1982. Victorian Women Travel Writers in by older people Africa . Boston: Twayne.

Schwarze, Hans-Wilhelm. 1982. Ereignisse, Zeit und Raum, Sprechsituationen in narrativen Texten. In: Hans-Werner Ludwig, ed. Arbeitsbuch Romananalyse: Eine Einführung . Tübingen: Narr. 145-188. [esp. 170-174] Tinling, Marion. Between Classical And Romantic Music? 1989. Woman into the Unknown: A Sourcebook on Women Explorers and Travelers . New York: Greenwood Press. Veit, Karin.

1997. Journey and thomas do not good, Gender - Diversity of Travel Writing. In: Susanne Fender, ed. Feminist Contributions to the Literary Canon: Setting Standards of Taste . Leviston, N.Y.: Edwin Mellen Press. Difference Between Classical And Romantic? 107-138. Veit examines gender-specific aspects of travelling and travel writing. Words For Leadership? Cites examples of women writers blurring the gender boundaries, i.e. exemplary travel texts depicting women who break away from their conventional female role. Examples of gender-specific discourses: the journey of Ella Maillart and Peter Fleming from Peking through the Chinese province Sianking to Cashmere is told in two different texts (1936) representing a female and a male version; further examples are the two journeys to Russia undertaken by Susan Richards and Christopher Hope at the same time (1990). Veit's analysis confirms gender stereotypes, but also illustrates the double-voiced discourse of female travellers in their writings. Würzbach, Natascha. 2001.

Erzählter Raum: fiktionaler Baustein, kultureller Sinnträger, Ausdruck der Geschlechterordnung. In: Jörg Helbig, ed. Erzählen und Erzähltheorie im 20. Jahrhundert: Festschrift für Wilhelm Füger . Heidelberg: Winter. 105-129. Article covers the state of research on between and romantic, the phenomenon of literary space. Approaches: narratology, phenomenology, psychoanalysis, social geography, structuralism, semiotics of culture, deconstruction, cultural history, and gender studies. Introduces categories of conceptions and typologies of space.

Points of special consideration: semantization of space, reference to the subject, the body, movement in space and its function as a reader's guide. Provides literary examples. Essay collection on the socio-cultural context of modernism. Dylan Go Gentle Into That Good Night? Focuses on difference classical and romantic music, literature and art in their relation to society. Considers a multitude of the machine stops analysis aspects: mass culture, literary criticism, poetry, the novel (also: popular fiction), drama, forms of publication, radio, cinema, popular music and fine arts. Felski, Rita. 1995. The Gender of Modernity . Cambridge, Ma.: Harvard UP. Study on gender and modernity, proceeding from cultural theory and difference between classical and romantic, cultural history. Considers different discourses: philosophy, history, natural sciences, psychology, sexology, social history, conditions of made by older publication.

Focus on one author: Marie Corelli. Harris, Jose. Difference Classical And Romantic Music? 1994. Private Lives and Public Spirit: Britain 1870-1914 . Harmondsworth: Penguin. Study proceeding from social history. Key words: demography, family, property, profession, religion, society and state, social theories. Keating, Peter. 1989. The Haunted Study: A Social History of the English Novel 1875-1914 . London: Secker Warburg. Kern, Stephen. 1983.

The Culture of Time and Space, 1880-1918 . Cambridge, Mass.: Harvard UP. Lewis, Jane, Ed. 1986. Labour and corporate is defined as the, Love: Women's Experience of Home and Family, 1850-1940 . Oxford: Blackwell. Study on women's social history between 1850 and 1940. Deals with the usual topics: childhood, marriage, motherhood, class differences. Lucas, John. 1997.

The Radical Twenties. Aspects of Writing, Politics and Culture. Nottingham: Five Leaves. Study on the 1920s as a time of difference between and romantic music radical change, proceeding from cultural theory. Stops? Points out several aspects of society and between and romantic music, discusses them in terms of thomas do not good their radicality: Effects of World War I on the public consciousness, socialism, women question, sexual liberation, drugs, music culture (jazz as decadent), dance (dance orgies, modern dance), mass culture (journals). Detailed discussion of between and romantic novels (also by female authors).

McFarlane, Barbara. 1984. Homes for Heroines. Housing in the Twenties. In: Making Space. Women and the Man-Made Environment . London: Pluto Press. 26-36. Social history: women-centred housing. Mowat, John Loch. 1955.

Britain Between the Wars 1918-1940 . London: Methuen. Nicholls, Peter. 1995. Kaizen Methodologies? Modernisms. A Literary Guide . London: Macmillan.

Study on the time between the two World Wars: the 'Roaring Twenties' and classical and romantic, the social consciousness in the 1930s (socialism, marxism, Spanish civil war, pacifism). Further key words: Fashion (the androgynous style of the flapper), architecture and mass media. Oldfield, Sybil, ed. 1994. This Working-Day World: Women's Lives and methodologies, Culture(s) in Britain 1914-1945. Music? London: Taylor Francis. Essay collection on social history.

Centred on women's history, introduces several women's groups. Key words: Divorce laws, motherhood. Women's rights to kaizen work between the wars, elementary school teachers. Suffragettes. Pacifist movement. Fascism.

Female artists. Winter, J.M. Difference Classical? 1985. The Great War and conflict definition, the British People . Basingstoke London: Macmillan. Demographic study on World War I, proceeding from social history. Key words: war and loss, people's health, standards of living, efforts to increase birthrates, female surplus. Criticism: the difference classical, study hardly considers women's situations and perspectives. Study on female experience of the two World Wars. Special focus: women and profession.

Restraining of women from working in the time between the wars. Analysis? Study provides detailed historical evidence: thoroughly investigated. Byles, Joan Montgomery. 1985. Women's Experience of World War I: Suffragists, Pacifists and Poets. Women's Studies International Forum 8.5: 473-487.

Article on the suffrage movement in the context of World War I. Key words: division - militarist suffragettes vs. pacifist suffragettes. Example: conflict between Emmeline and Sylvia Pankhurst. Difference Between Classical Music? Textual material: war poetry by women. Dyhouse, Carol. 1989. Feminism and the Family in England 1880-1939 . London: Blackwell. Study on family and marriage from a women-centred perspective. Textual material: basically (auto)biography, but also some novels. Felski, Rita. 1995.

The Gender of Modernity . Cambridge, Ma.: Harvard UP. Study on gender and conflict definition, modernity, proceeding from cultural theory and cultural history. Considers different discourses: philosophy, history, natural sciences, psychology, sexology, social history, conditions of publication. Focus on one author: Marie Corelli. Gardner, Viv Susan Rutherford, eds. Difference Classical And Romantic? 1992. Words? The New Woman And Her Sisters: Feminism And Theatre 1850-1914 . Hemel Hempstead: Harvester Wheatsheaf. Gardiner, Juliet, ed.

1993. Women's Voices 1880-1918: The New Woman. London: Collins Brown. Essay collection on literary representations of the New Woman. Analysis is not limited to the genre of the difference between classical and romantic, New Woman novel , covers a wide range of textual examples: poetry, drama, travel literature, letters and other cultural-historical documents. Deals with established and less established writers. Horn, Pamela. 1995. Women in the 1920s . Stroud: Alan Sutton Publishing. Lewis, Jane, ed. 1986.

Labour and Love: Women's Experience of Home and Family, 1850-1940 . Oxford: Blackwell. Essay collection on women's social history between 1850 and 1940. Deals with the usual topics: childhood, marriage, motherhood, class differences. McFarlane, Barbara. 1984.

Homes for Heroines. Housing in the Twenties. In: Making Space. Women and the Man-Made Environment . London: Pluto Press. 26-36. Social history: women-centred housing. Oldfield, Sybil, ed. 1994.

This Working-Day World: Women's Lives and Culture(s) in Britain 1914-1945. London: Taylor Francis. Essay collection on social history. Centred on women's history, introduces several women's groups. Key words: Divorce laws, motherhood. Women's rights to work between the wars, elementary school teachers. Suffragettes. Pacifist movement. Fascism.

Female artists. Ouditt, Sharon. 1994. Fighting Forces, Writing Women: Identity and Ideology in the First World War . London New York: Routledge. Study on women and World War I. Starts out focusing on a description of women at work (medical duty, agricultural work, work in munitions factories). Continues to dylan go gentle into night approach the topic by looking at different texts: magazines, autobiographies and novels (partly popular literature). Literature (fictional and difference between classical music, non-fictional) is granted a major role in this context. Words? Areas of difference between and romantic music discussion: images of the machine stops analysis women: stereotypical Red Cross Nurse (active role of hero, yet female) - the ordinary housewife at the home front as angel in the house in war literature. Critical reflection on the war and women's roles in postwar fiction. Image of the mother as a preserver of life. Feminist pacifism.

The shock experience of war and the temporary allocation of roles as a danger to identity. Discussion of the influence of World War I on society and literature as part of modernism. Bataille, Georges. Difference Classical? 1994. Die Erotik , ed. G. Words? Bergfleth. München. Benthien, Claudia.

1999. Haut: Literaturgeschichte, Körperbilder, Grenzdiskurse . Reinbek b. Hamburg: Rowohlt. Benthien, Claudia Irmela Marei Krüger-Fürhoff, eds. 1999. Über Grenzen: Limitation und Transgression in Literatur und Ästhetik . Stuttgart, Weimar: Metzler. Bordo, Susan. 1993.

Unbearable Weight: Feminism, Western Culture, and the Body . Berkeley, Los Angeles, London: University of California Press. Breger, Claudia Tobias Döring, eds. 1998. Figuren des/der Dritten: Erkundungen kultureller Zwischenräume . Amsterdam, Atlanta: Rodopi. Butler, Judith. 1990. Gender Trouble: Feminism and the Subversion of Identity. New York, London: Routledge.

de Lauretis, Teresa. 1990. Eccentric Subjects: Feminist Theory and Historical Consciousness. Feminist Studies 16.1: 115-150. Dollimore, Jonathan. 1992. The Dominant and the Deviant: A Violent Dialectic. Difference Between Classical And Romantic Music? In:ed. Wayne R. Dynes Stephen Donaldson, eds.

Homosexual Themes in Literary Studies . New York: Garland. 87-100. Douglas, Mary. [1966] 1984. Purity and corporate social responsibility is defined as the, Danger: An Analysis of the difference between classical and romantic, Concepts of Pollution and Taboo . London, etc.: Ark. Doyle, Laura. 1994. Bordering on the Body: The Radical Matrix of Modern Fiction and Culture . New York, Oxford: Oxford UP. Durkheim, Emile. [1893] 1996. Über soziale Arbeitsteilung. Studie über die Organisation höherer Gesellschaften. Frankfurt/M.

Dreitzel, H.P. 1972. Die gesellschaftlichen Leiden und das Leiden an der Gesellschaft: Vorstudien zu einer Pathologie des Rollenverhaltens . Stuttgart: Ferdinand Enke. Febvre, Lucien. 1990. 'Frontière - Wort und Bedeutung. In: Lucien Febvre. Das Gewissen des Historikers . Frankfurt/M. 27-36. Ferguson, Russell, Martha Gever, Trinh T. Minh-ha Cornel West, eds. 1990. Out There: Marginalization and Contemporary Cultures.

New York: The New Museum of Contemporary Art Cambridge/Mass., London: The MIT Press. Finke, Laurie. 1986. The Rhetoric of Marginality: Why I Do Feminist Theory. Tulsa Studies in Women's Literature 5.2: 251-72.

Foucault, Michel. [1963] 1988. Zum Begriff der Übertretung. In: Michel Foucault. Schriften zur Literatur . Frankfurt/M.: Fischer. 69-89. Freud, Sigmund. [1919] 1994. Das Unheimliche. In: Sigmund Freud. Studienausgabe IV, Psychologische Schriften, ed.

Alexander Mitscherlich et al. Frankfurt/M.: Suhrkamp. 241-274. Gregg, John. 1994. Maurice Blanchot and the Literature of conflict theorists definition Transgression. Princeton/New Jersey: Princeton UP. Hohnsträter, Dirk.

1999. Im Zwischenraum. Ein Lob des Grenzgängers. In: Claudia Benthien Irmela Marei Krüger-Fürhoff, eds. Between And Romantic? 1999. Kaizen Methodologies? Über Grenzen: Limitation und Transgression in Literatur und Ästhetik . Stuttgart, Weimar: Metzler. Difference Between Classical Music? 231-244. Jervis, John. 1999. Transgressing the Modern: Explorations in for leadership the Western Experience of Otherness . Oxford: Blackwell. Koschorke, Albrecht.

1990. Die Geschichte des Horizonts: Grenze und Grenzüberschreitung in literarischen Landschaftsbildern . Frankfurt/M.: Suhrkamp. Kristeva, Julia. 1980. Powers of Horror. An Essay on classical music, Abjection . New York, London: Routledge. Sargisson, Lucy. 2000. Describe By Older People? Utopian Bodies and the Politics of Transgression.

London, etc.: Routledge. Shildrick, Margrit, Janet Price. 1999. Openings on the Body: A Critical Introduction. In: Janet Price Margrit Shildrick, eds. Feminist Theory and the Body: A Reader . New York: Routledge.

1-14. Shildrick, Margrit. 1997. Between And Romantic Music? Leaky Bodies and Boundaries. Feminism, Postmodernism and describe to society made by older, (Bio)Ethics . London, New York: Routledge. Showalter, Elaine. 1985. Feminist Criticism in the Wilderness.

In: Elaine Showalter, ed. The New Feminist Criticism: Essays on Women, Literature and Theory . Between Classical? London: Virago, 243-270. Stallybrass, Peter Allan White, eds. 1986. The Politics and Poetics of stops analysis Transgression . Difference And Romantic? London: Methuen. Stevens, Hugh. 2000. Introduction: Modernism and as the, its Margins.

In: Hugh Stevens Caroline Howlett, eds. Difference Between? Modernist Sexualities . Manchester, New York: Manchester University Press, 1-12. Turner, Victor. 1967. Betwixt and responsibility is defined, Between: The Liminal Period in Rites de Passage . In: Victor Turner. The Forest of Symbols . New York: Cornell UP. Van Gennep, Arnold. [1908] 1960. Between Classical? The Rites of the machine stops Passage , trans. M.B.

Vizedom, G.L. Caffee. Chicago: U of Chicago P. Weigel, Sigrid. 1990. Rekonstruktion und Relektüre: Die Arbeit von Frauen in der Literaturwissenschaft als Teil weiblicher Kulturkritik. In: Sigrid Weigel.

Topographien der Geschlechter: Kulturgeschichtliche Studien zur Literatur . Difference Classical? Reinbek b. Hamburg: Rowohlt. 252-263. Butler, Judith. 1993. Bodies that Matter: On the Discursive Limits of 'Sex' . New York London: Routledge.

Diprose, Ros. 1994. Methodologies? The Bodies of Women: Ethics, Embodiment and Sexual Difference. London: Routledge. Foucault, Michel. 1992. Sexualität und Wahrheit 1: Der Wille zum Wissen. Between? 6th ed. Frankfurt/M.: Suhrkamp. Foucault, Michel.

1994. Überwachen und Strafen: Die Geburt des Gefängnisses . Frankfurt/M.: Suhrkamp. Foucault, Michel. 1998. Social Responsibility Is Defined As The? Über Hermaphrodismus: Der Fall Barbin , ed. Wolfgang Schäffner Joseph Vogl. Frankfurt/M.: Suhrkamp. Grosz, Elizabeth. 1994. Volatile Bodies: Toward a Corporeal Feminism. And Romantic? Bloomington, Indianapolis: Indiana UP. Haraway, Donna.

1991. The Promises of Monsters: A Regenerative Politics for Inappropriate/d Others. In: L. Grossberg, C. Nelson, P. Treichler, eds. Cultural Studies. London: Routledge. Herdt, Gilbert, ed. 1994. Third Sex, Third Gender: Beyond Sexual Dimorphism in Culture and History . Conflict? New York: Zone Books. Horner, Avril Angela Keane. 2000. Body Matters: Feminism, Textuality, Corporeality.

Manchester, New York: Manchester UP. Hurley, Kelly. 1996. The Gothic Body: Sexuality, Materialism, and Degeneration of the Fin de Siècle. Cambridge: Cambridge UP.

Jacobus, Mary, Evelyn Fox Keller Sally Shuttleworth, eds. 1990. Body/Politics: Women and the Discourses of Science. New York London: Routledge. Laqueur, Thomas. 1992. Making Sex: Body and Gender from the Greeks to Freud . Cambridge/Mass., London: Harvard UP. Price, Janet Margrit Shildrick, eds. 1999. Feminist Theory and the Body: A Reader . New York: Routledge. Sargisson, Lucy.

2000. Utopian Bodies and the Politics of Transgression. London, etc.: Routledge. Shildrick, Margrit. 1997. Leaky Bodies and Boundaries: Feminism, Postmodernism, and (Bio)Ethics . London: Routledge. Terry, Jennifer Jacqueline Urla, eds. 1995.

Deviant Bodies . Bloomington: Indiana UP. Brooks, J.A. 1982. Ghosts of London: The East End, City, and North. Norwich: Jarrold. Dinzelbacher, Peter, ed. 1993. Europäische Mentalitätsgeschichte: Hauptthemen in Einzeldarstellungen . Stuttgart: Kröner. Essay collection on difference music, different experiences of space from antiquity up to the present. Approach: history of mentality. Key words: experience of words for leadership space as social, geographic, and cultural (fields of interest: religion, architecture etc.).

Space and aspects of conquering and opening up (of new rooms). Cyberspace. Foucault, Michel. 1992. Andere Räume. In: Karlheinz Bark et al., eds. Aisthesis: Wahrnehmung heute oder Perspektiven einer anderen Ästhetik . Classical And Romantic? Reclam: Leipzig. 34-46. Article on space and otherness. Difference between normal and conflict theorists, deviant spaces. Key words: heterotopias (hospitals, psychiatric clinics, prisons. ); spatial symbolism and difference classical and romantic music, history of mentality.

Frenk, Joachim, ed. 2000. Spatial Change in English Literature . Trier: Wissenschaftlicher Verlag Trier. Aufsatzsammlung. Mentalitätsgeschichtlich bedingter Wandel von Raumvorstellungen in words for leadership der englischen Literaturgeschichte. Besonderes Interesse der Postmoderne am Raum (Sozialgeographie, Kolonialismus, Datenflüsse um den Erdball, Cyberspace.) Fryer, Judith. 1984. Women and Space.

The Flowering of Desire. In: Prospects: An Annual of American Cultural Studies . Music? 187-230. Study on the machine stops, gendered concepts of space in between and romantic architecture, housing and narrative fiction from the turn of the century up to the 1930s based on social geography. Contains writings on architecture and feminist reform efforts. Grosz, Elizabeth. 1995.

Space, Time and Perversion. Essays on definition, the Politics of Bodies . Between Classical And Romantic? London: Routledge. Corporate Responsibility Is Defined As The? (esp. Between Classical Music? 103-124) Hauser, Susanne. 1990. Theorists Definition? Der Blick auf die Stadt: Semiotische Untersuchungen zur literarischen Wahrnehmung bis 1910 . Berlin: Dietrich Reimer. Semiotic studies on literary perceptions of urban spaces. Key words: perception of space in difference classical general. Basic patterns of the experience of city space (multi-stimulation, processes of thomas do not into selection. Difference Between Classical Music? ). Culturally variable navigation of perception (closely connected with aspects of value judgements).

Higonnet, Margaret R. Joan Templeton, eds. 1994. Reconfigured Spheres: Feminist Explorations of Literary Space . Amherst: University of Mass. Press. Essay collection. Provides different perspectives on the feminist relevance of space: Historical, multi-cultural, metaphorical. Key words: Symbolic representative functions of space in texts. Describe The Contributions By Older? Marginalisation, transgression of boundaries, role of clothing, ghettoisation of feminist literary criticism.

Hubrath, Margarete, ed. 2001. Between Classical? Geschlechterräume: Konstruktionen von gender in Geschichte, Literatur und Alltag . Köln: Böhlau. Kern, Stephen. Conflict Definition? 1983. The Culture of difference classical Time and Space 1880 1918 . Cambridge, Mass.: Harvard UP. Study on modernist concepts of time and space. Documents historical changes of spatial concepts in modernity.

Key words: Subjectivity, categorisation according to different ways of perception (visual, acoustic, tactual etc.) Microscopic space. Art (cubism, impressionism) and sculpture. Film (rapid change of pictures and scenes). Heterogeneous space. The Machine Analysis? Plurality of stance, multi-perspectivity. Changes of attitude. Space as designable matter (magnetic fields, architecture, artificial lighting).

Expansion and between and romantic, reduction of geographical space (expeditions, public and private transport, aviation). Urban spaces. Psychoanalysis (mental rooms of the is defined, interior, stream of consciousness). Kursbuch Stadt. Stadtleben und Stadtkultur an der Jahrtausendwende. 1999 . Redaktion Stefan Bollmann. Stuttgart: DVA. Läpple, Dieter. 1991. Gesellschaftszentriertes Raumkonzept: Zur Überwindung von physikalisch-mathematischen Raumauffassungen in der Gesellschaftsanalyse.

In: Martin Wentz, ed. Stadt-Räume . Frankfurt/M.: Campus. Between? 35-46. Theoretical essay on words, different natures of space: Human-centred concepts of difference classical and romantic space vs. scientific concepts of space. Lefèbvre, Henri. 1972. The Contributions By Older? Die Revolution der Städte. München: List. McFarlane, Barbara. 1984. Homes for Heroines.

Housing in the Twenties. In: Making Space. Women and the Man-Made Environment . London: Pluto Press. 26-36. Social history: women-centred housing. Nowel, Ingrid. 1998. London: Biographie einer Weltstadt.

Architektur und Kunst, Geschichte und Literatur. Difference Between Classical? Köln: Dumont. Shaffer, Elinor S., ed. 1996. Spaces: Cities, Gardens and Wilderness . Cambridge: Cambridge UP. Sharpe, William 1986. Feminizing the Urban World. For Leadership? Urban Resources 3.2: 55-57. Schivelbusch, Wolfgang.

1979. Geschichte der Eisenbahnreise. Zur Industrialisierung von Raum und Zeit im 19. Jahrhundert . Frankfurt/M.: Ullstein. Historical study on classical and romantic, space and time in the 19th century related to the development of the railway as a means of travel and transport. Its influence on the perception of space and time. (Germany, England, USA). Sennett, Richard. 1994. Words For Leadership? Flesh and Stone: The Body and the City in Western Civilization . New York London: W.W. Norton.

Study on space and bodily experience. Key words: sensory perception, movements, analogies of city and body, allocation of meaning to certain areas (public, private etc.), historical change of cities, interior rooms, increasing dimension of the difference and romantic, private in interior rooms. Weigel, Sigrid. 1983. Topographien der Geschlechter: Kulturgeschichtliche Studien zur Literatur . Reinbek: Rowohlt. Study on gender topographies and literature. Cultural-historical approach. Considers space: female allegorization of the city. Weinreb, Ben Christopher Hibbert. 1983.

The London Encyclopaedia. London: Macmillan. Collection of essays, proceeding from kaizen methodologies, cultural theory. And Romantic Music? Social space is defined by rules of behaviour, moral concepts, interests, objectives and class. It is therefore relevant for questions of gender identity.

Key words: setting and transgression of boundaries; domains of power; imaginary space in literature and utopia. Bell, David Gill Valentine, eds. 1995. Mapping Desire: Geographies and Sexuality . London: Routledge. Collection of essays, proceeding from social geography. Key words: connection of space and different facets of identity formation (personal, professional and sexual). Thomas That Good? Questions of the body. Urban spaces. Power relations connected with space. Benko, Georges Ulf Stohmeyer, eds.

1997. Space and Social Theory: Interpreting Modernity and Postmodernity . Oxford. Blackwell. Collection of essays. Approach: deconstructivist social geography - social space as a linguistic construct to be newly developed over difference classical and romantic and over by the individual. Key words: Blurring of boundaries between mental and empirical spaces; spatial symbolism (described from a constructivist background and not from the usual arguments of social history or history of mentality). Duncan, Nancy, ed.

1996. Bodyspace: Destabilizing Geographies of Gender and conflict theorists definition, Sexuality. Difference Between? London: Routledge. Essay collection on describe the contributions to society made people, space, gender and sexuality. Approach: social geography. Key words: territories. Boundaries: blurring of boundaries, transgression of boundaries. Domains of power concerning questions of gender identity and deviation from gender norms. Duncan, Nancy. 1996.

Renegotiating Gender and Sexuality in Public and Private Spaces. Difference Between And Romantic? In: Nancy Duncan, ed. Bodyspace: Destabilizing Geographies of Gender and Sexuality. London: Routledge. 127-145. Article on spaces of home and theorists definition, family. Key words: homosexuality (male and female); prostitution. MacDowell, Linda. 1996.

Spatializing Feminism. Geographic Perspectives. In: Nancy Duncan, ed. Bodyspace: Destabilizing Geographies of Gender and Sexuality. London: Routledge. 28-44. Article on a feminism and space. Approach: deconstructivist social geography. Key words: socially conditioned and designed space, processes of placement, boundaries, centres and margins, changes of place and transgression of boundaries, space and identity. Difference Between? Reference to gender relations. Natter, Wolfgang John Paul Jones III.

1997. Identity, Space, and Other Uncertainties. In: Georges Benko Ulf Stohmeyer, eds. Space and Social Theory: Interpreting Modernity and Postmodernity . Oxford. Blackwell. 141-161. Article on the volatile nature of space and identity. Approach. Deconstructivist social geography. Do Not Into Good? Conception of space adapted from the between classical and romantic music, conception of subject.

Constructivity and contingency of discursive concepts as means of social change. Pfeil, Elisabeth. 1972. Großstadtforschung: Entwicklung und gegenwärtiger Stand. Hannover: Jänecke.

Rose, Gillian. 1996. Masculine Dwelling, Masculine Theory and Feminist Masquerade. In: Nancy Duncan, ed. Bodyspace: Destabilizing Geographies of Gender and Sexuality. London: Routledge. 56-74. Article on space and gender.

Approach: Deconstructivist social geography. Space as projection: imagined emotions and actual design of space. Concept of masquerade grounds on Luce Irigaray. Spain, Daphne. Conflict? 1992. Gendered Spaces . Chapel Hill: The University of North Carolina Press. Study on space as a relevant factor for status and gender, proceeding from social geography. Gender-specific segregation (architecture, territorization of difference between classical and romantic music public spaces) Provides examples from different ethnic cultures. Authoritative text on spatial symbolism. Key words: archetypical spaces and their meaning in depth psychology: psychological dimension of places like 'house', 'shell' 'box', etc. Universalist allocation of meaning.

Barta, Peter I. 1990. Conflict Definition? The Treatment of the Fourth Dimension in the Modernist City Novel. In: Roger Bauer et al., eds. Space and Boundaries/Espace et Frontières: Proceedings of the XIIth Congress of the music, International Comparative Literature Association/Actes du XIIe Congrès de l'Association Internationale de Littérature Comparée , Vol. 3. München: iudicum.

310-315. Essay on the machine, the modernist city novel . Key words: the fourth dimension, i.e. the representation of space as a major constituent of the integrative textual structure. Space and identity. Becker, Claudia. 1990. Zur Interiorisierung der Raumsymbolik in der Literatur der Moderne. In: Roger Bauer et al., eds. Space and Boundaries/Espace et Frontières: Proceedings of the XIIth Congress of the International Comparative Literature Association/Actes du XIIe Congrès de l'Association Internationale de Littérature Comparée , Vol. 3. München: iudicum. 281-287.

Study deals with modernist tendencies of internalization: depiction of difference between and romantic different spaces of the interior (factual and psychological ones). Berghahn, Daniela. Kaizen? 1988. Raumdarstellung im englischen Roman der Moderne . Frankfurt/M.: Peter Lang. Authoritative text on literary representations of between classical music space in the avant-gardist modernist novel. Key words: Subjectivity, integration of describe the contributions by older space in stream of difference and romantic music consciousness; selectivity of perception and representation, processes of fragmentarization, montage as technique to depict space; associative spaces; spatial symbolism; interdisciplinary analogies (literature and art: impressionism, cubism); provides an social responsibility is defined, analysis of Henry James The Ambassadors , Joseph Conrad Nostromo , Ford Madox Ford The Good Soldier , D.H.

Lawrence Women in Love , James Joyce Ulysses , E.M. Forster A Passage To India , and Virginia Woolf To the Lighthouse . Breuner, Michael. 1991. Hunger for Place: Studien zur Raumdarstellung im London-Roman seit 1940 . Frankfurt/M.: Peter Lang. Study on the London Novel after 1940. Key words: literary appropriation of the city.

Space and classical and romantic music, subjectivity: subjective perceptions and formations of space (philosophical basis: see Ströker, psychological basis: see Minkowski). Archetypical aspects of space. Criticism: terminologically imprecise, appears rather essayistic. Bronfen, Elisabeth. 1986. By Older People? Der literarische Raum: Eine Untersuchung am Beispiel von Dorothy M. Richardsons Romanzyklus Pilgrimage.

Tübingen: Niemeyer. Study on literary space in difference music the work of Dorothy Richardson. Approach: phenomenological (compare Ströker and Hoffmann) and structuralist (compare Lotman). Key words: subjectivity of spatial perception in streams of consciousness. Metaphorical space (additional symbolism) vs. space which can be physically entered. Space and identity. Spatial textual structures.

Drabble, Margaret. 1979. Describe The Contributions To Society Made People? A Writer's Britain: Landscape in Literature. Photographed by Jorge Lewinski. London: Thames Hudson. Ecker, Gisela. Difference Classical And Romantic Music? 1995. Allegorical Gardens of Desire in Modernity: A Gendered Perspective. In: Susan C. Scott, ed. The Art of words for leadership Interpreting . University Park, Pa.: Pennsylvania State University. 260-292.

Allocations of meaning to the garden based on depth psychology. Gender-specific dimensions of the between classical and romantic music, garden: a place of solitude and expansion of consciousness for women - a place of thomas do not into that maternal security for men. Epstein-Nor, Deborah. Difference Between Music? 1991. The Urban Peripatetic: Spectator, Streetwalker, Woman Writer.

Nineteenth Century Literature 46.3: 351-375. Fludernik, Monika. 1999. Carceral Topography: Spatiality, Liminality and Corporeality in the Literary Prison. Textual Practice 13.1: 43-77. Article on space and identity.

Key words: boundaries; identity formation; spatial symbolism. Provides examples of texts. Füger, Wilhelm. 1984. Streifzüge durch Allotopia: Zur Topographie eines fiktionalen Gestaltungsraums. Anglia 102.3,4: 349-391. Article on space in the utopian genre. Hillebrand, Bruno von. 1975.

Poetischer, philosophischer, mathematischer Raum. In: Alexander Ritter, ed. Landschaft und Raum in der Erzählkunst . Darmstadt: WBG. 417-463. Article on different spaces: geometrical space vs. Words? textual space.

Narratological perspective on spatial representation (narratological background of the 1970s). Hoffmann, Gerhard. 1978. Raum, Situation, erzählte Wirklichkeit . Poetologische und historische Studien zum englischen und amerikanischen Roman. Stuttgart: Metzler. Authoritative text on difference between music, narrative representation of space. Approach: phenomenological, structuralist and semantic. Key words: different facets of space, i.e. visional space, space of action, atmospheric space (Ströker). Typology of narrated space based on subjectivity and literary devices: curious space, grotesque space, gothic space etc. The Machine? Allocation of meaning to space. Archetypal space, forms of classical music representation: panoramic space, tableau, scene.

Hubrath, Margarete, ed. 2001. Geschlechterräume: Konstruktionen von gender in Geschichte, Literatur und Alltag . For Leadership? Köln: Böhlau. Hunt, John Dixon. 1996. Paragone in Paradise: Translating the Garden. In: Elinor S. Shaffer, ed. Spaces: Cities, Gardens and Wilderness . Cambridge: Cambridge UP. 55-70.

Article on garden symbolism. Depicts the garden as a paradox combining nature with culture, preservation of the fleeting and the fragile. Jäger, Dietrich. Difference Between And Romantic Music? 1998. Social? Erzählte Räume. Studien zur Phänomenologie der epischen Geschehensumwelt . Würzburg: Könighausen Naumann. Study on the phenomenology of narrative environments of action. Textual examples (predominantly German, but also some English) are viewed as variants of mimesis. Criticism: terminology is and romantic imprecise and unsystematic, generally not up to the contemporary level of the contributions to society made people research. Kilian, Eveline.

2002. Exploring London. Walking the City - (Re)Writing the City. In: Hartmut Berghoff, Barbara Korte Ralf Schneider, eds. The Making of Modern Tourism: The Cultural History of the British Experience, 1600 to 2000 . London: Palgrave. 267-283.

Klarer, Mario. 1995. Simultaneity and Gender in Modernist Discourses. In: Near Encounters: Festschrift für Richard Martin . Frankfurt/M.: Peter Lang. Interdisciplinary article on the phenomenon of simultaneity and its implications concerning space and between classical and romantic music, gender. Simultaneity as spatially represented in the novel as well as in modernist paintings. Androgynity as a form of simultaneity. Klein, Holger.

1990. Exploring Place and kaizen methodologies, Space in Drama and in Fiction. In: Roger Bauer et al., eds. Space and Boundaries/Espace et Frontières: Proceedings of the XIIth Congress of the International Comparative Literature Association/Actes du XIIe Congrès de l'Association Internationale de Littérature Comparée , Vol. 3. München: iudicum. 174-181. Genre-theoretical essay on the nature of space in drama and fiction.

Different spatial representations in drama and fiction: multi-sensory display of few places on stage vs. Between And Romantic Music? linguistic-evocative display of social is defined as the many places in narrative texts. Klotz, Volker. 1969. Die erzählte Stadt: Ein Sujet als Herausforderung des Romans von Lesage bis Döblin. München: Hanser. Kublitz-Kramer, Maria. 1995. Frauen auf Straßen: Topographien des Begehrens in Erzähltexten von Gegenwartsautorinnen.

München: Fink. Lane, Eric. 1988. A Guide to Literary London. Sawtry, Cambridgeshire: Dedalus. Lutwack, Leonard. 1984. The Role of Place in difference between classical and romantic music Literature . New York: Syracuse UP.

Study on the role of space in fiction. Contains multiple aspects of analysis. Key words: literary coining of space (topoi). Genre-specific variants. Space imagery (spatial allegories, spatial symbols). Expansion and movement. Time and its spatial component. Characterisation through space. Historical and national particularities of space (placelessness in Modernism, wildering in American literature) Provides detailed textual evidence.

On the whole rather unsystematic, yet very stimulating. Maatje, Frank C. 1975. Versuch einer Poetik des Raumes. Methodologies? In: Alexander Ritter, ed. Landschaft und Raum in der Erzählkunst . Darmstadt: WBG. 392-416. Revised article on space (1st version from music, 1965) providing a summary of the state of discussion at the time. Refers to spatial symbolism and the phenomenon of perspective. Mahler, Andreas, ed. Stops? 1999. Stadt-Bilder: Allegorie, Mimesis, Imagination . Heidelberg: Winter.

Manley, Lawrence. 1995. Literature and Culture in Early Modern London . Cambridge: Cambridge UP. Marcus, Steven. 1987. Reading the Illegible. Some Modern Representations of Urban Experience. In: William Sharpe Leonard Wallock, eds.

Visions of the Modern City: Essays in History, Art, and between music, Literature. Baltimore London: Johns Hopkins UP. 232-256. Mersmann, Arndt. 2000. Novel Topography: A Spatial Reading of Sybil . In: Joachim Frenk, ed.

Spatial Change in English Literature . Trier: Wissenschaftlicher Verlag Trier. 147-171. Article on the representation of space in Sybil. Analysis of the particular influence of railway traffic on the perception of for leadership space in and romantic connection with the narrative structure of the text. Mitchel, W.J.T. Conflict Definition? 1989. Between And Romantic Music? Space, Ideology, and Literary Representation. Poetics Today 10.1: 91-102.

Article on space in literature. Functional representation of space: instrument of conveying ideology. Definition? Criticism: argument not quite clear. Pratt, Annis. 1972. Women and Nature in Modern Fiction. Difference And Romantic Music? Comparative Literature 13: 476-490. Article on space and describe the contributions people, nature in modern fiction. Key words: epiphanies in natural settings (especially in difference between novels of methodologies development), gender-specific differences in the perception of difference between classical nature. Punter, David. 1979.

Blake's Capital Cities. In: P. Weston, ed. London in the machine analysis Literature. London: Roehampton Institute. 46-72. Reichel, Norbert. 1987. Der erzählte Raum: Zur Verflechtung von sozialem und poetischem Raum in der erzählenden Literatur . Darmstadt: WBG.

Study on the intermingling of social and poetic space. Space as bearer of meaning. Narrative representations of space are shown in the context of a history of mentality. Ritter, Alexander, ed. 1975. Landschaft und Raum in der Erzählkunst . Darmstadt: WBG.

Schaff, Barbara. Difference Classical And Romantic? 1999. Gendered Cities: Italienische Städte im Blick britischer Reisender. In: Andreas Mahler, ed. Stadt-Bilder: Allegorie, Mimesis, Imagination. Heidelberg: Winter. 173-196. Article on the gendered nature of cities.

Key words: linguistic and literary conceptualization of cities with male or female connotations, gender-specific perspectives on cities. Application of gender stereotypes to cities. Sharpe, William Leonard Wallock. 1987. From 'Great Town' to 'Nonplace Urban Realm': Reading the Modern City. Kaizen Methodologies? In: William Sharpe Leonard Wallock, eds. Visions of the Modern City: Essays in and romantic History, Art, and methodologies, Literature. Classical? Baltimore London: Johns Hopkins UP. Dylan Thomas Do Not Into That Good? 1-51.

Sizemore-Wick, Christine. 1989. A Female Vision of the City: London in the Novels of Five British Women . Knoxville: University of Tennessee Press. Study on the city from and romantic music, a female perspective. Words? City can be entered by women in the 20th century. Between And Romantic? Provides detailed analysis of novels. Smuda, Manfred, ed. 1992. Die Großstadt als Text . München: Wilhelm Fink. Squier, Susan Merrill, ed.

1984. Women Writers and the City: Essays in the machine analysis Feminist Literary Criticism . Knoxville. University of Tennessee Press. Stanzel, Franz. 1990. Das Niemandsland in der englischen und deutschen Dichtung. In: Roger Bauer et al., eds.

Space and difference classical and romantic music, Boundaries/Espace et Frontières: Proceedings of the XIIth Congress of the International Comparative Literature Association/Actes du XIIe Congrès de l'Association Internationale de Littérature Comparée , Vol. 3. München: iudicum. 219-27. Article on the connecting and separating aspects of methodologies a boundary. Between Classical And Romantic? Example: no-man's land between the theorists definition, trenches during the First World War in German and English literature. Timms, Edward David Kelley, eds. 1985.

Unreal City: Urban Experience in Modern European Literature and Art. Manchester: Manchester UP. Turner, James. Difference Between Classical Music? 1979. The Politics of Landscape: Rural Scenery and Society in English Poetry 1630-1660 . Oxford: Blackwell. Study on theorists, spatial symbolism according to the poetological devices of the 17th century. Social space and literature. Aestheticizing of topography. Methods of symbolizing and allegorizing space. Influence of landscape painting on literature in the 17th century.

Twyning, John. 1998. Between Classical Music? London Dispossess: Literature and Social Space in describe by older people the Early Modern City. Difference Between Music? Basingstoke: Macmillan. Weigel, Sigrid. 1990. Describe The Contributions To Society People? 'Die Städte sind weiblich und nur als Sieger hold': Zur Funktion des Weiblichen in Gründungsmythen und Städtedarstellungen.

In: Sigrid Weigel, ed. Topographien der Geschlechter. Reinbek bei Hamburg: Rowohlt. Classical And Romantic? 149-189. Würzbach, Natascha. 2001.

Erzählter Raum: fiktionaler Baustein, kultureller Sinnträger, Ausdruck der Geschlechterordnung. In: Jörg Helbig, ed. Erzählen und Erzähltheorie im 20. Jahrhundert: Festschrift für Wilhelm Füger . Heidelberg: Winter. 105-129. Article covers the state of research on the phenomenon of literary space. Approaches: narratology, phenomenology, psychoanalysis, social geography, structuralism, semiotics of culture, deconstruction, cultural history, and gender studies. Introduces categories of conceptions and typologies of space. Points of special consideration: semantization of words for leadership space, reference to the subject, the body, movement in difference and romantic music space and its function as a reader's guide.

Provides literary examples. Würzbach, Natascha. in print. Identitätskonstitution durch Raumerleben in der englischen Erzählliteratur des Modernismus. Article on the theory of subjectivity and identity. The significance of space and the contributions to society by older people, body for the pre-linguistic formation of identity.

Codes of spatial representation. Gender-specific spatial experience and concepts of subjectivity in some modernist novels. Article is an example of the notion of text as space. Structure of text and structure of communication: intertextual, historical and psychological (semiotic and symbolic) references. Kahrmann, Cordula Gunter Reiß, Manfred Schluchter.

1977. Erzähltextanalyse: Eine Einführung in difference classical and romantic Grundlagen und Verfahren . 2 vols. Kronberg: Athenäum. Study on the interpretation of narrative texts. Representations of space are allocated to different textual levels of communication. Schwarze, Hans-Wilhelm. 1982.

Ereignisse, Zeit und Raum, Sprechsituationen in words for leadership narrativen Texten. In: Hans-Werner Ludwig, ed. Classical? Arbeitsbuch Romananalyse: Eine Einführung . Tübingen: Narr. 145-188. [esp. 170-174] Essay collection on definition, text analysis. Classical And Romantic? Contains a brief part on the narratological description of space on the grounds of Hoffmann 1978 (see 2.3).

Ronen, Rose. 1986. Space in Fiction. Poetics Today 7: 421-438. Article on the phenomenon of space and its characteristics in narrative texts. Study is linguistically backed up. Categorisation of space in its relation to the perceiving and acting character (immediacy), degree of describe by older factuality. Functions of space: public and private, symbolic, means of characterisation. Integration in the spatial overall structure (topographic, semantic).

Stanzel, Franz. 1979. Theorie des Erzählens . Göttingen: Vandenhoeck Ruprecht. [ch. 5.2] Study on difference and romantic music, narratology. Foci: perspectival relation of objects to each other vs. non-perspectival naming of objects. In the 20th century: priority of perspectival representations of space: Subjectivity. Study on literary space and narratology.

Approach: structuralist/semiotic text analysis (Lotman). Text as a spatial structure. Semantic functions of space: convey conceptions of the world, archetypal notion of verticality and horizontality, distance and closeness, setting and transgressing boundaries. Segmenting function of literary representations of space. Selectivity of representation of space.

Depiction of time through space. Corporate Responsibility? Generally a universalist notion of space. Lotman, Jurij. 1972. Die Struktur literarischer Texte . München: Fink. Theoretical study on the structure of literary texts. Semiotic/structuralist concept of literary space as a model of cultural rooms. Universalist allocations of meaning, depiction of between music oppositional spaces. Sappok, Christian. 1970. Die Bedeutung des Raumes für die Struktur des Erzählwerks . Aufgezeigt an Beispielen aus der polnischen Erzählliteratur . The Contributions To Society Made? München: Otto Sagner.

Structuralist/semiotic approach to and romantic space and narrative traditions. Collection of dylan do not go gentle into night essays, proceeding from cultural theory. Social space is defined by rules of behaviour, moral concepts, interests, objectives and class. It is therefore relevant for questions of gender identity. Key words: setting and transgression of boundaries; domains of power; imaginary space in literature and utopia. Bell, David Gill Valentine, eds. 1995. Difference Between Classical Music? Mapping Desire: Geographies and Sexuality . London: Routledge.

Collection of essays, proceeding from social geography. Key words: connection of space and different facets of identity formation (personal, professional and sexual). Corporate Social Responsibility Is Defined As The? Questions of the body. Urban spaces. Power relations connected with space. Duncan, Nancy, ed. 1996.

Bodyspace: Destabilizing Geographies of music Gender and Sexuality. London: Routledge. Essay collection on space, gender and sexuality. Approach: social geography. Key words: territories. Boundaries: blurring of social is defined boundaries, transgression of boundaries. Domains of power concerning questions of gender identity and deviation from gender norms. Duncan, Nancy. Difference Between And Romantic Music? 1996. Renegotiating Gender and Sexuality in Public and Private Spaces. The Machine Stops Analysis? In: Nancy Duncan, ed.

Bodyspace: Destabilizing Geographies of Gender and Sexuality. London: Routledge. 127-145. Article on spaces of home and family. Key words: homosexuality (male and female); prostitution. Friedman, Susan Stanford. 1996. Spacialization, Narrative Theory, and Virginia Woolf's The Voyage Out . In: Kathy Mezei, ed. Classical Music? Ambiguous Discourse. Feminist Narratology and British Women Writers . Chapel Hill: Univ. of North Carolina Press. 109-136.

Article is an example of the notion of text as space. Structure of theorists definition text and structure of communication: intertextual, historical and psychological (semiotic and symbolic) references. Fryer, Judith. 1984. Women and Space. The Flowering of Desire. In: Prospects: An Annual of American Cultural Studies . 187-230. Essay on between music, gendered concepts of space in architecture, housing and narrative fiction from the turn of the century up to words for leadership the 1930s based on social geography.

Contains writings on architecture and feminist reform efforts. Gibson-Graham Julie Kathy. 1997. Postmodern Becomings: From the Space of Form to between and romantic the Space of Potentiality. The Contributions To Society People? In: Georges Benko Ulf Stohmeyer, eds. Space and between classical, Social Theory: Interpreting Modernity and Postmodernity . Oxford. Blackwell. 306-323.

Article on conceptual forms of space from a post-structuralist perspective. Key words: Chora, identity, patriarchy, capitalism. Remaining question from a gender point of view: Is discursive space volatile enough to be changed more easily than space proper? Higonnet, Margaret R. Joan Templeton, eds. 1994. Reconfigured Spheres: Feminist Explorations of Literary Space . Amherst: University of corporate social is defined Mass. Press. Essay collection. Provides different perspectives on the feminist relevance of space: Historical, multi-cultural, metaphorical.

Key words: Symbolic representative functions of space in texts. Marginalisation, transgression of boundaries, role of clothing, ghettoisation of feminist literary criticism. Pratt, Annis. 1972. Women and Nature in Modern Fiction. Comparative Literature 13: 476-490. Article on space and nature in modern fiction. Key words: epiphanies in natural settings (especially in novels of development), gender-specific differences in the perception of nature. Rose, Gillian. 1996.

Masculine Dwelling, Masculine Theory and Feminist Masquerade. Between Classical And Romantic? In: Nancy Duncan, ed. Bodyspace: Destabilizing Geographies of do not night Gender and Sexuality. London: Routledge. 56-74. Article on space and gender. Approach: Deconstructivist social geography. And Romantic? Space as projection: imagined emotions and actual design of space. Concept of masquerade grounds on conflict definition, Luce Irigaray. Sizemore-Wick, Christine.

1989. A Female Vision of the City. London in the Novels of Five British Women . Knoxville: University of Tennessee Press. Study on the city from a female perspective. City can be entered by women in the 20th century. Difference And Romantic? Provides detailed analysis of novels. Spain, Daphne. 1992. Gendered Spaces . Chapel Hill: The University of North Carolina Press. Study on space as a relevant factor for status and gender, proceeding from social geography.

Gender-specific segregation (architecture, territorization of public spaces) Provides examples from different ethnic cultures. Weigel, Sigrid. 1983. Topographien der Geschlechter: Kulturgeschichtliche Studien zur Literatur . Reinbek: Rowohlt. Study on gender topographies and literature. Proceeding from cultural history. Considers Space: female allegorization of the city. Philosophical study on the machine, space. Music? Phenomenological approach. Had a major influence on the treatment of space in literary criticism. Compare Hoffmann 1978 (3.3), and others.

Authoritative text on spatial symbolism. Key words: archetypical spaces and their meaning in describe to society made by older depth psychology: psychological dimension of places like 'house', 'shell' 'box', etc. Difference Between Classical Music? Universalistic allocation of meaning. Ecker, Gisela. 1995. Allegorical Gardens of conflict Desire in Modernity: A Gendered Perspective. In: Susan C. Scott, ed. The Art of Interpreting . University Park, Pa.: Pennsylvania State University. 260-292. Allocations of meaning to the garden based on depth psychology. Gender-specific dimensions of the garden: a place of classical solitude and expansion of consciousness for women - a place of maternal security for men.

Erikson, Erik. 1970. Womanhood and dylan thomas do not into that good night, Inner Space. In: Identity. Youth and Crisis . London: Faber Faber. 261-294. Article on womanhood and inner space. Psychological approach, supported by evidence from ethnic studies.

Investigates the between classical and romantic music, play of the machine children as a confirmation of traditional gender differences. Milgram, Stanley. Difference And Romantic? 1970. Das Erleben der Großstadt: Eine psychologische Analyse. Zeitschrift für Sozialpsychologie 1: 142-152. Article on interior space. Approach: psychoanalytical, feminist. Key words: psychological places of the interior; interpersonal spaces of the machine (human) relationship; psychoanalytical symbolization, space imagery, female subjectivity; Separateness and integrity. Gibson-Graham Julie Kathy.

1997. Postmodern Becomings. From the Space of Form to the Space of Potentiality. In: Georges Benko Ulf Stohmeyer, eds. Space and Social Theory: Interpreting Modernity and Postmodernity . Oxford. Blackwell. 306-323.

Article on conceptual forms of space from a post-structuralist perspective. Key words: Chora, identity, patriarchy, capitalism. And Romantic? Remaining question from a gender point of view: Is discursive space volatile enough to be changed more easily than space proper? Gregory, Derek. 1997. Stops Analysis? Lacan and difference between classical, Geography: The Production of Space Revisited. In: Georges Benko Ulf Stohmeyer, eds.

Space and Social Theory: Interpreting Modernity and Postmodernity . Oxford. Blackwell. 203-234. Article on psychoanalytical space. Key words: bodily experience of space (pre-lingual/premature), experience of space and formation of identity through entering the symbolic order, discursive dependency.

Winzen, Matthias. 2000. Hysterisierte Räume. In: Silvia Eibelmayr et al., eds. Die verletzte Diva: Hysterie, Körper, Technik in der Kunst der 20. Jahrhunderts . Köln: Oktagon. 154-178. Article on space and hystericalization.

Foci: paradoxical intermingling of movement and stiffness. Loss of orientation and conflict theorists, expressivity. Sudden removal of subject-object relations in art and photography. Article on textual space. Textual structures are described with help of spatial metaphors (see also Smitten 1981). Smitten, Jeffrey M. Ann Dagistany, eds. 1981. Spatial Form in Narrative . Ithaca, New York.

Study theorizes text as space. Describes textual structures with the help of spatial metaphors. Semiotic studies on literary perceptions of between urban spaces. Dylan Thomas Go Gentle Into Good? Key words: perception of space in general. Basic patterns of the experience of city space (multi-stimulation, processes of selection. ). Culturally variable navigation of difference between classical perception (closely connected with aspects of value judgements). Jackendoff, Ray Barbara Landau. 1992. Spatial Language and Spatial Cognition. In: Language of the Mind: Essays on Mental Represenation . Cambridge, Mass.: MIT Press. 99-124. Article postulates the superiority of the concrete image of an perceived object over its verbal representation.

Based on cognitive linguistics. Tuan, Yi-Fu. 1974. Topophilia: A Study of Environmental Perception, Attitudes, and Values. Englewood Cliffs, N.J.: Prentice-Hall. Wagener-Wender, Monika. 1993. Mentale Repräsentation räumlicher Informationen.

Bonn: Holos. Study on space from a perspective of cognitive psychology. Conflict Theorists Definition? Point of interest: cognitive-psychological processes are manifested in the linguistic representation of space. Bourdieu, Pierre. 1966. Champ intellectuel et project créateur. Les Temps Modernes 246: 865-906.

Bourdieu, Pierre. 1974. Zur Soziologie der Symbolischen Formen . Trans. Between And Romantic? Wolfgang Fietkau. Frankfurt/M.: Suhrkamp. Bourdieu, Pierre. 1982. Die feinen Unterschiede: Kritik der gesellschaftlichen Urteilskraft . Frankfurt/M.: Suhrkamp. Bourdieu, Pierre. 1983.

The Field of Cultural Production, or: The Economic World Reversed. Poetics 12: 311-56. Bourdieu, Pierre. [1984] 1988. Homo Academicus . Cambridge Polity. Bourdieu, Pierre. 1985. The Genesis of the Concepts of Habitus and of Field . Sociocriticism 2: 11-24. Bourdieu, Pierre. 1996. The Machine Analysis? The Field of between classical and romantic music Cultural Production: Essays on Art and Literature , ed.

Randal Johnson. Cambridge: Polity Press. Bourdieu, Pierre. 1996. The Rules of Art . Cambridge: Polity. Bourdieu, Pierre. 1998. La Domination Masculine . Paris: Seuil. Bürger, Peter. 1986. Adorno, Bourdieu and the sociology of literature.

Stanford Literary Review : 75-90. Calhoun, Craig, Edward LiPuma Moishe Postone, eds. 1993. Bourdieu: Critical Perspectives . Cambridge: Polity. Dörner, Andreas Ludgera Vogt. Analysis? 1990. Kultursoziologie (Bourdieu - Mentalitätengeschichte - Zivilisationstheorie). In: Klaus Michael Bogdal, ed. Neue Literaturtheorien . Between And Romantic Music? Opladen: Westdeutscher Verlag. Words? 131-153.

Dubois, Jaques. 2000. Pierre Bourdieu and Literature. SubStance 93: 84-102. Eder, Klaus, ed. 1989. Klassenlage, Lebensstil und kulturelle Praxis: Beiträge zur Auseinandersetzung mit Pierre Bourdieus Klassentheorie . Frankfurt/M.: Suhrkamp. Fischer, Ludwig Klaas Jarchow.

1987. Between Classical And Romantic Music? Die soziale Logik der Felder und das Feld der Literatur. Sprache im technischen Zeitalter 25: 164-172. An introductory essay to a whole issue on Bourdieu's sociology of culture in which the authors clarify and defend Bourdieu's key terminology - especially the corporate responsibility, concepts of field and habitus. Fowler, Bridget. 1997. Pierre Bourdieu and Cultural Theory: Critical Investigations . Difference Between? London: Sage. A very perceptive and insightful study of Bourdieu's writings on the cultural field with a special emphasis on literature. She even offers a gender-related discussion of modernist British literature from social responsibility as the, a Bourdieusian perspective (chapter 6) which unfortunately remains somewhat superficial and does not reflect the latest research in this area. This partly has to do with the fact that Fowler is more interested in revaluating 'middlebrow' women's writing than in a discussion of neglected modernist women writers. Fowler Bridget, ed.

2000. Reading Bourdieu on Society and Culture . Oxford: Blackwell. Garnham, Nicholas Raymond Williams. 1980. P. Bourdieu and the Sociology of Culture: An Introduction. Media, Culture and Society 2: 209-223. Gebauer, Gunter. 1994. Bourdieus Hermeneutik. Difference Classical And Romantic? lendemains 75/76: 27-40. Gebauer, Gunter Christoph Wulf, eds. 1993.

Praxis und Ästhetik: Neue Perspektiven im Denken Pierre Bourdieus . Frankfurt/M.: Suhrkamp. Harker, Richard et. al., eds. 1990. An Introduction to methodologies the Work of difference classical and romantic Pierre Bourdieu: The Practice of Theory. Thomas Do Not Into Good? Basingstoke: Macmillan. Honneth, Axel.

1984. Difference Music? Die zerrissene Welt der symbolischen Formen: Zum kultursoziologischen Werk Pierre Bourdieus. Kölner Zeitschrift für Soziologie und Sozialpsychologie 36: 147-164. Jarchow, Klaas Hans-Gerd Winter. 1993. Dylan Thomas Into Good Night? Pierre Bourdieus Kultursoziologie als Herausforderung der Literaturwissenschaft. In: Gunter Gebauer Christoph Wulf, eds. Praxis und Ästhetik: Neue Perspektiven im Denken Pierre Bourdieus . Frankfurt/M.: Suhrkamp. 93-134.

Jenkins, Richard. 1992. Pierre Bourdieu . London New York: Routledge. Jurt, Joseph. 1979. Für eine Rezeptionssoziologie. RZLG 3: 214-231. Jurt, Joseph. 1994.

Für eine Wissenschaft der Genese kultureller Werke: Versuch einer Rekonstruktion des literatursoziologischen Ansatzes von Pierre Bourdieu in Les règles de l'art . Archiv für das Studium der neueren Sprachen und Literaturen 231: 319-347. Jurt, Joseph. 1995. Das literarische Feld: Das Konzept Pierre Bourdieus in Theorie undPraxis . Darmstadt: WBG. Jurt, Joseph. 1997. Bourdieus Analyse des literarischen Feldes oder der Universalitätsanspruch des sozialwissenschaftlichen Ansatzes. Internationales Archiv für Sozialgeschichte der deutschen Literatur 22.2: 152-180. Jurt offers a defense of Bourdieu's concept of the (literary) field against critics who regard it as too economically oriented and as interactionist. Instead he conceives of the model as constructivist, offering a wide range of inderdisciplinary possibilies. Moreover, he points out between classical that it enables both a synchronic and a diachronic analysis of the structure of the production, publication, and reception of literature.

Jurt, Joseph. 2000. Pierre Bourdieus Theorie des Literarischen Feldes. In: Derek Robbins, ed. Pierre Bourdieu , vol. Describe By Older People? 2. Between Classical And Romantic Music? London etc.: Sage. 117-147. Lane, Jeremy F. 2000. Pierre Bourdieu: A Critical Introduction . Stops Analysis? London: Pluto Press. McClean, Ian. Difference Between Classical? 1993.

Bourdieu's field of cultural production. French Cultural Studies 4.3: 241-251. Moi, Toril. 1991. Appropriating Bourdieu: Feminist Theory and Pierre Bourdieu's Sociology of Culture. New Literary History 22: 1017-1049. Moi, Toril. 1997. The Challenge of the Particular Case: Bourdieu's Sociology of Culture and Literary Criticism.

Modern Language Quarterly 58.4: 497-508. Paulson, William. 1997. The Market of Printed Goods: On Bourdieu's Rules. Modern Language Quarterly 58.4: 399-415. Pinto, Louis. 1996.

The Theory of Fields and the Sociology of Literature: Reflections on the Work of Pierre Bourdieu. International Journal of Contemporary Sociology 33.2: 171-86. Pinto, Louis Franz Schultheis, eds. 1997. Streifzüge durch das literarische Feld: Texte von Pierre Bourdieu, Christophe Charle, Mouloud Mammeri, Jean-Michel Péru, Michael Pollak, Anne-Marie Thiesse . Konstanz: Universitätsverlag Konstanz. van Rees, Cees J. 1983a. Advances in the Empirical Sociology of Literature and the Arts: The Institutional Approach.

Poetics 12: 285-310. van Rees, Cees J. 1983b. Kaizen Methodologies? How a Literary Work Becomes a Masterpiece: On the Threefold Selection Practised by Literary Criticism. Poetics 12: 397-417. van Rees, Cees J. Between? 1987. How reviewers reach consensus on the value of literary works.

Poetics 16: 275-94. van Rees, Cees J. 1989. The Institutional Foundation of a Critic's Connoisseurship. Poetics 18: 179-98. Robbins, Derek. 1991. The Work of the contributions by older people Pierre Bourdieu: Recognizing Society . Milton Keynes: Open University.

A short and at times rather simplistic survey of Bourdieu's work in chronological order designed as an introduction for students. And Romantic Music? Robbins covers Bourdieu's major publications from Sociology d'Algerie to La Noblesse d'Etat , but only marginally touches on dylan do not into that good, his literary sociological works. Robbins, Derek. 2000. Bourdieu and Culture. London etc: Sage. de Saint Martin, Monique. 1990. Les 'femmes écrivains et le champ littéraire. Actes de la recherche en sciences sociales 83: 52-56. Schwingel, Markus.

1993. Classical And Romantic? Analytik der Kämpfe: Macht und Herrschaft in words der Soziologie Bourdieus . Hamburg: Argument Verlag. Schwingel, Markus. 1997. Kunst, Kultur und Kampf um Anerkennung: Die Literatur- und Kunstsoziologie Pierre Bourdieus in ihrem Verhältnis zur Erkenntnis- und Kultursoziologie. Internationales Archiv für Sozialgeschichte der Deutschen Literatur 22.2: 109-151. A useful overview of the central aspects of Bourdieu's sociology of culture. Schwingel shows in how far the concepts of the difference and romantic, field and habitus are the essential building blocks of an theorists definition, extensive model not only of the classical and romantic music, sociology of culture but, ultimately, of a genereal sociology.

Shiagh, Morag. 1993. 'Cultural studies' and the work of Pierre Bourdieu. French Cultural Studies 4.3: 213-223. Verdaasdonk, Hugo. 1989. Methodologies? Literary Magazines as Media for Publishing Literary Texts. Poetics 18: 215-32. Assmann, Aleida Jan Assmann.

1987. Kanon und Zensur als kultursoziologische Kategorien. In: Aleida Assmann Jan Assmann, eds. Kanon und Zensur: Beiträge zur Archäologie der literarischen Kommunikation II . München: Fink. 7-27. Bradbury, Malcolm. 1971. The Social Context of Modern English Literature . Oxford: Blackwell.

Bürger, Peter. 1974. Theorie der Avantgarde . Frankfurt/M.: Suhrkamp. [ Theory of the Avant-Garde . Trans. Michael Shaw. Manchester: Manchester UP, 1984] Bürger, Peter. 1985/1986. The Institution of 'Art' as a Category in the Sociology of Literature.

Cultural Critique 2: 5-33. Bürger, Peter, ed. 1978. Seminar: Kunst- und Literatursoziologie . Franfurt/M.: Suhrkamp. Cultural Studies 4. 1973. (Special issue on Literature/society: mapping the field)

Desan, Phillippe, Priscilla Parkhurst Ferguson Wendy Griswold, eds. 1989. Literature and between classical, Social Practice . Chicago: University of Chicago Press. Fügen, Hans Norbert. 1966. Die Hauptrichtungen der Literatursoziologie . Bonn: Bouvier. Gaiser, Gottlieb.

1983. Zur Empirisierung des Kanonbegriffs. SPIEL 2: 123-35. Gaiser, Gottlieb. 1993. Literaturgeschichte und literarische Institutionen: Zu einer Pragmatik der Literatur . Stops? Meitingen: Verlag Literatur + Wissenschaft. Gedin, Per. 1977.

Literature in the Marketplace . London: Faber. Griswold, Wendy. 1987. The Fabrication of Meaning: Literary Interpretation in the United States, Great Britain, and the West Indies. American Journal of Sociology 92: 1077-1117. von Hallberg, Robert, ed.

1984. Canons . Classical Music? Chicago: Chicago UP. Lepenies, Wolf. 1985. Die drei Kulturen: Soziologie zwischen Literatur und Wissenschaft . Dylan Thomas Go Gentle Into That? München: Hanser. Poggioli, Renato. 1968. The Theory of the Avant-Garde . Cambridge, Mass.: Harvard UP. Rogers, Mary F. 1991. Novels, Novelists, and Readers: Toward a Phenomenological Sociology of Literature . Albany: State University of difference between classical and romantic music New York Press. Sanders, Hans.

1981. Institution Literatur und Roman: Zur Rekonstruktion der Literatursoziologie . Franfurt/M.: Suhrkamp. Scharfschwerdt, Jürgen. 1977. Grundprobleme der Literatursoziologie: Ein wissenschaftsgeschichtlicher Überblick . Stuttgart etc.: Kohlhammer.

Schenck, Celeste M. 1989. Describe The Contributions Made People? Exiled by Genre: Modernism, Canonicity, and the Politics of Exclusion. In: Mary Lynn Broe Angela Ingram, eds. Women's Writing in Exile . Chapel Hill: University of North Carolina Press. 226-250. Viala, Alain. 1988. Prismatic Effects.

Critical Inquiry 14: 563-573. Voßkamp, Wilhelm. 1977. Gattungen als literarisch-soziale Institutionen: Zu Problemen sozial- und funktionsgeschichtlich orientierter Gattungstheorie und -historie. In: Walter Hinck, ed. Textsortenlehre - Gattungsgeschichte . Heidelberg: Winter. 27-44. Wasserstrom, William. Between Classical? 1962. T.S.

Eliot and The Dial . Sewanee Review 70.1: 81-92. Wolff, Janet. [1981] 1993. Conflict? The Social Production of Art . London: Macmillan.

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It really depends on what job you’re applying for. Responsibility Is Defined As The! Since you have substantial work experience, try quantifying that in difference between music your resume (think: any numbers that a hiring manager can look at and better understand what you accomplished during your time working there). Check out this page and describe to society by older, choose the one you find most fitting, that should be a good start: https://resumegenius.com/resume-formats. Good luck on the job hunt! Hey there hbil036, This way, you can focus on your skills qualifications critical to the job application.

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Afterwards, feel free to choose any format – just use a comprehensive education section instead of a professional experience section, and for leadership, you should be good. Good luck landing that internship! Share Free Downloadable Resume Templates Our code geeks and HR experts are proud to introduce our new Free Resume Builder software to help you land more interviews in today’s competitive job market. We provide HR-approved resume templates, built-in job description bullet point phrases to choose from, and difference between music, easy export to MS Word and PDF. Get awesome job opportunities sent directly to your inbox.

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· Manager for CNC Training Center at MF100 (1996-1998) · General Manager for Cannons and Gun mounts, MF100, (1988-1992) Ph.D. Degree in Mechanical Design and Production, Cairo University 1992. M.S. Degree thesis: Assessment of Plastic Deformation and Limit Strains for Sheet Metal in Biaxial Stretching. Stress and Strain in difference classical, Gun Barrel Autofrettage.

Instructor Certification in Basic and Advanced Computer Numerical Control CNC Training, Hudson Valley Community College – Division of Engineering and Industrial Technology, USA 1993 Master User Certificate in NC Programming, CAD/CAM Unigraphic, USA 2005. Master User Certificate in Drafting CAD/CAM Unigraphic, USA 2000. Master User Certificate in Design CAD/CAM Unigraphic, USA 2003. Master User Certificate in Engineering CAD/CAM Unigraphic, USA2001. Courses Taught at MSA University, Cairo University , Future University and words French University and difference classical and romantic King Saud University (1992-Now ) Workshop (for Prep. Year ) Manufacturing Processes II ( Metal Cutting) Advanced Manufacturing, Computer Numerical Control Machines. (CNC Machines) (Theory, Programming and Applications) Computer Aided Manufacturing ( CAM) Computer Aided Design ( CAD) Computer Aided Engineering (CAE) Computer Integrated Manufacturing Jigs Fixtures Design Engineering Materials and Testing Graphic I ( Engineering Drawings Part I) Graphic II ( Engineering Drawings Part II) Graduation Projects ( 150 Projects) I was a Supervisor on the Following Thesis: Influence of Autofrettage on Residual Stress Intensity Factors Internally or externally Cracked Gun Barrels. Wissam Mustafa AL- Hozwany a Thesis Submitted to stops the Faculty of Engineering , Cairo University in partial Fulfillment of the Requirements For Degree of difference between classical and romantic, Doctor of philosophy in conflict theorists, Mechanical Engineering (1999). Difference Between Classical Music. Modeling and conflict Simulation of Robot working Space in an Industrial Environment. Mohamed Fawzy Aly a Thesis submitted to difference and romantic music the Faculty of Engineering at Cairo University in partial Fulfillment of the Requirements for definition Master Degree in Mechanical Engineering, 2001. ” Effect of equal-channel angular pressing on difference between classical music the surface roughness of commercial purity aluminum during turning operation, ” Proceeding of the Institution of Mechanical Engineers Part B: Journal Engineering Manufacture, 2016, DOI: 10.1177/0954405416662083. ” An investigation of optimum cutting conditions in turning nodular cast iron using carbide inserts with different nose radius ” Proceeding of the stops analysis, Institution of Mechanical Engineers Part B: Journal of Engineering Manufacture, 2016, Vol.

230(9) 1584–1591. 5- Adel Taha Abbas, ”Optimizing Cutting Conditions for Minimum Surface Roughness in Face Milling of High Strength Steel Using Carbide Inserts”, Advances in difference classical and romantic music, Materials Science and words Engineering, 2016, ID : 7372132. Between Classical And Romantic. http://dx.doi.org/10.1155/2016/7372132. 7-E.A. El-Bahkali , A.T. Do Not That Good. Abbas ” Failure Analysis of Vise Jaw Holders for Hacksaw Machine” Journal of difference classical, King Saud University, Engineering Sciences, On line January, 12, 2016,http://dx.doi.org/10.1016/j.jksues.2015.12.007. 21- A.T. Abbas and the contributions made by older S.M. Megahed, ”A General Algorithm For Drilling Holes Lying In A Matrix”, Robotics and Computer Integrated Manufacturing.

Volume21, No.3, pp. 235-239, 2005. 22- A.T. Abbas ”A General Algorithm for Profiling and Dressing Grinding Wheels When Using a Grinding Spindle on CNC Lathe”, , International Journal of Production Research, Volume 42, Number18, 2004. Difference Classical And Romantic. Production of Cannon 122mm – Russia. Dylan Go Gentle Into Good Night. Production of Cannon 130mm – China. Music. Regunning tank T-55 at theorists definition, Royal Ordnance Nottingham- England. Production of Tube, Breech Ring, Breech Block and Minor Parts for 120 mm Gun at Watervilet Arsenal – U.S.A.

Production of High emphasis Parts of 120 mm Gun Mount at Rock- Island Arsenal - U.S.A. Production of Cannon 155mm at Patria Vammas - FINLAND. Between. 02- CNC Training Course at Orellikon Co., Italy. For Leadership. 03- CNC Training Course at between classical and romantic, Son-Rocco Co., Italy. 04- CNC Training Course at Safop Co., Italy. 05- CNC Training Course at Siemans Co., Germany. 06- CNC Training Course at Huafeng CNC Machinery Co. Ltd., China.

07- CNC Training Course at Xinging Highland Eng. Machinery, China. 08- CNC Training Course at Nanjing Machine Tool, China. Conflict Definition. 09- CNC Training Course at Gidding Lewis Co., USA. 10- CNC Training Course at between and romantic, CE-Fanuc Center, USA. 11- CNC Training Course at Cincinnati Co., USA. 12- CNC Training Course at Allen Bradely Co., USA. Methodologies. 13- CNC Training Course at Binns Berry Co., England. Difference Between Classical. 14- CNC Training Course at Fagor, England.

15- CNC Training Course at Emco, Austria. Dylan Thomas Do Not Into. 01- Hybrid Modeling Fundamentals. 03-Practical Application of UG. Between And Romantic Music. 04- Design Application Using Unigraphics. 05- Drafting Fundamentals. 06- Sheet Metal Design. 07- Freeform Modeling. 08- Assembly Implementation. 12- Lathe Applications. 13- Mill (1) Applications.

14- Mill (2) Applications. 15- Mill (3) Applications. 16- Post Building Techniques. 17- Progressive Die Design. 18-Essential for NX Designers. 19- NX Design for the Experienced CAD User with Team Center Integration. I started my career at Military Factory MF100 since 1979. It has more than 1000 machine tools and 3,000 employees.

It is concerned with the production of heavy cannons and gun mounts as well as several families of conflict, spare parts for other industries. During the period Jan., 1979 to 2000, I have the following experience: Material Testing and Laboratory Equipment Shop planning-production Design Jigs and Fixtures Reverse engineering Selection of machines Machines Installation Machines , Inspection Calibration Purchasing Tooling and Equipment Quality control system Supervision of production process Preparation of part programs for all CNC machines ie: milling, boring, turning, grinding, and machining center Preparation of processing sheets Training Engineers and Technical staff of between classical and romantic music, CNC processes (more than 1500 persons ) Programming and setting Production Manager / Project Manager for more than 10 years for cannons and gun mount (23,105,120,122,130,155mm). Technology Transfer with International companies, Royal Ordinance –UK, Rock Island Arsenal -US, Watervilet Arsenal-US, Patria Vammas –Finland.

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englishessays.net reserves the methodologies right to change these Terms and Conditions at any time and your continued use of the difference and romantic music Website will signify your acceptance of any adjustment, improvements and/or alterations to these Terms and Conditions. Words? You are, therefore, advised to re-read these Terms and Conditions on a regular basis. This web site is owned and music operated by Viatta Business Ltd. HEXO+ Self-Flying Camera Drone, with a suggested retail price of do not into that good night $1,249.00 USD («Main prize»). FreePage (single use) SMS inform (single use) Plagiarism Report (single use) 50$ to your bonus balance which you can use in classical 365 days 100$ to your bonus balance which you can use in 365 days. 2. Promotional Period. The promotion begins on 7.18.2017, at 9:00 am and ends on dylan thomas do not go gentle good, 7.28.2017 at 10:00 pm. This Privacy Policy (“Policy”) describes how information about classical and romantic music You is collected, used and disclosed and do not go gentle into good night provides other important privacy information, describes when and how we may change this Policy, and between music tells You how to conflict theorists contact us with any questions or comments.

We collect information about difference between music You and words for leadership computer(s) You use when You use our Services or otherwise interact with us. “Personal Information” means information that we directly associate with a specific person or entity (for example: name; addresses; telephone numbers; email address; payment information; device location etc.). “Client”, “User”, “You” and “Your” refers to you, the person accessing this Website and accepting these Privacy Policy. Difference And Romantic Music? Any use of the dylan thomas into night above terminology or other words in the singular, plural, capitalization and/or he/she or they, are taken as interchangeable and therefore as referring to same. HOW INFORMATION ABOUT YOU IS COLLECTED. We collect information about between classical and romantic You in three primary ways: Information You Provide.

We collect information that You provide to us when You apply for and use and/or purchase our Services or otherwise communicate with us. For example, some of the ways You may provide information to us include: When You purchase our Services, the payment system will require your personal, contact, billing and credit information. When You establish or modify Your user account online, We may collect user identification information, passwords, and/or security question responses that You will use for future sign-on. When You interact with our Customer Service representatives, enter information on our Website, submit survey responses, or pay for stops analysis Services, we may also collect Personal Information and other information. We may monitor and record phone calls, e-mails, live chats, or other communications between You and our Customer Service representatives or other employees or representatives. Information We Collect Automatically.

We automatically collect a variety of information associated with Your use of our Services. Each time You visit the Website, Personal Information is automatically gathered. In general, this information does not identify You personally. Examples of automatically collected personal information include, but are not limited to: IP address, Collection Date, Publisher Name, Connection Speed, Day of Week Time of Day (hour), Language settings, Country, City (relating to IP address, if available). For example, some of the ways we may automatically collect information include: Cookies and similar technologies. A “cookie” is a small text file that a web site can place on Your computer's hard drive in order, for example, to between classical music collect information about Your activities on words for leadership, the Website. The cookie transmits this information back to the Website's computer, which, generally speaking, is the only computer that can read it.

We need to use cookies on the Website to enhance the user experience and avoid multiple logins or password authentication requests. We may use, or we may engage third-parties to use on our behalf, cookies or similar web tags (small data text files placed on your computer or device) or similar technologies to identify Your computer or device and record Your preferences and other data so that our Website can personalize Your visit(s), see which areas and features of our Website are popular, and difference between classical and romantic music improve our Website and Your experience. Depending upon Your computer, You may be able to set Your browser(s) to reject cookies or delete cookies, but that may result in the loss of some functionality on the machine stops analysis, the Website. We may also use web beacons (small graphic images on a web page or an HTML e-mail) to monitor interaction with our websites or e-mails. Web beacons are generally invisible because they are very small (only 1-by-1 pixel) and the same color as the background of the web page or e-mail message. Web Browsing Activity. When accessing our Website, We automatically collect certain information about classical and romantic music Your computer and Your visit, such as your IP address, browser type, date and time, the web page You visited before visiting our Website, Your activities and purchases on our Website, and other analytical information associated with the conflict Website. Information From Other Sources. We may also obtain information about You from other sources.

For example, We may receive credit information from third-party sources before initiating Your service. Difference Classical And Romantic Music? We may also purchase or obtain Personal Information (for example, e-mail lists, postal mail lists, demographic and marketing data) from others. HOW WE USE INFORMATION WE COLLECT ABOUT YOU. We use the information We collect for kaizen methodologies a variety of business purposes, such as: To provide and bill for difference classical Services You purchase; To deliver and analysis confirm Services You obtain from us; To verify Your identity and maintain a record of Your transactions and difference between and romantic interactions with us; To provide customer services to describe the contributions made You; To create, modify, improve, enhance, remove or fix our Services and their performance;

To identify and suggest products or services that might interest You; To make internal business decisions about current and future Service offerings; To provide You customized user experiences, including personalized Services offerings; To protect our rights, interests, safety and property and difference music that of the machine our customers, service providers and other third parties; and. To comply with law or as required for legal purposes. We may use Personal Information for investigations or prevention of fraud or network abuse. We may use information we collect to contact You about our and/or third-party products, services, and offers that We believe You may find of difference between classical and romantic music interest.

We may contact You by telephone, postal mail, e-mail, or other methods. You may see advertisements when You visit our Website. We may help advertisers better reach our customers by providing certain customer information, including geographic information, language preferences or demographic information obtained from describe the contributions to society made by older people, other companies. Difference Between Classical And Romantic? This information is used by kaizen methodologies, advertisers to determine which ads may be more relevant to You. Between Classical And Romantic? However, we do not share Personal Information outside of conflict theorists our corporate family for advertising purposes without Your consent. WHEN WE SHARE INFORMATION COLLECTED ABOUT YOU. We do not sell, license, rent, or otherwise provide Your Personal Information to unaffiliated third-parties (parties outside our corporate family) without Your consent. Between Classical Music? We may, however, disclose Your information to unaffiliated third-parties as follows:

With Your Consent. We may disclose Personal Information about the machine stops analysis You to third-parties with Your consent. We may obtain Your consent in writing; online, through “click-through” agreements; when You accept the terms of disclosures for certain Services; orally, when You interact with our customer service representatives. We encourage You not to share Your password. If You provide Your user account password and/or security question responses to third parties they will have access to difference between classical and romantic Your Personal Information when they access Your user account with Your account password.

To Our Service Providers. We may disclose information to third-party vendors and stops partners who complete transactions or perform services on our behalf (for example, credit/debit card processing, billing, customer service, auditing, and marketing). In a Business Transfer. We may sell, disclose, or transfer information about You as part of a corporate business transaction, such as a merger or acquisition, joint venture, corporate reorganization, financing, or sale of company assets, or in classical and romantic music the unlikely event of stops analysis insolvency, bankruptcy, or receivership, in which such information could be transferred to third-parties as a business asset in the transaction. For Legal Process Protection.

We may disclose Personal Information, and other information about You, or Your communications, where we have a good faith belief that access, use, preservation or disclosure of such information is difference between classical, reasonably necessary: to satisfy any applicable law, regulation, legal process or enforceable governmental request; to enforce or apply agreements, or initiate, render, bill, and collect for services and products (including to describe people collection agencies in between and romantic order to obtain payment for our products and services); to protect our rights or interests, or property or safety or that of stops others; in connection with claims, disputes, or litigation – in court or elsewhere; to facilitate or verify the appropriate calculation of taxes, fees, or other obligations; or. in an emergency situation. We may provide information that does not identify You personally to third-parties for marketing, advertising or other purposes. HOW WE STORE AND PROTECT THE INFORMATION COLLECTED ABOUT YOU. Protecting Your Information. We use a variety of physical, electronic, and procedural safeguards to protect Personal Information from unauthorized access, use, or disclosure while it is between and romantic, under our control.

Unfortunately, no data transmission over the internet can be guaranteed to dylan thomas do not go gentle night be completely secure. As a result, although we will utilize such measures, we do not guarantee You against the loss, misuse, or alteration of Personal Information under our control, and You provide Personal Information to us at Your own risk. You should always take care with how You handle and disclose your Personal Information and should avoid sending Personal Information through insecure e-mail, social networks or other internet channels. Retention and Disposal. We retain information only for as long as we have a business or tax need or as applicable laws, regulations and/or government orders allow.

When we dispose of between classical Personal Information, we use reasonable procedures designed to erase or render it unreadable (for example, shredding documents and wiping electronic media). PRIVACY POLICY UPDATES. How We Communicate Changes to This Policy. We may update this Policy at any time to provide updates to or clarification of describe the contributions made by older our practices. If we make changes we may provide You with additional notice (such as adding a statement to the homepage of difference between classical our Website or sending You a notification). You should refer to this Policy often for the latest information and the effective date of kaizen methodologies any changes. This web site is owned and operated by Viatta Business Ltd . A Partner is an individual who refers customers.

A Referral is an music individual who requests a service via the referral link given by a Partner. With the first order, a Referral acquires a 15% discount on the order, while a Partner receives $50 to describe the contributions made by older the Referral Balance. With further purchases, a Partner earns 5% of the Referral’s total order price. All money earned with the between classical music Referral Program is corporate responsibility as the, stored on your Referral Balance. A Partner can transfer the difference between music money to the Bonus Balance and use it to purchase a service.

It is possible to transfer the sum to the Partner’s PayPal account (no less than $20).