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Assyrian Empire Essay Research Paper There are. Assyrian Empire Essay, Research Paper. There are two main reasons why the Neo-Assyrian Empire became so powerful between 934 ? 610 B.C. First, through this era, the power of Assyria was largely dependant on the success of its army (Saggs, 1962). Winer (1961) states that the Assyrian military perfected the love sonnets, art of war. During this time period, some 180 punitive expeditions or campaigns were launched against foreign foes, rebellious vassals or other anti-Assyrian groups (Olmstead, 1923). MDR Tuberculosis Problem And Control Essay. Second, the sonnets, Assyrians developed an MDR Tuberculosis in Georgia: Problem and Control Essay efficient and effective administrative system with which to maintain, supply and expand their empire. In Assyria, warfare was a way of life (Saggs, 1962) and its government was run as a military state (Winer, 1961).

Early wars had been like raids; undertaken to obtain booty, settle disputes over land and water rights, or fought for military notoriety. During the sonnets, second Assyrian Empire, war became a part of the state policy. The raid was replaced by a detailed and carefully planned scheme of conquest (Sayce, 1899). The Assyrian Empire maintained a powerful standing army, not only to satisfy its imperialistic appetite, but also to safeguard the King against potential rebellious provincial governors. Sayce (1899) writes that nothing was spared to make the army as effective as possible. Army discipline was raised to the highest pitch of perfection, and its weapons and uniforms constantly underwent improvements (Sayce, 1899). The NDRA And NASCAR. Part of the army was composed of mercenaries, while another part was recruited by conscription (Sayce, 1899). Almost every male citizen had to bear arms. Only the essential services of bankers, carpenters, merchants and metal workers could, under special favour of the government expect to be occasionally made exempt from military service (Trueman, 1964). Love. The army was directly commanded by the King, or at times, his commander-in-chief, the MDR Tuberculosis in Prevention, Tartannu (Sayce, 1899). The main force of the army consisted of light and heavily armoured infantry.

Both units were equipped with bows, pikes and swords. The army also contained a mobile contingent of cavalry that featured mounted archers and lancers. Slingers, archers on foot and chariots driven by three-man crews were further components of the main army. Also attached to the army were units of the King?s staff officers, intelligence personnel, interpreters and scribes. Engineers accompanied the army to love build bridges, boats, rafts, roads, and to construct ramps for MDR Tuberculosis in Georgia: Problem in Prevention Essay, use during a siege.

Breasted (1944) states Assyrian forces were the first large armies to be extensively equipped with iron weapons. Assyrians were especially skilled in besieging cities, using battering rams to break down enemy walls. Siege towers on wheels were further used to pummel enemy cities. Love. During its military campaigns, the Assyrians had an effective transport and supply system in place to provide for its army. The Assyrian commissariat carefully calculated everything from daily rations for its troops to the hay and straw needed to On the Weisenthal feed its horses.

While captured enemy supplies were often used to feed the shakespeare's love sonnets, troops during military forays, the Assyrians also proved to be adept military planners to ensure that its army was well provisioned if such supplies were not available. A powerful army allowed the Assyrians to control the trade routes that ran from Iran and beyond to the west. Trueman (1964) states that because of am statements in john, Assyria?s strategic position on the Fertile Crescent, only constant warfare or an empire prepared for war could maintain these east-west trade highways. Under the reign of Asasnirai II, a system of fortified posts was constructed to protect these trade routes. This practice was continued through the New-Assyrian era.

Much of the military and administration efficiency of the Assyrian army rested upon a strong communication and intelligence system. Shakespeare's Love Sonnets. After a revolt was put down, a garrison of Assyrian troops was maintained in the area. These troops were not only expected to and NASCAR Essay maintain the status quo, but also to report on the possibility of any further anti-Assyrian activity. Shakespeare's Sonnets. Intelligence reports of any suspected activity were passed back to the capital for evaluation. If these reports indicated an MDR Tuberculosis in Georgia: and Control Essay impending attack of more significant numbers than these outposts could handle, then a larger more powerful Assyrian force would be sent to address the problem. Once a revolt was put down, Assyrian justice would be quick, punitive and severe. Under Tiglath III, the sonnets, Assyrian practice of deporting rebellious people to 7 i in john other parts of the Empire was begun.

This continue to be an shakespeare's important Assyrian practice as a means of On the and Limits of Forgiveness,, breaking up any patriotic feeling among conquered people that might pose a further threat to Assyrian security (Sayce, 1899). Leading craftsmen and their families were often carried off to the leading cities of Assyria where they were employed in beautifying the royal palaces. Other deported people were forced to shakespeare's sonnets work on government projects or conscripted into the army. Slave labour, therefore, became an important part of maintaining and enhancing the state?s infrastructure. Another important tool of the Assyrian military was its use of virginia needs, psychological warfare. Much has been written about the ruthlessness of the Assyrian army. Villages were frequently burned, rebel leaders flayed alive and their skins nailed up as an example to others who might harbour similar thoughts of rebellion. Assyrian chroniclers delighted in describing the treatment handed out to the King?s enemies: ?I slew one of every two. I built a wall before. the great gates of the cities; I flayed the chief. men of the rebels, and I covered the shakespeare's sonnets, wall with. their skins.

Some of them were enclosed alive. within the bricks of the wall; I caused a great. Virginia Henderson 14 Basic Needs. multitude of them to be flayed in my presence, and I covered the love, walls with their skins.? (Trueman, 1964, p. 51) The employment of terrorism foe the purposes of propaganda had a profound effect on Problem in Prevention and Control Assyria?s enemies. In his victories over the main armies of the Urartu and Zikirtu, Sargon II stated that the very fear of Assyria?s army caused his enemies? soldiers to fight like dead men (Saggs, 1965). Shakespeare's Love Sonnets. Sayce (1899) writes that the The NDRA Essay, Assyrians taught the world not only how to build an empire, but also how to administer it. Attached to the King was his chief advisor called the Rab-saki and his department heads known as Rab-saris.

The Assyrians organized their empire into provinces, ruled by a governor who was appointed by the King. By messengers, governors were expected to send frequent and detailed reports to the capital. In the sonnets, interests of efficient administration, each province was subdivided into smaller areas under the control of lesser officials, but who had the how to and fit, right to lodge complaints or make representation directly to the King (Saggs, 1962). In the love sonnets, buffer states beyond the main Assyrian provinces, the King often appointed a vassal ruler from the local royal family. In exchange for an oath of gods, allegiance, the payment of a tribute and the acceptance of Assyria directing their foreign policy, these vassals were guaranteed the love, protection of the virginia henderson, Assyrian Empire (Saggs, 1962). To further ensure their allegiance, the shakespeare's love, sons of these foreign vassals were often held as hostages in the capital at the King?s Court. Olmstead (1923) states that for the first time in history, conquered states came to be organized into how to and fit, effective administrative units.

Appointed Assyrian officials closely watched the rule of provincial governors and vassals. This system of sonnets, appointing officials to monitor Assyrian interests at the Court ensured the loyalty, honesty and diligence of these rulers. These ?watch dogs? were in close communication with the capital. Ruling governors or vassals acted only on gods definite and detailed orders from the Crown. The expectation of the Assyrian King in this matter is evident in Esarhaddon?s message to the vassal ruler of Tyre: ?You shall not open a letter I send you. without the Qipu-official. If the Qipu-official. is not at hand, you shall await him and. Sonnets. (Saggs, 1965, p. 118) If they failed to act in the best interests of the Assyrian government, provincial governors or vassal rulers were always subject to immediate recall or punishment. Such a system ensured very tight control of the internal affairs of the Empire by the central government at the capital (Saggs, 1965). The booty obtained from Assyria?s military campaigns was used to glorify its cities and minimize the expenses of its wars. Am Statements In John. However, an efficient tax system was also implemented by the Assyrians to finance its Empire.

The collection of love, taxes was the responsibility of the rab alani, or town chief. A scribe serving as a tax inspector was also appointed by virginia henderson, the King to assist and monitor the shakespeare's, rab alani in these duties. A record was kept to assist in the collection of Essay, taxes. Shakespeare's Sonnets. Besides direct taxation, there were also indirect taxes (Sayce, 1899). An octroi duty was charged on all cattle, sheep, horses and goods that that entered a town. Tolls were also charged on ships anchored in Assyrian quays and exacted from those who used the bridges that spanned the Euphrates River (Sayce, 1899). Detailed records were kept on the annual condition of crops, so the in john, amount of grain due as tax could be calculated.

Once this taxed grain was collected, it was either stored for use by the Assyrian army or forwarded to Assyria?s central cities. To increase grain production and ultimately tax revenues, irrigation was used by love, damming some of the streams. Breatsed (1944) states that the Assyrian government further regulated the social and business life of its people with a code of laws. These laws allowed the government to control everything from marriage to property rights. It was further the responsibility of the rab alani to maintain the military and political stability of The Sunflower: Possibilities Weisenthal, his/her area. As was the case with the governor?s other subordinate officials, the rab alani was in constant contact with not only the governor, but also the capital. To facilitate an love effective line of communication with the King, a good road system was constructed to link the by Simon, capital with its outlying areas, towns and provincial capitals. Breasted (1944) states this was the earliest known example of an effective road building system in Asia.

Permanent posts were maintained along these roads that kept horses and mules in shakespeare's love readiness to carry dispatches to in john and from the capital (Saggs, 1962). Shakespeare's Sonnets. These messengers related to the King all of the important on The NDRA Essay goings in the land. The Assyrian Empire?s military machine and love, infrastructure became a paradigm for other great empires that followed. Olmstead (1923) states that whether we admire imperialism or not ?it is simple fact that modern empires owe their government of dependencies to Assyria? (p. 650). Olmstead (1923) suggests that the Persians, Romans and the Greeks modeled much of their empires after the Assyrians. The Persians and Romans, for example, turned their occupied lands into provinces under the rule of governors. Like the Assyrians, the Persians and Romans built excellent roads to keep in touch with their empires.

Both Persians and Assyrians used posting stages (Saggs, 1962), across their empires so messages could be rapidly passed between the King and his governors. Persian kings also appointed riyal inspectors to monitor the gods in the iliad, rule of shakespeare's, its governors. Unlike the Assyrians, the Romans did not employ such a system of supervision and MDR Tuberculosis in Georgia: Problem Essay, consequently many of these governors often turned to graft and greed. With respect to their treatment of love sonnets, defeated foes, Olmstead (1923) states that the The NDRA and NASCAR, Assyrians were arguably no worse than any other conquerors. Shakespeare's. Olmstead writes, ?where the Assyrians impaled, the and NASCAR, Romans crucified? (p. 646).

While much has made of Assyrian cruelty, it has been estimated Caesar?s conquest destroyed one million lives (Olmstead, 1923). In conclusion, the power of the Neo-Assyrian Empire was largely built on love sonnets the back of its army. It was a military state that operated an effective and efficient administration system that allowed it to maintain and virginia, expand its empire. Its civil administration and military science became a future model for some of history?s greatest empires (Saggs, 1962).

The Sonnets of William Shakespeare - Love Poems

Shakespeare's love sonnets

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The Sonnets of William Shakespeare - Love Poems

mary white essay By Kathleen J. Canavan. In reading the incredibly moving text of The Sovereignty and Goodness of God , a detailed narrative of Mary Rowlandson's eleven week captivity among Narragansett Indians, one cannot help but become aware of the presence of two distinct and alternating narrative voices throughout the body of the text. In fact, numerous scholars have taken pause to shakespeare's love, make note of and NASCAR this undeniable shift in voice within their critical reflections of sonnets Rowlandson's narrative. MDR Tuberculosis Problem In Prevention And Control? David Minter describes a curious and double present-mindedness that exists in the text, explaining that on one hand Rowlandson is attempting to use her experience as a lesson for shakespeare's love sonnets those who walk a troubled path away from salvation, while on the other hand she is using the act of writing about her experience to mark her own place as one of the Elect declared in how to be healthy and fit, a long line of Puritan conversion narratives.1 Kathryn Zabelle Derounian discusses an empirical and rhetorical narration within the shakespeare's, text-empirical defining the author's role as participant and rhetorical defining Rowlandson's role as interpreter and commentator. The split in Rowlandson's narrative between the participant and the commentator voices is very clear, Zabelle Derounian states.2 These two voices, Zabelle Derounian further argues, are a result of gods iliad Rowlandson having suffered from shakespeare's love a mental disorder today known as survivor syndrome where she tries to gods in the, reconcile her feelings of guilt over having survived the Indian attack on Lancaster and her subsequent captivity with her obligation to shakespeare's, paint her experience in the hues of providential affliction.3 Furthermore, David Downing notes that:

The combative nature of these two voices creates a very clear and uneasy tension that permeates Rowlandson's captivity narrative. For example, throughout most of the text, Rowlandson is cast as the how to be healthy and fit, Christian woman lost in the unknown wilderness among a savage people and wholly unsure of her surroundings. At one point of the shakespeare's love, narrative, Rowlandson recounts her multiple experiences of sitting in her captors' wigwams at different times throughout her captivity and completely forgetting where she is before jumping up and running outside: . when I was without, and saw nothing but Wilderness and in Prevention and Control Essay, Woods, and a company of barbarous Heathen; my mind quickly returned to shakespeare's love sonnets, me, which made me think of that spoken concerning Sampson , who said, I will go out and shake myself as at other times, but he wist not that the Lord was departed from him. 7 At yet another point in the text, Rowlandson states, My son being now about a mile from am statements me. Love Sonnets? away I went; but quickly lost myself travelling over Hills and through Swamps, and could not find my way to him.8 However, despite these allusions to virginia, being lost in the wilderness, Rowlandson in reality seems always to know her geographic location throughout the course of her captivity. At one point in the Third Remove, Rowlandson writes, This day in the afternoon, about an hour by the Sun, we came to the place where they intended, viz. an Indian town called Wenimesset, Northward of Quabaug.9 Later in the remove, we learn Rowlandson is near thirty miles from any English Town.10 Still further into the text, Rowlandson notes, We were at this place and shakespeare's love sonnets, time about how to be healthy two miles from the Connecticut river.11 In fact, when Rowlandson loses her way when going to visit her son, who also is being held captive by shakespeare's love, another group of Indians, she appears to have no trouble finding her way back to her own camp in order to then have someone show her the how to be healthy and fit, way to her son's residence. In addition to apparently knowing where she is on any given day, Rowlandson also seems capable of keeping track of which day it is.

At several points throughout the narrative, she makes note of her captors' activities on the Sabbath. It wouldn't seem unlikely that a person held hostage in a completely alien environment for nearly three months could easily lose track of the love sonnets, days of the week; however, that doesn't seem to iliad, be a problem Rowlandson suffered. Shakespeare's Love? Instead of presenting her as the poor soul who has lost her way, these assertions of place and time instead cast Rowlandson in a decidedly resourceful light by how to, showing us a woman capable of orienting herself spatially and temporally. Another point of disjunction between the two voices at work in the narrative revolve around the use of scripture in the text. Rowlandson would appear to love sonnets, be the very figure of piety in The Sunflower: Possibilities Weisenthal, sections where scripture is quoted and she is cast as the pilgrim who, but for shakespeare's love sonnets the grace of God, would long ago have perished without His word to guide her.

In a passage representative of other scripture citations throughout the text, Rowlandson states: Then I took oaken leaves and how to be healthy and fit, laid to my side, and with the shakespeare's love sonnets, blessing of God it cured me also; yet before the cure was wrought, I may say as it is in Psal. xxxviii. 5, 6, My wounds stink and are corrupt, I am troubled, I am bowed down greatly, I go mourning all the day long. 12 Here, God is attributed with curing Rowlandson of her injury rather than the oak leaves, which evidently posses some sort of medicinal property. Even more so, God is MDR Tuberculosis Problem attributed with the cure rather the captive who tells Rowlandson that oak leaves cured his wound, or even rather than Rowlandson herself who has the mental wherewithal to shakespeare's, use the leaves on herself despite being consumed by concern for the health of her wounded child. In effect, God is responsible for everything, and scripture serves as a reminder for Rowlandson that her fate is in His hands.

Everywhere there are evidences of God's providence for iliad His chosen, who need only sonnets, wait patiently and suffer nobly to virginia needs, receive deliverance. However, when contrasted against passages of the narrative where Rowlandson barters her services for food and money and actively navigates through her captors' society, we get the image of a woman quite self-reliant and capable of surviving hardships in her own right. For instance, Mary makes a shirt for King Philip's son, for which she is paid one shilling.13 At another point, not only does she make a shirt for an Indian but she also harasses him until he makes proper restitution for her labor with the love, payment of a knife.14. While conflicts in voice are readily apparent throughout the text and many scholars seem quite comfortable highlighting the dueling voices that characterize Rowlandson's narrative, very few seem to question the source of in Georgia: and Control Essay these competing voices. There appears to be an implicit acceptance among those same scholars that the shakespeare's, two voices are Rowlandson's own. Nearly a third of and NASCAR all Rowlandson's references are from Psalms, as apparently she found (emphasis mine) in the Psalmist the most eloquent spokesman of shakespeare's love her personal grief and despair. Downing notes, and in so doing grants Rowlandson authority over selection of scripture in her text.15 This despite the fact Downing comments on 14 basic needs, the shift in narrative voice when scriptures are mentioned in the text. Likewise, Zabelle Derounian states, Throughout, Rowlandson's narrative contains references revealing its author's depression and emotional bleakness, but frequently Rowlandson masks these signs with outward spiritual interpretations.16 Again, Rowlandson is assumed to be the sole narrative voice at work in the text, despite an acknowledged dichotomy between the voice telling the narrative details and the voice interpreting them.17.

When viewed in light of the love sonnets, significant historical data that suggest Puritan minister Increase Mather may have played a substantial role in editing and The Sunflower: On the by Simon Weisenthal, shaping Rowlandson's text before it went to press, however, it becomes more problematic to make critical interpretations of the narrative without accounting for love the potential of Mather's voice being one of the two.18 In fact, there is Problem and Control Essay little doubt among historians and literary theorists that Increase Mather is the anonymous author of the preface to shakespeare's sonnets, the reader that introduces and provides testimony for Rowlandson's text. At the very least, the historical data raise enough red flags that should lead the discerning reader to view the narrative as an amalgamation of authorial control between Mather and Rowlandson, if not indeed a reflection of two separate voices representative of 7 i am statements two separate writers. What's more, in light of the shakespeare's, severe limitations placed on women's public speech and writing at the time, it seems questionable to think that a written work as powerful as Rowlandson's narrative would have been offered up for public consumption without first being strained through the The Sunflower: On the by Simon, filter of the Puritan ministry. An examination of the historical clues certainly indicate that, if nothing else, the publication of Rowlandson's narrative most definitely would have been of shakespeare's love sonnets significant interest to Mather. One of the leading second-generation Puritan ministers in New England, Mather strongly believed King Philip's War was a divine punishment meted out by God in response to the waning religious devotion of next-generation Puritans and their increasing attention to material gain.19 Mather was particularly interested in the overall significance of Indian/English relations as they pertained-in his eyes-to God's dispensations to his chosen people, and he very vigorously worked the image of the redeemed captive as a metaphor for the entire Puritan community.20 Mather had a great deal to gain from the wide-spread distribution of Rowlandson's tale of captivity and deliverance. At the time of King Philip's War, Mather was emerging as a powerful theological and political leader in New England, jockeying for the position as king of the city on the hill with William Hubbard.21 For the two ministers, the war presented numerous opportunities for conflict over how best to bring it to a successful close.22 Unlike Mather, Hubbard did not think that the war was some kind of Armageddon. In fact, Hubbard felt that those who accepted unreservedly that the war was the manifestation of God's anger with the be healthy, Puritans and that nothing could be done were shirking their responsibility as leaders of New England.23 With this rivalry in mind, Nelsen notes that Mather hurried to write and publish his Brief History of the Warr With the Indians in New-England (in which Mather includes an account of Mary Rowlandson's captivity and release) before Hubbard could publish his own history, implying that the race was on to be the shakespeare's sonnets, first to provide the besieged Puritans with a theoretical framework within which to understand the am statements, war. For Mather, the shakespeare's love, events of the war had to be read comprehensively, for their significance would have bearing on matters ranging from the microscopic polity of the The NDRA and NASCAR Essay, family to the organization of the cosmos under God.24 Slotkin and shakespeare's sonnets, Folsom further contend that through the am statements in john, work of shakespeare's sonnets writing his Brief History and then later a second history of the war, A Relation of the Troubles Which Have Hapened in New-England , Mather was attempting to create a new mythology of Indian-Puritan relations, which cast the Indians as a symbol of punishment for henderson needs the Puritans' failure to adhere to orthodox doctrine. The story of love sonnets Mary Rowlandson fit in very nicely with this new mythology. She was a minister's wife who, despite her already obviously close connection to God, was called upon to suffer terrible hardship by His hand and comes truly to know Him. What better example could possibly exist to show New England Puritans the consequence of their folly and the way to by Simon, true salvation?

Mitchell Breitwieser observes: The problems of voice that mark Rowlandson's narrative have parallels within the body of shakespeare's love sonnets literature on slave narratives and collaborative women's autobiography, and virginia henderson needs, this scholarship provides a theoretical framework within which to consider The Sovereignty and Goodness of God . In his discussion of narration, authentication and authorial control in slave narratives, Robert B. Stepto contends that the narratives are full of other voices which are frequently just as responsible for articulating a narrative's tale and strategy.30 Stepto goes on to explain most of these voices appear in shakespeare's sonnets, the form of introductions and appendices attached to virginia henderson 14 basic, slave narratives that vouched for the legitimacy and authenticity of the written narrative, as well as the existence and reliability of the former slave who wrote the text. Stepto states: When looking at Rowlandson's narrative, the validating techniques used in sonnets, slave narratives are identical to those at play in her text. An anonymous introduction most likely written by Increase Mather accompanied Rowlandson's tale when it was first published in 1682. How To? The introduction is an entreaty to the reader to pay close heed to love, the terrible events visited upon this Handmaiden of God so that he or she might learn from her experience. However, and more importantly, the introduction also serves as validation for the story being told in the first place.

After Anne Hutchinson very publicly claimed numerous Puritan ministers relied too heavily on a doctrine of good works in assessing experiences of grace among church members and declared that God had revealed to how to be healthy and fit, her the assurance of shakespeare's sonnets her own salvation, most Puritan women were denied the freedom to MDR Tuberculosis in Georgia: Problem in Prevention, speak publicly in any capacity.32 In order for Rowlandson to relate her story and love sonnets, be acknowledged by the desired Puritan readership, her act of public speaking had to be made palatable. Through the work of 14 basic his introduction, Mather sets forth to accomplish that task by straightforwardly telling the reader that they should not be repelled by love sonnets, Rowlandson's act of writing, but should instead be inspired. Mather further asserts that Rowlandson is a true and The NDRA and NASCAR Essay, pious Christian woman who would never seek the limelight for herself, but recounts her story at shakespeare's love sonnets, the insistence of henderson needs her friends and for the benefit of the Puritan community: This Narrative was Penned by this Gentlewoman her self, to shakespeare's sonnets, be to her a Memorandum of God's dealing with her, that she might never forget, but remember the same, and the several circumstances thereof, all the daies of her life. A pious scope, which deserves both commendation and imitation. 33 Furthermore, Mather tells the reader that if after reading the narrative they are unable to gods, ascertain the importance of Rowlandson's tale, it is they who should be ashamed for failing to grasp the truth of God's word rather than Rowlandson for speaking it.34 The entire effect, of course, is to suggest that in this particular instance, Rowlandson is justified in publishing her account because it is such a remarkable example of God's providence that to not publish, to not grant Rowlandson her voice, would be the greater sin. To bestow even more validity upon Rowlandson's act of public expression, the first edition of The Sovereignty and Goodness of love God was published with the The Sunflower: On the Possibilities of Forgiveness,, last sermon of Joseph Rowlandson (Mary's first husband).

It was a common practice in shakespeare's, New England at the time to The NDRA and NASCAR, posthumously publish the last sermon of well-known ministers.35 So to further dilute the impact of a woman writing, this convention is utilized to present Rowlandson's narrative in sonnets, a more favorable light. Salisbury describes Joseph's sermon as a typical jeremiad that chastised New Englanders for faltering spirituality. In addition, Salisbury calls the sermon a long theological footnote to the narrative that reflected similar themes of punishment and On the by Simon, redemption advocated in the narrative.36 What is strangely interesting about Joseph Rowlandson's text being attached to his wife's text is that had it not been for Mary Rowlandson's narrative, Joseph's sermon probably never would have been published on its own because, in fact, his fame derived from his wife's.37 However, the fact that Rowlandson's narrative had to be published with Mather's introduction and her husband's sermon indicates the love, text could not stand on its own in the eyes of Puritan society. Rowlandson's own unadulterated voice was wholly unacceptable and unrecognizable for the time; it simply was not allowed to be. In much the same way as the The Sunflower: of Forgiveness, Weisenthal, slave narratives described by sonnets, Stepto, Mary Rowlandson's voice could only be heard in conjunction with the supporting voices of Mather and her husband. Highlighting a similar point of collective narrative voice and authorial control, Carole Boyce Davies states in her discussion of writing women's oral autobiography that editorial involvement cannot be dismissed when considering the authenticity of a literary voice. Once the editorial process is closely scrutinized, Davies writes, it reveals how the editor becomes a co-maker of the text. The phrases 'I edited,' 'I arranged,' and 'selected' camouflage a whole host of detailed ordering and creating operations.38 Although Davies is making her point in the context of a female editor who records or transcribes another woman's story and then writes the narrative herself, the point of the editor functioning as a co-maker of narrative voice applies equally well to a situation such as Rowlandson's where the protagonist (most likely) writes her own story, but is later edited by another person before publication.

Through the very acts of deleting or adding or rearranging or polishing an On the of Forgiveness, by Simon Weisenthal author's original text, the editor necessarily introduces his or her own sensibility and voice to the finished piece. At that point of intervention, Davies explains, the narrative ceases to present an autobiographical I, but rather reflects an autobiographical we.39 As with the slave narratives, giving voice to these silenced or disenfranchised women can only shakespeare's love, be accomplished through external mediation and manipulation that validates their life experience and consequently requires that the pure I be relinquished. Am Statements? In her discussion of the cultural significance of the captivity figure to Puritan society, Tara Fitzpatrick includes as a matter of course the assumption that Puritan captivity narratives included the love sonnets, voice of the former captive and their sponsoring minister: By explicating the relations between the dual, sometimes dueling textual voices of the captives and their ministerial sponsors, we find that Puritan women's captivity sagas generally relied on two narrators: the redeemed captives themselves and the ministers who propagated the captives' histories for didactic purposes of their own.40. Fitzpatrick additionally contends there is nothing accidental about the formulation of the henderson, Puritan captivity narrative. Captivity narratives, properly edited and prefaced, would instruct prospective settlers about the horrors they might encounter as punishment for their restlessness and love, inconstancy, she states.41. Several clues point to in the, Mather's voice constituting part of the narrative we that exists in The Sovereignty and Goodness of God . In his discussion of Mary Rowlandson's use of scripture in her narrative, Downing acknowledges that the practice of incorporating biblical references was commonplace among Puritan writing. What is odd about Rowlandson's use though, he explains, is her heavy reliance upon Old Testament verse. Of her numerous Biblical references, fewer than one tenth are from the New Testament; in fact, the name of shakespeare's Jesus Christ is never directly mentioned in in Prevention, her account, Downing observes, further stating that this peculiar paucity of New Testament references is due primarily to shakespeare's sonnets, the conscious identification of the New England Puritans with the virginia, Old Testament Hebrews.42 Specific instances of this occur when comparisons are made between Rowlandson's experiences and Job. For instance, when Rowlandson recounts snatching a piece of boiled horse's foot from a starving English child also being held captive, which she hurriedly consumes and calls savory, the narrative says of the meat: That I may say as Job, chap. vi. 7. Shakespeare's? The things that my Soul refused to touch are as my sorrowful meat .43 Slotkin and 7 i am statements, Folsom explain that Mather relied significantly upon Old Testament history and philosophy in shakespeare's sonnets, the formulation of his typological historiography because:

I would contend the heavy use of Old Testament scripture in the Rowlandson narrative is indicative of Mather's influence on On the Possibilities of Forgiveness, by Simon, the text and an attempt on his part to love sonnets, fashion Rowlandson's experience as divine verification of MDR Tuberculosis Problem in Prevention Essay his own ideology at the time. Further evidence of love sonnets some startling theoretical similarities between Rowlandson's text and Mather's ideological tenets can be found in gods, Slotkin and Folsom's assertion that the captivity narrative and Mather's mythology of suffering and redemption are built on the same mythic pattern.45 Specifically, they note, the sonnets, progress of On the Possibilities of Forgiveness, by Simon Rowlandson's tale and shakespeare's love sonnets, Mather's mythology revolve around the 7 i am statements, interaction between sovereign God and the individual soul, the shakespeare's love sonnets, association of the outer Indian with 'Indian' traits of spirit in the Christian, the in the, salvationary exorcism of both Indians by means of providential rescue, and the final renewing of the covenant between individual and God, citizen and society.46 Of course, the entire narrative is a dialogue on the interaction between sovereign God and individual soul; however, specific instances of that interaction are revealed through the use of love sonnets scripture, which provides a divine explanation for individual moments of suffering for Rowlandson. The scripture readings constitute God's contribution to how to be healthy, the ongoing conversation between He and Rowlandson in the narrative. Rowlandson may have a tough path to walk, but ultimately God is shakespeare's love telling her it's all for a greater good: For a small moment have I forsaken thee; but with great mercies will I gather thee .47 Additional reflections of the mythic pattern, occur when Mary seems to become Indian- or savage-like at various times during her captivity, as with the incident of taking food from a child or when in the Twelfth Remove she actually uses an Indian word, Nux , when relating if she will be sold back to her husband.48 Then upon Rowlandson's release, we learn she had the gods in the iliad, opportunity to escape her captors at some point earlier in her captivity when an Indian couple offered to help her run away and that she refused them, choosing to stay put and let God choose when she was fully redeemed and ready to be released: Her complete supplication to shakespeare's sonnets, God is what saves her in the end. Mather's handiwork in in Georgia: in Prevention and Control Essay, the Rowlandson text also is evident in the ordering of shakespeare's love events in The NDRA and NASCAR Essay, the narrative. Douglas Edward Leach notes that upon love sonnets a close reading of The Sovereignty and Goodness of God , the in Georgia: in Prevention and Control Essay, perceptive reader is struck by the organizational confusion of the shakespeare's, story. Rowlandson is often vague in defining periods of time, geographical locations, and sequence of events, Leach writes.50 As mentioned above, this ambiguity of the whens in Rowlandson's narrative is and NASCAR Essay particularly disconcerting when contrasted against her apparent ability to state with a great degree of shakespeare's sonnets confidence what day of the week certain events occurred or where in the wilderness she is located.

However, when considering that Mather readily reordered the events of King Philip's War in his own histories so that they closely followed his interpretation of God's judgment and 7 i, punishment, it does not seem unreasonable to shakespeare's love, assume Mather did the same when editing Rowlandson's narrative so that her experience would mirror the rhetoric he was preaching at the time.51 This distortion, Slotkin and Folsom write, of in john course suits Mather's intention, which is to restore a religious world view, a God-centered consciousness of historical process, and a sense of man's powerlessness and absolute dependence on the will of an almighty God.52. With these examples of close mirroring between Rowlandson's narrative and Mather's philosophy, it seems somewhat far-fetched to attribute the occurrence of such parallels to mere coincidence. Love? What these similarities strongly suggest is an intentionality of purpose on the part of Increase Mather to henderson needs, align Mary Rowlandson and her experience with his concept of struggle and redemption. Shakespeare's Love Sonnets? While it is not my intention to propose that Mary Rowlandson's voice is nonexistent in the narrative, I do believe it has been significantly muted by Mather for the benefit of his own agenda. Of course, this intrusion of gods in the iliad Mather's voice into Rowlandson's narrative presents some substantial problems for sonnets numerous past critical interpretations of The Sovereignty and Goodness of virginia henderson needs God that take for granted Rowlandson's voice as pure within the body of the text. Shakespeare's Love? The failure to account for more than one distinct voice in 7 i am statements in john, the narrative invalidates many scholarly readings of the text. Sonnets? For example, Downing writes, By admitting her spiritual complacency and recognizing the need for repentance, Rowlandson re-enacts her conversion experience.53 However, once we introduce the specter of Mather's manipulation, it becomes nearly impossible to know whether or not Rowlandson strives to re-enact her conversion experience, which implies an act of personal self-reflection, or whether Mather strives to simply cast Rowlandson as empathetic protagonist.

Similarly, in her discussion of the place of the woman subject in Rowlandson's narrative, Lisa Logan asserts, Rowlandson's narrative expresses her ambivalence about those representations of women and their experience which are available to her.54 This becomes an incredibly problematic statement to make, let alone prove, when so much ambiguity surrounds who expresses what in the body of the text. The presence of this uncertainty throws a very large wrench into the mechanics of any argument that relies on an untainted intellectual blackboard for Mary Rowlandson to write upon. Even Zabelle Derounian's argument that Rowlandson suffered from survivor syndrome becomes suspect in how to be healthy and fit, light of the duality of voice at play in shakespeare's, the text. While the certainty of the in Georgia: Problem in Prevention and Control Essay, authenticity of sonnets Mary Rowlandson's own voice within the narrative should be viewed with considerable caution, it does not detract from the iliad, text's ability to wield considerable emotional power over the reader. In fact, an acknowledgment of the duality of voice in the text makes the task of shakespeare's interpretation more interesting than it would be with the assumption of just one voice. Buried beneath the surface of the story told on the page lies another compelling tale of human conflict and struggle and MDR Tuberculosis in Georgia: in Prevention Essay, domination and submission. As with her captivity and love, release, Mary Rowlandson must subvert herself for the sake of finding her place among history's chosen this time. Her salvation in print is as dependent on The NDRA and NASCAR, the will of an shakespeare's sonnets external being as the salvation of her soul is dependent on God.

To attribute autonomy to MDR Tuberculosis in Georgia: Essay, Rowlandson's voice in the narrative ultimately does a disservice to her because it pulls a veil across the face of her life and the controlling forces-husband, church and Mather-that most likely defined that life. The Sovereignty and shakespeare's love sonnets, Goodness of God should not be read as a testament to the saving power of Problem and Control Grace or a celebration of the human spirit in the face of hardship but as a commentary on the societal bonds that held Mary Rowlandson captive, even after her release. 1 David Minter, By Dens of Lions: Notes on sonnets, Stylization in Early Puritan Captivity Narratives, American Literature 45 (1973-74): 341. 2 Kathryn Zabelle Derounian, Puritan Orthodoxy and the 'Survivor Syndrome' in Mary Rowlandson's Indian Captivity Narrative, Early American Literature 22 (1987): 82. 3 Zabelle Derounian, 83. 4 David Downing, 'Streams of Scripture Comfort': Mary Rowlandson's Typological Use of the Bible, Early American Literature 15 (1980-81): 252. 6 Deborah J. Dietrich, Mary Rowlandson's Great Declension, Women's Studies 24:5 (1995): 427. 7 Unless otherwise stated, references to Mary Rowlandson's narrative pertain to the version published in Colonial American Travel Narratives, which is based on the London edition of 1682. Virginia 14 Basic? Wendy Martin, ed., A True History of the Captivity of Mrs. Mary Rowlandson, Colonial American Travel Narratives.

New York: Penguin Books, 1994, 27. 8 Rowlandson, 23. 9 Rowlandson, 14. Sonnets? This same passage, incidently, also lets us know that, in addition to being able to virginia 14 basic needs, chart her geographic loaction, Rowlandson knew how to keep time during the day by observing the shakespeare's love, sun's position in the sky. 10 Rowlandson, 17. 11 Rowlandson, 26. 12 Rowlandson, 14. 13 Rowlandson, 22. 14 Rowlandson, 23.

16 Zabelle Derounian, 86. 17 Zabelle Derounian, 82. 18 Kathryn Zabelle Derounian provides compelling evidence of Increase Mather's probable involvement with the production and publication of Mary Rowlandson's captivity narrative in The Publication, Promotion, and Distribution of Mary Rowlandson's Indian Captivity Narrative in the Seventeenth Century. Kathryn Zabelle Derounian, The Publication, Promotion, and Distriubtion of Mary Rowlandson's Indian Captivity Narrative in the Seventeenth Century, Early American Literature 23:3 (1988): 239-261. 19 Richard Slotkin and The Sunflower: of Forgiveness,, James K. Folsom, eds., So Dreadful a Judgment: Puritan Responses to King Philip's War, 1676-1677. Middletown: Wesleyan University Press, 1978, 57. 20 Mason I. Shakespeare's? Lowance, Jr., Increase Mather.

New York: Twayne Publishers, 1974, 43-44. 21 Anne Kusener Nelsen presents a fascinating portrait of the rivalry between Mather and Hubbard that was played out against the backdrop of King Philip's War. Anne Kusener Nelson, King Philip's War and the Hubbard-Mather Rivalry, William and Mary Quarterly 27 (1970): 615-29. 24 Slotkin and Folsom, 57. 25 Mitchell Robert Breitwieser, American Puritanism and the Defense of be healthy Mourning: Religion, Grief, and Ethnology in Mary White Rowlandson's Captivity Narrative.

Madison: University of Wisconsin Press, 1990. 7-8. 26 Joanne Gaudio presents an shakespeare's interesting analysis of Mather's negotiation between alternating personas as minister and politician. Joanne M. Gaudio, 'So many parts of myselfe': Increase Mather, Minister or Politician? CEA Critic 57 (1994): 67-76. 27 Slotkin and Folsom, 303. 28 Neal Salisbury, ed., The Sovereignty and Goodness of God by Mary Rowlandson with Related Documents. Boston: Bedford Books, 1997.

44. 29 Zabelle Derounian, Publication and Promotion 242. 30 Robert B. Stepto, I Rose and Found My Voice: Narration, Authentication, and Authorial Control in in the, Four Slave Narratives, Within the Circle: An Anthology of love African American Literary Criticism from the Harlem Renaissance to the Present, ed. The NDRA And NASCAR Essay? Angelyn Mitchell, (Durham: Duke University Press, 1994) 256. 33 Rowlandson, 7. 34 Rowlandson, 9. 35 Salisbury, 45. 36 Salisbury, 45. 37 Salisbury, 45. 38 Carole Boyce Davies, Collaboration and the Ordering Imperative in Life Story Production, De/Colonizing the Subject: The Politics of shakespeare's Gender in Women's Autobiography, eds.

Sidonie Smith and Julia Watson, (Minneapolis: University of how to be healthy Minnesota Press, 1992) 12. 40 Tara Fitzpatrick, The Figure of Captivity: The Cultural Work of the Puritan Captivity Narrative, American Literary History 3:1 (1991) 2. 41 Fitzpatrick, 13. 43 Rowlandson, 33. 44 Slotkin and Folsom, 58. 45 Slotkin and Folsom, 74. 46 Slotkin and Folsom, 74. 47 Rowlandson, 29. 48 Rowlandson, 25.

49 Rowlandson, 43. 50 Douglas Edward Leach attempts to accurately delineate the timeline of events during Mary Rowlandson's captivity by comparing her recollections with historic knowledge of King Philip's War. Sonnets? Douglas Edward Leach, The 'Whens' of Mary Rowlandson's Captivity, New England Quarterly 34 (1961): 353. 51 In So Dreadful a Judgment Slotkin and Folsom discuss in detail Mather's penchant for in the tweaking the order of love events of King Philip's War in in the iliad, his written histories of the conflict so that it would follow the mythology he created on Indian/Puritan relations. Sel. 60-70. 52 Slotkin and Folsom, 67. 54 Lisa Logan, Mary Rowlandson's Captivity and the 'Place' of the Woman Subject, Early American Literature 28 (1993): 274. 1. Breitwieser, Mitchell Robert. Love? American Puritanism and the Defense of Mourning: Religion, Grief, and Ethnology in Mary White Rowlandson's Captivity Narrative. MDR Tuberculosis In Prevention Essay? Madison: University of Wisconsin Press, 1990.

2. Davies, Carole Boyce. Collaboration and the Ordering Imperative in Life Story Production. De/Colonizing the Subject: The Politics of Gender in Women's Autobiography. Eds. Sonnets? Sidonie Smith and am statements in john, Julia Watson. Minneapolis: University of Minnesota Press, 1992. Sonnets? 3-19. 3. Dietrich, Deborah. Mary Rowlandson's Great Declension.

Women's Studies 24:5 (1995): 427-439. 4. Downing, David. 'Streams of iliad Scripture Comfort': Mary Rowlandson's Typological Use of the love sonnets, Bible. Early American Literature. 15 (1980-81): 252-259. 5. Fitzpatrick, Tara. The Figure of Captivity: The Cultural Work of the Puritan Captivity Narrative. American Literary History 3:1 (1991): 1-26. 6. Gaudio, Joanne M. 'So many parts of myselfe': Increase Mather, Minister or Politician? CEA Critic 57:1 (1994): 67-76. 7. Leach, Douglas Edward. The 'Whens' of Mary Rowlandson's Captivity.

New England Quarterly 34 (1961): 352-363. 8. Logan, Lisa. Mary Rowlandson's Captivity and the 'Place' of the Woman Subject. Early American Literature 28:3 (1993): 255-277. 9. Lowance, Jr., Mason I. Increase Mather. New York: Twayne Publishers, Inc., 1974. 10. Virginia? Minter, David L. By Dens of Lions: Notes on Stylization in Early Puritan Captivity Narratives.

American Literature 45 (1973): 335-347. 11. Shakespeare's Sonnets? Nelsen, Anne Kusener. King Philip's War and the Hubbard-Mather Rivalry. William and Mary Quarterly 27 (1970): 615-629. 12. The Sunflower: Of Forgiveness,? Rowlandson, Mary. A True History of the Captivity and Restoration of Mrs. Mary Rowlandson. Colonial American Travel Narratives. Ed.

Wendy Martin. New York: Penguin Books, 1994. 1-48. 13. Salisbury, Neal. Ed. The Sovereignty and Goodness of God by Mary Rowlandson with Related Documents. Shakespeare's Love? Boston: Bedford Books, 1997. 14. Slotkin, Richard and James K. Folsom.

Eds. So Dreadful a Judgment: Puritan Responses to King Philip's War, 1676-1677. Middletown: Wesleyan University Press, 1978. 15. MDR Tuberculosis In Georgia: In Prevention? Stepto, Robert B. Shakespeare's? I Rose and Found My Voice: Narration, Authentication, and MDR Tuberculosis in Prevention, Authorial Control in Four Slave Narratives. Within the Circle: An Anthology of shakespeare's love sonnets African American Literary Criticism from the Harlem Renaissance to the Present. Am Statements In John? Ed.

Angelyn Mitchell. Durham: Duke University Press, 1994. 256-281. 16. Zabelle Derounian, Kathryn. The Publication, Promotion, and Distribution of Mary Rowlandson's Indian Captivity Narrative in shakespeare's love sonnets, the Seventeenth Century.

Early American Literature 23:3 (1988): 239-261. 17. ---. Puritan Orthodoxy and the 'Survivor Syndrome' in Mary Rowlandson's Indian Captivity Narrative. Early American Literature 22 (1987): 82-93.

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5 Keys to End Your Speech with a Great Call-to-Action. The signature of a persuasive speech is a clear call-to-action. Yet many speakers miss a fantastic opportunity with a call-to-action that is wishy-washy, hypothetical, or ill-constructed. Shakespeare's Sonnets! Even worse, some speakers omit the call-to-action entirely. A poor call-to-action undermines the effectiveness of how to be healthy and fit, your speech; a great call-to-action stirs your audience to act enthusiastically. In this article, we reveal the qualities of a strong speech call-to-action which will lead your audience to act. A speech call-to-action is an explicit appeal to your audience to take a specific action following your speech. A call-to-action is most often made at the conclusion of a persuasive speech. “ If you have been persuasive and your audience is emotionally invested, the shakespeare's love best time for action is now. ” For example, you might call on your audience to#8230; #8230; adopt a new business process #8230; sponsor an event #8230; attend an event #8230; fund a research initiative #8230; register to vote #8230; join a club #8230; train for Possibilities and Limits of Forgiveness, Weisenthal a marathon #8230; read out loud to their children #8230; donate money to a charity #8230; travel to Saskatchewan #8230; buy a fire extinguisher #8230; eat more vegetables #8230; use public transit. Love Sonnets! Guidelines for a Strong Speech Call-to-Action.

Your call-to-action and how to be healthy and fit your approach to delivering it may vary according to your audience and your speaking style. While there is no rigid formula, there are a number of guidelines which will improve the effectiveness of your call-to-action. Make your call-to-action clear and direct. Have your audience act quickly. Lower barriers to action. Focus on shakespeare's benefits for in Georgia: Problem Essay your audience. Customize your call-to-action for each person. 1. Make your call-to-action clear and direct.

Don#8217;t hint. Don#8217;t imply. Don#8217;t suggest. It#8217;s not a whisper-to-think-about- action; it#8217;s a call-to -action. Use direct language, and sonnets eliminate wishy-washy phrases.

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For the how to be healthy personnel manager, the call-to-action is to delegate staff to love work on the initiative. 7 I Am Statements! For others, the call-to-action may be to attend in-depth training about the new process. Audience analysis is critical. If you know who is in your audience, and understand their motivations and capabilities, you will be able to personalize the call-to-action for them. By working on the planning and sonnets execution of the call-to-action in your speeches, you#8217;ll become a more persuasive and effective speaker. Look back to your last persuasive speech. Did you make a clear and direct call-to-action? Was your audience able to act quickly on Possibilities of Forgiveness, Weisenthal it?

Did you make an extra effort to lower barriers to action? Did you highlight the benefits for your audience? Did you address individuals rather than the group with a personal call-to-action? If the answer to shakespeare's any of the above questions was #8220;no#8221;, then how could your call-to-action have been improved? This is a great article.

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The Sonnets of William Shakespeare - Love Poems

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We may also use web beacons (small graphic images on virginia 14 basic, a web page or an HTML e-mail) to monitor interaction with our websites or e-mails. Web beacons are generally invisible because they are very small (only 1-by-1 pixel) and shakespeare's love sonnets, the same color as the background of the web page or e-mail message. Web Browsing Activity. When accessing our Website, We automatically collect certain information about Your computer and Your visit, such as your IP address, browser type, date and time, the needs web page You visited before visiting our Website, Your activities and purchases on shakespeare's, our Website, and The NDRA Essay, other analytical information associated with the Website. Information From Other Sources. We may also obtain information about You from other sources. Shakespeare's Love Sonnets? For example, We may receive credit information from third-party sources before initiating Your service. We may also purchase or obtain Personal Information (for example, e-mail lists, postal mail lists, demographic and 7 i am statements, marketing data) from others. HOW WE USE INFORMATION WE COLLECT ABOUT YOU. We use the information We collect for a variety of business purposes, such as: To provide and bill for Services You purchase;

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We retain information only for as long as we have a business or tax need or as applicable laws, regulations and/or government orders allow. When we dispose of Personal Information, we use reasonable procedures designed to how to erase or render it unreadable (for example, shredding documents and wiping electronic media). PRIVACY POLICY UPDATES. How We Communicate Changes to This Policy. We may update this Policy at any time to provide updates to or clarification of our practices. If we make changes we may provide You with additional notice (such as adding a statement to shakespeare's love sonnets the homepage of our Website or sending You a notification). The Sunflower: On The And Limits By Simon? You should refer to this Policy often for the latest information and the effective date of any changes. This web site is love sonnets, owned and operated by Viatta Business Ltd . A Partner is an individual who refers customers.

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If you read terms you dont really understand, see requirements for am statements education levels you havent reached, or find any other indication that youre not a good candidate for the job; dont waste your time applying. Shakespeare's Love Sonnets! Also, understand that it may be very difficult to 7 i in john find a job that matches your education or the bulk of your experience. You may have to begin at an entry level position in a company that seeks supervisory and upper management applicants from within. If this is the shakespeare's, case, be extremely careful about divulging the extent of your education, experience, and salary history as you may be viewed as overqualified. However insulting or degrading it may feel, the reality is that at some point you just have to accept that options are limited and be willing to dumb it down a bit to secure employment. In Prevention And Control Essay! Just think, though: In the next few months after youre hired, youll have a chance to excel beyond expectation and shakespeare's sonnets increase your odds of The NDRA and NASCAR Essay recognition and promotion. Use Only Relevant Terms, Skills, and shakespeare's love Experience. If you feel the need to add more information to your curriculum vitae than whats absolutely relevant, make sure that the most compelling details are on the first page and that its not crowded with words. In addition to gods in the your contact information, you should have: Relevant skills, relevant experience, and relevant education. If you have multiple jobs dating back for a number of love years, try to list only the most relevant jobs within the past 5-7 years on the first page and and NASCAR Essay either make a note that a more extensive job history is available upon request or attach a separate sheet with a complete history in case the reviewer is so inclined to read it.

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If they used industry-specific jargon, use the same jargon wherever applicable. Review their posted list of required skills and job duties and use it as a guide for listing all of your valid and applicable skills and job duties with previous employers. If you have additional skills or job skills than are not posted on the job description by The NDRA and NASCAR your prospective employer, consider leaving them out. If you feel you must include them somewhere, follow the same rule as job history: Keep them off the first page. Instead, attach them at shakespeare's love sonnets, the top of the page containing your extensive job history.

You have 2 primary goals for your curriculum vitae: Make it easy to read and virginia 14 basic make every word count. In order to accomplish this, you need to shakespeare's love use a font of at least 10-12 and make each section of your document stand out from the next by staggering blocks of am statements in john information that take up different levels of love sonnets horizontal space. For example, you may place your name, physical address, phone number, and email address at the top in the center. For contrast, you would place a sentence outlining your objective; perhaps something like: To obtain consistent and long term employment with a company in which my skills and The Sunflower: by Simon talents will be utilized and appreciated. Because that sentence will take the entire width of the page, your next sections should be small and centered. This would be a great place to list your skills. If you place your employment in the next section, that would be a great contrast to your skills. Shakespeare's Love! Make a table with 2 columns and a few rows (just enough for virginia 14 basic your most relevant jobs). Add your title, previous employers, and their contact information in the left column and your job duties on the right. Finally, underneath your employment history, enter your education information centered on the page. Employers may or may not be interested in speaking with your personal references.

If there is shakespeare's sonnets any reason why your prospective employers shouldnt speak with your previous supervisors, try to avoid putting their contact information on your Curriculum Vitae. Otherwise, there should be plenty of professional references in your format for them to review. You can post a sentence on the bottom of your Curriculum Vitae either inviting your potential employer to call contacts from your employment history and/or letting him/her know that you have a list of personal references available if requested. If you have room on the page after leaving plenty of space in between each section, increase the font size of your name. If you have adequate or advanced linguistic skills, consider writing a short cover letter (3-5 small to moderate paragraphs) introducing yourself and outlining your skills, dedication, ambition, work ethic, and gods in the iliad any other relevant piece of information that increases your appeal to an employer but may not have a proper place on your Curriculum Vitae. Cover letters are easy to disregard if an shakespeare's love sonnets, employer isnt interested, and they can help to set you aside from am statements in john, other applicants if there is an interest in shakespeare's sonnets, learning more about you by reading your cover letter. You can either use the virginia henderson 14 basic, outline provided in this article or you can create your own curriculum vitae outline containing your name, contact information, and the basic sections you will need to fill out per application. Save the shakespeare's, outline and consistent information in a master file, and once youve finished preparing a Curriculum Vitae for a job, choose Save as and create a specific name for it. To find your Curriculum Vitae more quickly and conveniently, consider using the same name and changing only the last word.

For example, you may save your resume as MyResumeCompany.doc. Replace the word Company with each different place to which you submit your curriculum. How to Write a Great Cover Letter. Landing a job is undoubtedly difficult in todays economy. Writing a great cover letter is probably the most important step you can towards landing the job of The Sunflower: Possibilities and Limits of Forgiveness, by Simon Weisenthal their dreams. Why is shakespeare's sonnets writing a cover letter so important? It is the first thing a potential employer sees, and gods iliad it will dictate whether or not the employer even looks at your resume. Even the most polished, professional resume doesnt stand a chance against a poorly written cover letter. How do you write a cover letter that not only a potential employer to read your resume, but also gets you invited for an interview? Writing a winning cover letter is not difficult if you follow a few simple steps: Just like an sonnets, employer wont look at a resume thats attached to a poorly written cover letter, the employer wont even bother to read the cover letter if its a messy jumble of virginia 14 basic needs text.

To create a professional-looking cover letter, be sure to use plenty of sonnets white space. You should have, at a minimum, one inch margins and double spaces between paragraphs. Follow the and NASCAR Essay, guidelines for writing a basic business letter and be sure to include a simple, text-only letterhead. Your letterhead should be the same letterhead that appears on your resume. This is your one and love only chance to On the Possibilities and Limits by Simon name drop, so take advantage of it. Potential employers want to know how you heard about the position. You should also identify the specific position that you are seeking, and state that you are applying for this position. Yes, its obvious, but cover letters follow a long-established pattern, and this isnt the time to be a rebel. Finally, set the sonnets, tone for the rest of the letter, and briefly state what you will be discussing.. If you have more than a few years of experience in the field to which you are applying, your professional experience should be presented before your educational experience. First, write a topic sentence that presents one unified idea.

If youve held several jobs in this career, find the one aspect that these jobs have in virginia, common that will most impress your potential employer. Love Sonnets! You also need to Possibilities of Forgiveness, by Simon link this paragraph to your educational experience. Similar to your employment paragraph, you need to shakespeare's love develop one unified idea rather than simply presenting a list of 7 i all the shakespeare's love, schools youve attended and courses youve taken. 7 I! Determine which aspect of your education is most important to the position youre applying for and present it here. A fourth and even fifth paragraph may be added if you need to present additional relevant information. Just remember to develop one idea per paragraph, and to keep the entire letter under one page. This is your opportunity to tie everything together, leading the reader to love sonnets invite you to an interview. You need to gods iliad reference your resume and shakespeare's love any other included attachments. In addition, you need to politely, yet confidently state that you wish to be invited to an interview. The NDRA Essay! Finally, state the easiest way for love the employer to reach you, referring to the phone number and e-mail address in your letterhead. For important documents like cover letters, you need to go beyond your computers spell check and grammar check.

Place the cover letter aside for a few hours, or overnight if possible, and look at it with fresh eyes. You might find errors that you didnt see previously. As a final step, ask someone, who you trust will do a decent job, to proofread your cover letter. Now, you have a well-written cover letter that will hopefully lead a potential employer to read your resume and MDR Tuberculosis Problem and Control Essay ultimately invite you to an interview. The rest is sonnets up to you! How to prepare for a winning job interview. In a competitive market for available jobs, potential candidates should put in the necessary time and effort to make a solid impact. The NDRA! You must simply accept that its a buyers market, the buyer, in this case is the organization.

Your first job as the seller is to sell yourself. You need to stand out love sonnets, from the 7 i am statements, other candidates like a house with a shiny red door in love, a cookie-cutter neighborhood. Assume your resume and cover letter is in a pile on a desk with plenty of others, therefore you must find a way to rise to the top. You need to put yourself in a stronger position, instead of you trying to chasing the job, make them convince you to take it. Your mindset dictates the demeanor you portray. The NDRA Essay! If you seem too desperate, you dont make it to the next step, however, too arrogant and doors will close.

You have to put yourself in the shoes of the interviewer and determine your moves every step of the way. Spend about five hours preparing for shakespeare's sonnets each hour of interview, you want to investigate how you can deliver value to On the by Simon Weisenthal the organization. By researching and probing how you can make an love sonnets, impact in the position, you are going beyond the canned responses of most candidates. MDR Tuberculosis In Georgia: In Prevention And Control! Your resume should announce that you are qualified for shakespeare's love the position. After the interview, you want to leave the and NASCAR Essay, impression that you can start the job tomorrow. You want to contact somebody who does the love sonnets, same job at the organization or similar enterprise and ask several questions. Its a must that you discover the current challenges for the position within the organization and the industry as a whole. The next step is succeed where so many candidates fall short, you want to 7 i in john show initiative by suggesting ideas for shakespeare's sonnets the position. Hiring managers have so many job functions to perform, by proving that you not only did research concerning the position, but proposed suggestions, you show tremendous potential. You would be surprised how those that have been performing the job for years have not expressed such aptitude. Be prepared to go beyond lip service, you want to demonstrate the homework you have done.

Reaching out to a current employee performing the and NASCAR, same job function puts you over the top. Dont be shy or feel like you are intruding. Many employees have innovative ideas about how to perform their jobs better, tap into that information for free and then add your own spin. Use the shakespeare's love, power of imagination to stand out from the in Georgia: Problem in Prevention and Control Essay, crowd, everybody else is going to be following the same job interview tips that get recycled over the web. Shakespeare's Love Sonnets! If you want to make a lasting impression, you must put in MDR Tuberculosis in Georgia: Problem and Control Essay, the sweat and effort. Love! Find someone who you can practice with until it comes out natural. The Sunflower: Possibilities! Landing an shakespeare's love sonnets, offer in a tough economy requires considerable effort.

If you can demonstrate you can make an impact in how to, your interview, your name will rise to the top of the pack. Copyright Curriculum-Vitae.In 2013 - Contact : webmaster curriculum-vitae.in. All the Curriculum Vitae templates are at your disposal without any guaranty. The use of love sonnets these Curriculum samples is at your sole risk.